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Showing posts with label Valiant. Show all posts
Showing posts with label Valiant. Show all posts

Friday, 14 December 2012

In Review: One-Eyed Jack And The Death of Valiant

Hibernia Books, who have previously published licensed reprints of 1980s IPC strips Doomlord from new Eagle and The 13th Floor from Scream, are back with a factual fanzine about the weekly IPC comic Valiant and its links with 2000AD entitled One-Eyed Jack And The Death of Valiant. Writer David McDonald has created a 36 page magazine with a black and white cover, and black and white and colour interior images about Valiant comic and its Dirty Harry style cop character who foreshadowed Judge Dredd.

Split into five sections, the magazine gives an brief overview of Valiant weekly from its origins in 1962 before focusing on the revamp it was given by writer and editor John Wagner when he was tasked with revitalising the title in 1975. While this revamp gave the Sixties comic a more modern Seventies look, it did not halt the declining sales figures enough to prevent the title being amalgamated into its sibling title Battle Picture Weekly in 1976. David interviews John on the subject of his editorship of Valiant which makes a refreshing change from the more normal interviews with him which inevitably concentrate on his creation and writing of Judge Dredd.

One of the strips introduced in the revamp of Valiant was about Detective Jack McBane, the New York cop known as One-Eyed Jack, written by John Wagner and illustrated by John Cooper. While Wagner took his inspiration from TV series such as The Streets Of San Francisco as much as movies, it was Cooper who based the visuals of the character on Clint Eastwood in Dirty Harry. David focuses on this proto-Dredd character and interviews the now retired John about his art on One-Eyed Jack as well as talking about the rest of his career from Thunderbirds in TV21 in the 1960s to his recent Armitage strip in the Judge Dredd Megazine. John Cooper has rarely been interviewed before so it is a treat to be able to read what he has to say.

The magazine concludes with an interesting piece on the background role of the Art Editor focusing on Jan(et) Shepheard who worked on Valiant, 2000AD, Starlord and Tornado amongst many other IPC titles, with contributions both by herself and former 2000AD staffers, editor Kelvin Gosnell and art editor/artist Kevin O'Neill. While this may sound like the least interesting section of the magazine, covering as it does the work of people who are rarely if ever mentioned, I found this a fascinating read which highlights a side of the comics that readers simply take for granted.

One-Eyed Jack And The Death of Valiant is available as a digital edition but I would think that the majority of readers will be from a background where they want a paper version in their hands and the print version is no let down. Professionally printed on matt paper that is just slightly shorter than A4, this is an impressive publication both from a production, a design and a writing perspective and is the first of a potential series of semi-regular titles covering older UK comics entitled "Comic Archive".

As I said when the title was initially plugged on downthetubes, most of the writers here on DTT come from a factual fanzine (as opposed to a stripzine/small press) background and so we know what it is like to produce this sort of title and how difficult it can be getting interviews and 'new' hard facts that have not previously been discussed to death.

One-Eyed Jack And The Death of Valiant is one of the best factual fanzines that I have read in a long time and I can't recommend it highly enough to both those interested in the general history of British comics as well as those who choose to focus on 2000AD alone.

One-Eyed Jack And The Death of Valiant is available to buy via Comicsy with the printed edition costing £3.99 plus £1.50 postage while the digital version is only £1.50. Copies of the Doomlord reprint magazine are also available.

There are more details of all Hibernia titles on their blog.

Sunday, 2 December 2012

New One-Eyed Jack / Valiant Fanzine Available

Hibernia Books, who have previously published licensed reprints of 1980s IPC strips Doomlord from new Eagle and The 13th Floor from Scream, are back with a fanzine about the IPC comic Valiant entitled One-Eyed Jack And The Death of Valiant.

