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Showing posts with label Tanya Roberts. Show all posts
Showing posts with label Tanya Roberts. Show all posts

Wednesday, 29 May 2013

Six-Gun Gorilla comics inspired by British pulp hero in the pipeline

Two comics projects inspired by an obscure British Pulp hero published by DC Thomson the 1930s are in the works, illustrating, perhaps, the potential pitfalls of reviving "Golden Age" heroes in the public domain.

Six-Gun Gorilla was published in Wizard, published by DC Thomson and written by an anonymous author in 1939. The only survivor from a circus train wreck, a baby gorilla is found by Johnson, an elderly prospector,. He names him O’Neil and raises him, teaching how help him pan for gold, as well as how to cook, clean and survive on his own in the Western wilderness, part of which involves O’Neil learning how to use a revolver – learning it so well he becomes a crack shot.

When Johnson is killed by bandits after his gold, O'Neil sets after them seeking vengeance.

The character is now considered to be in the public domain in both the US and UK, as the serial's copyright was never renewed in the United States, and 50 years have passed since its publication here.

Earlier this summer, US publisher BOOM! Studios announced that they were releasing a Six-Gun Gorilla title (Issue 1 is on sale in next month), written by Si Spurrier and drawn by Jeff Stokely. "If you haven’t heard of him yet, you will. He is perfect for this book," says Si of Jeff's work.
Six-Gun Gorilla by Jeff Stokely

In #1, we're introduced to “the Blister” -- a bizarre other-world colonized by humans sometime in the 22nd century, which quickly became a hotly-contested source of fertile land and natural resources long ago exhausted on Earth. In this new frontier, a rogue gunslinger and his companion wander across a wilderness in the grips of a civil war, encountering lawlessness, natives, and perversions of civilization in a world at the crossroads between the past and the future.

The fact that said gunslinger is a bio-surgically modified silverback gorilla toting a pair of enormous revolvers is neither here nor there.

"I love Westerns," Si said of the project earlier this year. "Six-Gun Gorilla is the culmination of all my obsessive theorizing and cultural sampling: a love-letter to the most beautiful, most tragic, most self-fulfillingly-obsolete genre of them all. 

"It’s is not about a Gorilla in a cowboy hat. It features a hole in the wall of reality, a mass-market tv-show based on violent military suicide, a world where the laws of physics don’t work quite right, and - yes. A f****** enormous primate with a f******  enormous gun. And wide shots. And high noon. And deals gone wrong and war and death and frontier life and corrupt men."

The project sounds great and has gained plenty of comic press attention, although part of it, of course, is down to the fact that there's a rival project in the works.

The rival, which has yet to get a publisher, appears to be more in line with the source material, and is described by writer Brian Christgau as “A very big ape with very big guns blowing very big holes in very bad people.”

With a cover by Wes Huffor, Six Gun Gorilla: Long Days of Vengeance is drawn by  Argentinian artist Adrian Sibar, best known to fans for his work on DC’s Batgirl, Planet of the Apes for Dark Horse and more.

“I wish BOOM, Si Spurrier and his collaborators the best,” says Christgau. “I genuinely do, but their book is completely different from what I’m doing.

“A few years ago I stumbled across the title while browsing a website about Golden Age and Pulp superheroes,” Christgau says . “I heard that title and BANG! It was like a firecracker went off in my head. Later I was driving to a local shopping mall, listening to the Hawk the Slayer soundtrack of all things, and by the time I parked I already had the entire story.”

“I approached the story as Tarzan in reverse,” Christgau elaborates. “Instead of a human raised by apes in the jungle you’ve got an ape raised by humans in the Old West. The only thing I took from the original story is the title and the basic idea of a gorilla stalking the Old West for the outlaws who murdered his adopted human father. And boy did I run with it.”

Six Gun Gorilla: Long Days of Vengeance is the story of Kumba, an intelligent, sharp-shooting circus gorilla who blazes a trail across the Old West in search of the outlaws who murdered the man who raised him. Along the way he joins forces with his human sister, the only one who truly understands him, and Union spy Giuliano Schmidt. Together they uncover a much greater threat.

“What starts out as a small, simple revenge story swells up like a fat lip,” says Christgau.  “When he sets out to hunt down the killers, Kumba and his friends uncover a much wider conspiracy that extends far beyond his one-primate search for vengeance, leaving the destiny of the very country in his hairy hands.”