David McDonald has created a 36 page magazine with a black and white cover and black and white and colour interior images about Valiant comic and its Dirty Harry cop character who foreshadowed Judge Dredd. Features include The Death Of Valiant covering the last year of the title before it was amalgamated into Battle Picture Weekly, a comparison of One-Eyed Jack and Judge Dredd, a piece on the work of IPC art editor Janet Shepheard, as well as interviews with artist John Cooper and writer John Wagner.

This is the first of a potential series of semi-regular titles covering older UK comics entitled Comic Archive. As most of the writers on downthetubes come from a fanzine (as opposed to a stripzine/small press) background, this is a venture that we wish David every good luck with.

One-Eyed Jack And The Death of Valiant is available to buy via Comicsy with the printed edition costing £3.99 plus £1.50 postage while the digital version is only £1.50. Copies of the Doomlord reprint magazine are also available.

There are more details of all Hibernia titles on their blog.

Friday, 23 March 2012

British Comic Stamps: Valiant

Here's the eighth of our ten posts to mark the release of the Royal Mail's Comic Collection, celebrating 75 years of British comics. The Royal Mail have kindly sent us large versions of each stamp, so we thought we'd show them off in all their glory, in the order of first comic publication.

Valiant was a British boys’ adventure comic which ran from 1962 to 1976. It was published by IPC Magazines (but ended up at Egmont) and was one of their major adventure titles throughout the 1960s and early 1970s.

Aside from World War II characters like Captain Hurricane, Valiant ran innovative science fiction strips like the Steel Claw, an assistant to a scientist rendered invisible by his artificial hand. At first something of an anti-hero, he went on to work undercover for a British secret service, battling aliens and villains across the globe.

• Stamps and stamp products are available at all Post Office branches, online at www.royalmail.com/personal/comic-stamps-and-collectibles, the Royal Mail eBay shop: http://stores.ebay.co.uk/Royal-Mail-Stamp-Collections and from Royal Mail Tallents House (tel. 08457 641 641), 21 South Gyle Crescent, Edinburgh, EH12 9PB.

Thursday, 5 January 2012

Post Office celebrates British Comics




Britain's Post Office is celebrating what it's defined as "75 Years of British Comics" with a special issue of stamps featuring the covers of various much-loved comics, including 2000AD and The Beano.

Set to be released on 20th March 2012, the offer also includes two First Fay Covers featuring Boys Own and Girls Own - with a special 'Eagle' postmark.

The stamps comprise The Dandy (featuring Desperate Dan), The Beano (Dennis the Menace), Eagle (Dan Dare), Topper (Beryl the Peril), Tiger (Roy of the Rovers), Bunty (The Four Marys), Buster (Buster), Valiant (The Steel Claw), Twinkle (Twinkle), and 2000AD (Judge Dredd).

The stanps serve to indicate not just comics still going strong but just how many are no longer around, but it's great to see the Post Office promoting our industry in this way, even if British comics have been published for much longer than 75 years.

This release follows on the heels of  commeorative issues such as one celebrating the work of author Roald Dahl on 10th January and Classic Locomotives on 8th February.

• There's more details about the release on the British First Day Covers web site here: www.bfdc.co.uk/2012/comics

• The full Special Stamp Programme for 2012 is as follows:

5t January - Olympic and Paralympic Definitives
10th January - Roald Dahl

2nd February - House of Windsor
6th February - Diamond Jubilee Definitives
23rd February - Britons of Distinction

8th March - Classic Locomotives of Scotland
20th March - Comics

10th April - A-Z of Britain Part 2

15th May - Great British Fashion
31st May - Diamond Jubilee

19th June - Charles Dickens

27th July - Welcome to the London 2012 Olympic Games

29th August - Welcome to the London 2012 Paralympic Games

27th September - Memories of the London 2012

16th October - Dinosaurs
30th October - Space Science

6th November - Christmas

• For more on British Stamps visit the British Postal Museum and Archive

Art © Royal Mail

Thursday, 3 November 2011

Artist Spotlight: Jésus Blasco

The Illustration Art Gallery is spotlighting the work of the late Jésus Blasco this month, offering a 20 per cent discount on any orders of his original art, which includes pages of perhaps his best-known strip in the UK, The Steel Claw but also some gorgeous illustrations for Sleeping Beauty, Hansel & Gretel, Princess Grace, Snow White, The Wombles and many more.