“It’s not campy, that’s for damn sure,” says Christgau. “I really, strongly believe that this sort of story is best served by being played poker-faced. It has a sense of fun and adventure, but avoids the pitfall of self-parody. Comics and movies have become too self-aware these days. The last thing I wanted to do was slip into empty hipster irony.”

“Adrian has a visual storytelling ability that is great at conveying atmosphere, drama and a sense of the epic,” Christgau enthuses. “Most of all, he invests his work with the one thing so rare in today’s comics: heart. He gives the characters a real sense of soul. I fashion them out of clay and he breathes life into them.”

“Wes’s incredible covers show the book for what it ultimately is: a Western comic. This isn’t a spoof or a ‘re-imagining’. This is a rootin’, tootin’, two-fisted tale of one very pissed off, pistol-packin’ gorilla on the hot trial to vengeance in the Old West! It’s got showdowns, saloon brawls, heroic loners, horse chases – the works. I think people are going to get a real kick out of it.”

Si Spurrier is non-plussed by the rival project. Like Christgau, he wishes him all the best with his version.


"I have great sympathy for Mr Christgrau because – yeah – there really is nothing more annoying-seeming than being pipped to an idea," said last month. "It’s happened to me more times than I can remember. 

"I have nothing but good wishes for him and his project: the art looks lovely and, hey, it’s about a gorilla with a gun. Sold. But the important point (as he explains) is that his vision for 6GG and mine are totally different. I’m no expert on trademark or copyright laws so I won’t speculate about use of the title (except to gently recall that comics with, say, “Dracula” in the title are released by multitudinous publishers every year, aren’t they?) but I see no reason both versions can’t co-exist, under whatever name."

Si points out that there's also at least one other Six-Gun Gorilla project has launched before, written by Colin Bel with art by Tanya Roberts. "Again, it’s a million miles away from the Boom Studios version," says Si. "Too many cooks? Too much broth? ... No. There’s always room for more gun-toting gorillas."

“If [no publisher wants it] I’ll probably just throw the thing online for digital download,” Christgau speculates of his version. “I’m old enough to remember that in 1983 there were two James Bond movies that came out that same summer, one with Roger Moore and another with Sean Connery. Hopefully there’ll be room for two Six-Gun Gorillas!”

While it's all sounding wonderfully amicable, if DC Thomson decide to revive the character in the digital Dandy we'll really be having a Harry Hill summer of brawling gorillas!


• For more information on Six Gun Gorilla #1 written by Si Spurrier and drawn by Jeff Stokely visit: http://boom-studios.com/series/title?series_id=927&name=Six-Gun%20Gorilla

• For more information on Six Gun Gorilla: Long Days of Vengeance, visit www.sixgungorilla.com for links to the official blog and Facebook page.


• View samples of the Six-Gun Gorilla project written by Colin Bel with art by Tanya Roberts


• Read more about the original Six-Gun Gorilla story in Wizard here on Jess Nevins web site

Monday, 25 March 2013

DOJ-Con, Scotland’s largest free anime convention, unveils 2013 plans


Dundee will once again proudly nail its geeky colours to the mast when Scotland’s largest free anime, comics and video games convention returns to Dundee University Students Union this year.

DOJ-CON will take place on Saturday 13th April when film screenings, board and video game tournaments, stalls, exhibitions, demonstrations and industry presentations will take place. The event has grown in stature year-on-year, and around 2000 fans, most of whom dressed in costume, took part last year.

DOJ-CON is a product of the Animation Fundraiser Society at Dundee University Students Association. Management of the fundraiser event each year changes to the successive Animation 4th year class.

The event, previously called Dee-Con, has been re-branded DOJ-CON for 2013, emphasising the convention’s roots in the art college. The organisers of Dee-Con 2012, as well as lecturers Dr. Chris Murray and Phil Vaughan, who run comics studies courses at the University and run the Scottish Centre for Comics Studies, are working closely with this year’s management.

Organised predominantly by students and alumni of Duncan of Jordanstone College of Art and Design, DOJ-CON is a fundraiser event with all proceeds going towards the animation degree show, which takes place 17th-25th May 2013.

The Dundee University Students Association and the Scottish Centre for Comics Studies are providing backing to allow DOJ-CON to take place.

President Slava Lawson explained, “The programme we’re putting together will be added to between now and the event, and the amount of support and enthusiasm that we’ve received from the guest speakers we’ve invited as well as the attendees who remember last year’s convention is absolutely incredible.”

“Our predecessors have done a great job in establishing this as a major event, so we know we have to be at our best to match the standards they set but we’re all really enthusiastic about doing just that. Even if you’re not a diehard manga or anime fan there’s a lot to interest you. It’s shaping up to be a great day and we’d like to welcome everyone along. Video game tournaments will be taking place, and the after party is always a bit special.”

DOJ-CON will feature talks from guest speakers from the animation, games, comic and anime industry as well as other specialists and enthusiasts. The list includes a talk on manga by Sweatdrop founder Hayden Scott-Baron (Dock); a workshop by professional comics artist Tanya Roberts; a talk on Korean Comics by Hannah Rose, a recent graduate of Dundee University’s Comics MLitt programme; an “8 out of 10 cats” style talk by video games music lecturer Rosalie Newcombe including video cameos by well-known composers such as Grant Kirkhope (GoldenEye, Perfect Dark, Banjo Kazooie); Alisa Partridge: Lolita fashion enthusiast with influence directly from world travel, and Alice de Ste Croix aka DestinyBlue, a digital manga style artist who will be hosting an interactive character creation and creativity lecture.

Anime Ltd. run by director of the festival Scotland Loves Animation, will be providing a variety of anime films and shows to screen throughout the day including 2 episodes of the classic Cowboy Bebop and a special feature film voted for by Doj-Con fans: Oblivion Island: Haruka and the Magic Mirror Cert:12A (2009). Anime Ltd. will also have a stall in artists alley representing Manga UK and Kaze for attendees to browse.

The convention will feature an Artist’s Alley where up and coming anime/fan art/comic artists and illustrators can sell their work, promote their businesses and make contacts. There will also be a Games area with an entire floor of the Union dedicated to game playing and tournaments including Ultimate Marvel vs Capcom 3 and Pokemon Black & White 2. There will also be an advanced constructed tournament in the classic anime card game Yu-Gi-Oh!

The Northumbria University Kendo Club will be hosting a demonstration of this Japanese martial art just before the all-important winners of the Cosplay competition and raffle are announced and everyone who has come in costume is given the opportunity to take part in a traditional masquerade.

As is tradition Cosplaying will be taking place and there will be a competition for hand-made costumes. Professional photographers Mr Drew Photography and Scott Baxter will be on hand to capture everyone in their costumes.

Over 18 attendees will have the opportunity to blow off some steam just before the after party at the karaoke night in Ait bar, opened by a special acoustic performance from Tom Paxton.

The event will be rounded off with the now-legendary after party, with Nanashi Dansu, an Eastern Asian music style club night run by David Skelley, coming to DUSA to round off the celebrations. DJ Nanashi will be supported by DJ Bubu, who has been Awarded 'Best Artist' and 'Best Release' during the World Wide Chiptune Awards.

• DOJ-Con Facebook Event Page: http://www.facebook.com/events/446581382089546/?fref=ts

• For more information on DOJ-CON please contact Slava Lawson on dojcon2013@gmail.com. 


• For cosplay related enquiries please visit the Facebook Page (http://dojcon.com) or email dojcon2013cosplay@gmail.com. 

• For information about acquiring an artist’s stall please visit the official website: http://dojcon.com. 

• For more details of corporate stalls please contact Trevor San at tsan@dusa.co.uk

• To receive all the latest updates straight to your news feed like the Facebook page: http://www.facebook.com/dojconanime or follow the event on Twitter at @DOJ_CON

Wednesday, 14 November 2012

Creator Talk: Six Questions for Star Wars Artist Tanya Roberts

With her long dreadlocks now replaced with a Venus Bluegenes-style mohican, Edinburgh based artist Tanya Roberts continues to make a striking impression at comics conventions from California to Germany as well as in the UK. She has been drawing the comic strip in Titan's Star Wars: The Clone Wars comic for some four years now and yet, despite being a professionally published Star Wars artist for so long, her work is not that well known as the title is aimed at a junior audience. Jeremy Briggs spoke to Tanya about The Clone Wars and her other work.
 
downthetubes: What comics did you read as a child and did they inspire you to start drawing?
Tanya Roberts: The comics that I read were largely the ones I could get a hold of. I read a lot of Tintin, Asterix, 2000AD, Beano, Dandy, you know? A British kid's staple comic diet.  I grew up in Africa so whatever I could get my hands on that looked like a comic I consumed hungrily. However I always preferred watching animated movies and would draw 'storyboards' of little stories that I wrote, which came in handy later on when my career in traditional animation (RIP) never left the ground.