Blasco (Jesús Blasco Monterde), considered one of the masters of Spanish comics, made his comics debut in 1935, working on the Spanish version of the Disney Mickey magazine, then creating 'Cuto', one of his best-known characters, for Boliche. Other early credits include work for Chicos, still working on 'Cuto' and several adventure and science-fiction comics.



Cuto for Chicos - early work
More info in Spanish
He began working for Fleetway in the 1950s, initially drawing Buffalo Bill for Comet in 1954, followed by Robin Hood for the Sun comic and various strips for Playhour. This was followed by plenty of work for titles such as Mirabelle and Valentine, before moving on to work such as Blackbow the Cheyenne for Swift, The Steel Claw for Valiant and Danger Man for Lion.

An incredibly versatile artist, he also drew strips such as The Water Babies and Alice in Wonderland for Once Upon a Time in 1970, before returning to action strips such as Dredger for Action and Invasion for 2000AD in the mid-1970s.

For Europe, he drew Los Guerilleros for Spirou from 1968 and at the end of the 1970s and into the 1980s he and his brothers Alejandro and Adriano worked on Une Bible en Bande Dessinée, followed by Tex Willer and Capitan Trueno with writer Victor Mora, with whom he also made the medieval series Tallafero in 1987.

Jésus Blasco's very productive and influential career ended with his death on 21st October 1995.

• The 20 per cent strictly limited exclusive discount expires on 30th November 2011. Gallery Page: www.illustrationartgallery.com/acatalog/Jesus_Blasco_Art.html

Jesús Blasco Fleetway credit list (by Dave Roach, but in Spanish): http://deskartesmil.blogspot.com/2010/07/jesus-blasco-en-uk-1954-1983.html

• The work of Jesús Blasco: http://www.scholarsresource.com/browse/artist/2142573259?page=1

Tuesday, 16 August 2011

In Memoriam: Francisco Solano Lopez

Francisco Solano Lopez at the Lucca festival in 2007. Photo by Giacomo Bartalesi. Licensed under the Creative Commons Attribution 2.0 Generic license.
(via Lew StringerThe Comics Journal and lanaicon.com): We're sorry to report the death of legendary Argentinian comics artist Francisco Solano Lopez, whose work for British comics across several decades enthralled and inspired countless comics fans.

Lopez, who has died of a cerebral hemorrhage aged 83, is perhaps best known to British comic fans for his work on strips such as Adam Eterno (which first appeared in Thunder), Janus Stark and Kelly's Eye, but worldwide he's perhaps best known as the co-creator of the controversial comic El Eternauta, first published in Hora Cero Semanal from 1957 to 1959, a strip he would return to many times in his long career.

A more than capable artist across many different genres, some of his more recent work includes the adult series El Instituto (Young Witches, published by EROS Comix in the US), a cheerfully perverse saga of supernaturally-powered sisters.

'El Eternau
Born in October 1928 in Buenos Aires, Lopez began working in 1953 for the publishing house Columba, where he met long term working partner Hector German Oesterheld. When  Oesterheld founded the publishing house Frontera, they worked on a new strip that told the story of a schoolteacher, Juan Salvo, and his family who fight against an invasion of aliens, and confront them on the battleground of Buenos Aires: El Eternauta.

Lopez was inspired by the idea of alien invaders in the creation of the character, and Oesterheld liked science fiction, revealing in one interview that his origins came from the success of another SF character, Rolo, an adopted Martian.