DTT: What titles have you worked on?
Tanya: The first professional thing I got asked to do I am still doing today, Star Wars: Clone Wars - that was four years ago! It's great to be affiliated with one of the most recognisable brands in the world. I've also worked for Boom! Studios with Toy Story where I had to make Disney and Mattel happy and have worked for Ape Entertainment drawing Strawberry Shortcake. It's fun to draw but it's so sweet I HAVE to watch crime shows while I'm drawing it to balance out the cute!
 
DTT:  How did you get started on Star Wars: The Clone Wars and were you a fan of the Star Wars universe beforehand?
Tanya: I contacted Titan about how on earth I could draw Transformers (please, please) and they came back and asked me what I thought about drawing Star Wars instead. I thought it might be a good trade. I had been to Comic Con (in San Diego) that year and had seen Lucasart's HUGE character display for The Clone Wars so when I watched it I was hooked. I'm lucky to have a nerdy dad who introduced me to the original Star Wars movies so, of course, I was already a fan.

DTT:  How much input or control do Lucasfilm have over the contents of The Clone Wars comic and did this pose any issues when you first began on the title?
Tanya: I have discussed this with a few Star Wars artists and Lucasarts are very open to whatever vision you might have for the characters. They're brilliant people to work for, I pretty much just make up aliens and spaceships and they just let me (sometimes) get away with stuff. I put a nipple tassel on a Hutt in one issue and they didn't reprimand me, which was nice.

It's very refreshing to have so much leeway with such a large company and I wish more companies where less strict and covetous of their characters and property. After all, we each bring our own style to the property so what fun is it if we're all leashed up and muzzled?

DTT: How would you describe your style of artwork on the various comics you have worked on?
Tanya: Cartoony, really, but quite angular. Disney with angles maybe? I have an artistic path I'm following and a working style I want to get better at. It's great that I get hired based on that style alone, I'm glad people seem to like it.

Having an animation background helps because some companies want you to stick rigidly to their model sheets. Surprisingly Disney let me get away with more than I thought I could; with Rex (the dinosaur in Toy Story) I made him a lot more bendy than he is in the movies but they did have to call me on some of the poses.

DTT: The majority of your professional work has been on licensed properties. Do you have any plans for working on your own characters?
Tanya: It has been fun as well to draw already well loved characters in my style and I want to continue doing that, but I have always worked on my own characters and stories - just for the laugh.

I'm actually self publishing my very first comic that will be launched this November at Leeds comic festival: Thought Bubble. The comic is called Forgotten Muse and it's about a muse who has to deal with the fact that his guy is being distracted by the internet and television, and how he gets around it. If anyone is interested, details are available on my website.

DTT: Tanya, thanks for taking the time to talk to us.
There are more details of Tanya Roberts' work on her Enolian Slave Deviant Art site and her new website The Art Of Tanya Roberts.

Tanya provided the publicity artwork for the 2012 Hi-Ex comics convention. She was interviewed in  the run up to the con
by the BBC News website.
There are more details of Titan's Star Wars: The Clone Wars comic on the Titan Magazines website.

There are more details of Kidzoic's Strawberry Shortcake titles on the Ape Entertainment website.


Tanya will be appearing at Thought Bubble in Leeds over the weekend of 17/18 November 2012 where she will be selling copies of Forgotten Muse as well as pages of her original artwork. Her table is number 29 in the Royal Armouries Hall.

Sunday, 8 April 2012

Comics Creators At Hi-Ex 2012: Part 1

Having taken a lot of photos of the various creators at the Hi-Ex comics convention, which took place at the Eden Court complex in Inverness last weekend, there was never going to be enough room in the main downthetubes review of the con to include all the images. Instead we present a selection of those images of the creators along with links to their websites, blogs and/or Facebook pages. They are in no particular order, but let's start with "A" anyway.