From the start, this story of a man fighting against alien invaders (the epitome of faceless authority) struck an instant chord in Argentina. Now regarded as something of a symbol of struggle in his native country, its subject matter commenting on social injustice, dictatorship and US imperialism that brought its creators unwelcome attention from Argentina's military junta of the time. Eventually, Lopez was forced to flee the country, ending up in Spain from where he began to start work for Fleetway in late 1959, finally moving to London to be closer to his scriptwriters.

'The Vikings' - Lopez' first Adam Eterno
work for Thunder Number 17
His many British comics credits included Battler Britton for Thriller Picture Library,  Galaxus: The Thing from Outer Space and Pete's Pocket Army for Buster, Janus Stark for Smash and Valiant, Kelly's Eye for Knockout and Valiant), Raven on the Wing for Valiant, Adam Eterno for Thunder and Lion and much more. (DanDare.info has a full listing of his British credits).

"Although the artist found fame in adult comics (and found credits where due, unlike on his anonymous UK work) his strips formed a huge and important part of British comics," Notes Lew Stringer. "Due to the gritty edge of his style his pages still seem exciting and vibrant today."

The workload was enormous and Lopez was aided in the demands of his British publisher by artists in his own art studio in Buenos Aires such as Ramiro Bujeiro, Tibor Horvath, Silvia Lechuca, the Schiaffino brothers, Julio and Jorge with whom Lopez had worked on Bull Rocket in the early 1950s, and Nestor Morales.

Lopez returned to Argentina in 1974, planning to work for publishers Columba once more, but Oesterheld convinced him to continue with the second part of El Eternauta with a new publishing house, the Editorial Records - but the dangerous political climate forced Oesterheld to go into hiding and, after a mysterious fire at his house Lopez again headed for Madrid, Spain, from where he gained publication of El Eternauta and a new SF story, Slot Barr in the Italian magazines LancioStory and Skorpio.

'Evaristo'
By the 1980s he was living in Rio de Janeiro, working for US publishers such as Dark Horse and Fantagraphics as well as Italian comics, producing two news strips – El Ministerio and El Televisor with Ricardo Barreiro and a tough police series Evaristo from scripts by Carlos Sampayo.

Ever able to adapt to almost any style, he started working on erotic comics in the 1990s, achieving success with strips such as El Prostíbulo del Terror and Sexy Symphony, produced in collaboration with his son Gabriel Solano Lopez as writer, a full-colour series without words for the magazine Kiss Comix.

Franciso and his son achieved joint success in comics with the surrealist Ana, published by Fantagraphics, following a French girl  from her days as idealistic student to adult burnout and beyond.

His work in adult comics gained him First Prize for Best Erotic Author in the Barcelona Erotic Show and Best Cartoonist Realist from the Diario de Avisos in Spain.

The Comics Journal notes he also drew an adaptation of the classic horror movie Freaks, in 1991, as adapted by Jim Woodring (for Fantagraphics imprint Monster Comics).

In 1995 he moved back to Buenos Aires and returned to his beloved Eternauta in 2001, now written by his regular collaborator Pablo Maiztegui (who signs his work as 'POL'). This time, though, it had a more ambitious story, set 40 years in the future in a Buenos Aires rebuilt by the invaders, where massive brainwashing of the survivors made people believe that the alien arrival was peaceful, and only a few know the truth.

An article for Bahianoticias.com, published in March 2010, reveals the authors' intention was to portray a different form of domination - based not on military might but in manipulating the masses.

"We're taking a look at the present time, based on an explicit metaphor," explained Lopez. "The country invaded by aliens, which are actually international finance... we were interested in showing how the invaders were able to perpetuate the domination through the mechanisms of democracy."

A recent illustration by Lopez for Telam's Seccion Impossible
Continuing to work into his 80s, he signed a deal with the Argentinain natonal news agency, Télam, to illustrate two new editorial projects - a historical comic strip centring on two adventurers, sort of local time travellers, by Pablo Maiztegui and a sitcom by Teodoro Boot which describes the life of Mr. Monti, head of a family and magazine writer who uses his imagination to make ends meet.

The latest episode of Sección imposible includes the dedication "Adiós Maestro, con el afecto y la admiración de siempre." (Goodbye Master, with affection and admiration forever).

While this award-winning artist's comics spans many decades and he will be best remembered for his politically charged El Eternauta, fans in Britain will always remember him best for his memorable contributions to the likes of Buster, Valiant and Lion. He will be much missed.

• Francisco Solano Lopez, born 26th October 1928, died 12th August 2011

Web Links

Francisco Solano Lopez - Lambiek

Career Overview for Bahianoticias.com - on Flickr (in Spanish)

Francisco Solano Lopez Biography on DanDare.info

A full listing of his British credits on dandare.info (first published in the French magazine Pimpf Issue 11)

Tributes and Obituaries

Bleeding Cool

Blimey! It's Another Blog about Comics

Comics Journal
"Francisco Solano López was a titan of South American comics, on a level with the great Alberto Breccia, the temporary honorary Argentinean (during the 1950s) Hugo Pratt, and the hugely influential writer Hector Oesterheld (who collaborated with all three)."

Comics Reporter

Lanacion.com: report of Lopez death (in Spanish)
El dibujante Francisco Solano López, que ilustró la mítica historieta El Eternauta, creada por Héctor Germán Oesterheld, falleció esta madrugada luego de una hemorragia cerebral de la que no se pudo recuperar.

Friday, 11 March 2011

Hurricane and Champion: the Companion Papers to Valiant



Top British comics archivist Steve Holland has re-launched his Bear Alley Books imprint with Mean Streetmaps, a collection of essays on crime noir, and an all-new index to two classic British comics.

Hurricane and Champion: The Companion Papers to Valiant details the histories of both papers and reveals - some for the first time - the names of many of the creators behind the classic comic strips that filled their pages.

Heavily illustrated throughout, Hurricane and Champion also includes title and creator indexes covering both papers, a gallery of annual covers and has a full-colour cover scanned from original artwork.

In his introduction, Steve Holland describes how Hurricane (1964-65) went through four phases during its lifetime and reveals the many problems faced by Champion (1966) during its brief 15-issue run.

• Hurricane and Champion is published in A4 saddle-stitch format, 48 pages black and white with a full colour cover by Allesandro Biffignandi. For ordering information, visit the Bear Alley Books site: http://bearalleybooks.blogspot.com/2011/02/hurricane-and-champion-index.html

Hurricane and Champion are © IPC Media

Wednesday, 9 February 2011

Adam Eterno art on sale on eBay

Three pages of Adam Eterno art by Solano Lopez are currently on sale on eBay.

All three pieces are from the Peter Hansen IPC Archive Collection, who bought IPC's entire archive of art some years back, and are all from Lion and Thunder No 1039, cover dated 3rd June 1973, in which Adam Eterno arrives on a Carribean island to battle injustice during the Festival of Xahu.

Immortal time-travelling Adam Eterno first appeared in Thunder comic in 1970, but proved such a popular character he survived several title mergers as Thunder merged with Lion after just 22 issues in 1971, then Valiant with Lion in 1974 (becoming Lion and Valiant). His last official appearance to date - albeit a reprint - was in the 1980 Valiant annual.

Auction items
http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=220736084463
http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=220736085078
http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=220736085611

• Adam Eterno Fan Site: http://adameternoforever.tripod.com

Wednesday, 7 July 2010

Vintage British Star Trek pages sold on eBay

Two pages of vintage Star Trek art by veteran British comic artist John Stokes created for British publication have just been sold on eBay.

Published in August 1972 in Valiant and TV21, John Stokes was one of several artists to work on the property, which first featured in the weekly comic Joe 90: Top Secret in January 1969, six months before the TV show itself began to air in the UK on BBC1, coinciding with the first moon landing.

Star Trek transferred to TV21 when the two titles merged in September 1969, becoming TV21 and Joe 90.