Dr Chris Murray's distinctive shirts are now well known around comics events in Scotland and, along with fellow Dundee University lecturer Phillip Vaughan, had the Anthology One book on sale. It presents the work of the students of the 2011-2012 University of Dundee's DJCAD Comics Art and Graphic Novels module as well as the winner and runners-up of the 2011 Tartan Bucket Prize that was run as part of last year's Dundee Comics Day.

Details of ordering Anthology One by post are available by e-mailing : universecomic@gmail.com

Dr Chris Murray and Phillip Vaughan are interviewed on downthetubes here and here.

Colin MacNeil is a former student at Dundee University's Duncan of Jordanstone College Of Art And Design where Phillip Vaughan lectures and supplied the rather excellent cover for Anthology One. As can be seen here, he uses chalks on a black background for his convention sketches.

Colin MacNeil's professional website is here and his Lambiek entry is here.

Another title that Colin provided the cover for is the 2012 edition of the A5 size Doctor Who comic Doctor WTF?! Contributor James Feist (left) and editor Owen Watts were there to sell both issues of this title which chronicles short adventures of 'other' incarnations of the Doctor.

There are more details of Doctor WTF?! on the title's Facebook page.

From Doctor Who to Star Wars and Star Wars: The Clone Wars artist Tanya Roberts who has been working on the junior title for some four years now. It was good to see former Star Wars Dark Empire artist Cam Kennedy comparing notes with Tanya during the weekend and it will be intriguing to she what comes of her ideas for non-licensed work in the future.

There are more details of Tanya Roberts art on her Enolian Slave DeviantArt page.

Hi-Ex co-organiser Richmond Clements is a creator in his own right as well as being an editor for Futurequake Press. As well as writing for Strip Magazine, Rich wrote the two part Turning Tiger for Renegade Arts Entertainment which is just about to be released as a special edition graphic novel.

There are more details of Richmond Clements' writing on his blog and his FQP work of the Futurequake website.

Rich's co-creator on Turning Tiger is artist Alex Moore and she was at Hi-Ex as well showing of the new title and her small press work. Alex is currently working on The Liberty graphic novel due from Markosia.

There are more details of Alex Moore's work on her website and blog.

There are more details of Turning Tiger on the Renegade Arts website.

Writer and artist Dave Shelton's comic strip Good Dog, Bad Dog was originally published weekly in The DFC and then collected into one of the hardback DFC Library titles. New episodes are due to appear in The Phoenix, a comic that he had copies of to show prospective readers which was a good thing considering that the nearest Waitrose to the venue was 155 miles away in Edinburgh. He also had copies of his new illustrated novel A Boy And A Bear In A Boat.

There are more details of Dave Shelton's work on his blog.

Manga artists Chie Kutsuwada (left) and Inko (right) were some of the hardest working of the creators over the course of Hi-Ex's two days. Both seemed to have a never ending stream of attendees wanting their portraits drawn manga style with Inko even having Cam Kennedy sit for her.

There are more details of Chi Kutsuwada's work on her blog.

There are more details of Inko's work on her blog.

Artist Graeme Neil Reid as well as having his own blog is the founder of the Scottish daily art-blog Scotch Corner. Graeme normally does his sketches before conventions which allows him to relax more during the events, as well as using them on the two blogs and compiling them into limited edition convention sketchbooks. However as the Sqaxx Dek Thargo know that he is an artdroid, he was convinced by several Hi-Ex attendees to draw them Dredd while one little girl even managed to get him to draw her a dinosaur.

There are more details of Graeme Neil Reid's work on his website, blog and on Scotch Corner.

Artist Gary Erskine is another member of Scotch Corner as well as being Eagle Award nominated this year in the Favourite Artist: Inks category. He is also rather well known nowadays for liking girls in roller skates and is working with his wife Mhairi on the Roller Grrrls title which has manifested itself before publication with rather a lot of comic conventions now having female Roller Derby teams attending - including Hi-Ex.

There are more details of Gary Erskine's work on his blog, on Scotch Corner and on the Roller Grrrls Facebook page.


The second and final part of Comics Creators At Hi-Ex will follow soon.

The Hi-Ex website is here.

The downthetubes review of Hi-Ex 2012 is
here.

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