TV21, a pale shadow of its former 1960s self, was eventually merged with Valiant in late 1971, with Star Trek one of the strips that survived the merger.

Artists who worked on the strip - which proved an instant hit from its first appearance in Joe 90 - included Harry Lindfield, Mike Noble, Ron Turner, Harold Johns, Carlos Pino and Vicente Alcazar and, finally, John Stokes, who drew 13 untitled stories in total.

The strip appeared in colour, his art often falling prey to the vagaries of Valiant's letterpress printing, running until 29 December 1973.

This artwork was part of a huge deal between IPC and collector Peter Hansen and Blase Books, run by Phil Clark, regularly offer items via eBay, sold as from the Peter Hansen Five Star IPC Archive Collection.

While the British Star Trek comic is riddled with continuity errors, especially in early stories where the artists and writers had no idea of the show's format or how its vehicles looked, aside from what we can only assume would have been a few reference photographs, there is still plenty of interest in this curious spin-off from the hit SF franchise, which included one of the first attempts to visualize the Romulan homeworld and a story set on Earth - a setting never realized on the original TV series itself.

Perhaps there may yet be interest in a print collection of the material at some point.

• Written by pop-culture historian Alan J. Porter, author of the bestselling James Bond: The History of the Illustrated 007, Star Trek: A Comic Book History, published last year, should be of interest to people interested in the story above, offering a complete history of the Star Trek universe in comic books and newspaper strips all over the world.

It features nine information-packed chapters detailing the history of Star Trek in comic books and newspaper strips from the first Gold Key comic book, the British Star Trek strips to Marvel and DC's titles, and up to the present day. Covering all publications of the entire Star Trek universe it includes creator interviews, unpublished artwork, and a detailed checklist.

Friday, 13 June 2008

Tube Surfing: 13 June 2008

• We're pleased to report that our report by David Baillie on the recent No Barcodes event in Camden Market, organised by London Underground Comics is online. You can read it here.
Don't forget LUC are at Camden Market every Saturday.

• The Forbidden Planet International blog features the first part of a major interview with writer and mage, Alan Moore: a second part will follow sometime next week. Moore talks about reaction to The Lost Girls, his views on the changing face of comics (and the treatment of comics creators by publishers) and the upcoming League of Extraordinary Gentlemen: Century.

• Debate continues to rage about the new DFC comic in several quarters: on the downthetubes Ning forum (membership required to comment), discussion has just turned to the issue of bad language in the John Blake strip by Phillip Pullman...

• New British publisher Blank Slate, whose titles include Oliver East's Trains are Mint and Mawil's We can Still Be Friends has a new blog. They've kindly sent us copies of both books and we should have reviews up next week, along with more details about their publishing plans.

Lew Stringer reports that while, traditionally, the publication time for Christmas annuals is late August / early September, in a canny move to cash in on this year's blockbuster movies, Panini UK have released two of their 2009 dated annuals early. Read his review on Blimey! It's Another Blog About Comics where he also writes about some rare advertising for the very first issue of Valiant comic back in the 1960s.

• Over on Bear Alley, Steve Holland has posted his review of The Best of Roy of the Rovers: The 1980s, now on sale (don't forget to enter our competition!). "The Best of Roy of the Rovers: The 1980s is a bit of a misnomer for a book that reprints a straight two-year run of stories," he writes. "Ironically, it is one of the strengths of the Roy of the Rovers strip that is proving to be a pain from a marketing point of view—the Roy strip was a soap-opera with a series of storylines that would dramatically (often very dramatically) reboot the strip.
"You cannot easily choose a random group of episodes as representative because overarching plots would sometimes take a whole season to unfold, come to fruition and reach some sort of resolution; the resolution could very well involve the demise of major characters in the best soap-opera tradition of, say, EastEnders. Unlike EastEnders, however (and, it must be said, American comics), dead characters were never brought back to life in desperate grabs for ratings or sales. Read the full review

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