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Showing posts with label Comics Community. Show all posts
Showing posts with label Comics Community. Show all posts

Monday, 5 March 2012

Comics Forum launches "scholar directory"

Today sees the launch of a new resource on the Comics Forum website. The scholar directory provides information on the biographies, research interests, conference papers and publications of scholars researching comics from around the world.

The site runners tells us the hope is this will be useful in helping scholars to make connections, see where people are studying and what they’re interested in, and increase the accessibility of comics scholarship for everyone.

Until today, the directory has been running in a limited pilot phase, with invited parties submitting their data for inclusion so Comic Forum could work out how to build the pages and structure the system. Many thanks to all those who agreed to take part in this trial run.

Now, all comics scholars are being invited to fill in our data form and submit it to comicsforumAThotmail.co.uk for inclusion in the listings.

"It would be great to build a better picture of who is where," says Ian Hague, director of the Comics Forum. "Any queries about getting listed can also be directed to the above email address."

Any comments on the directory are very welcome. If you know of anyone who would be interested in being listed in the directory, please pass on this news story to them.

• To be taken to the directory and download the data form, go to: http://comicsforum.org/scholarly-resources/scholar-directory/.

Thursday, 6 August 2009

Sharp Advice on Breaking Into Comics

Gears of war Girls by Liam SharpBritish comics artist Liam Sharp (publisher of MamTor, artist on Gears of War and, many moons ago, Death's Head II) has just posted a revamped version of his excellent guide to breaking into comics over on DeviantArt.

The post is packed with a huge amount of useful advice and suggestions for aspiring creators, building on an article he first wrote a couple of years back.

"Getting into comics is something a lot of people want to know how to do, but there's a lot of questions you want to ask yourself first," he advises. "There's such a vast array of genre and subgenre, technique, approach, and so on, that it’s important to be clear on where you want to go with your work at the outset – and you have to be really honest and tough with yourself at this stage!

"If you're into the capes and tights and you want to go mainstream you’re going to have to want it incredibly badly, as the competition is the most extreme I’ve ever known it right now," he warns. "...Right across the industry there's an enormous amount of competition.

"One thing I'm not seeing at cons is break-the-mould, edgy and accomplished new types of comic art," Liam notes. "Invariably it's by-numbers superhero fare of a fairly similar standard - what I would typify as three or four years off pro-standard but showing promise. I often wonder when we're going to see the next Sienkewicz, the next great stylist. Originality is not only becoming rarer, it seems less desired - either by the industry or the fans, who want above all else consistency."

• Packed with advice on indie publishing and promotion, you can read Liam's article in full on DeviantArt here.

Saturday, 21 March 2009

Can DFC Readers Save Their Comic?

Save The DFCA group of readers of the Random House subscription-only comic The DFC are trying to raise funds to stage a 'subscriber' buy-out of the title and have launched a blog to chart the progress of the campaign at: savethedfc.blogspot.com

If you would like to pledge a sum to take part in the buy out please click on the blog's pledgling links to send them an email indicating the amount you would be happy to pledge.

"Save The DGC is a wholly independent bid to create a subscriber take-over / buy out of the amazing DFC weekly comic for kids," explains architect Barnaby Gunning, who is heading up the campaign, who, along with his kids, think it would be a real shame to lose the comic.

"Our aim is to build up enough pledges to be able to buy The DFC title from Random House and support it for the next 12 months.

"We are not looking for any money unless we manage to raise sufficient pledges," adds Barnaby. "We will not divulge any emails to third parties, or use your email address for anything other than confirming your pledge and keeping you informed of progress."

• Whether you're a subscriber or not, this is a brave effort on the part of its loyal fans: for more information visit: savethedfc.blogspot.com

• For more information, visit the blog or call Barnaby on 07779107365

• If you want to ctach up with some of the creators of The DFC strips, here's some links: Neill Cameron (Mo-Bot High), Jim Medway (Crab Lane Crew), Dave Shelton (Good Dog, Bad Dog), Sarah McIntyre (Vern and Lettuce), Jamie Smart (Fish-Head Steve), The Etherington Brothers (Monkey Nuts), Jason Cobley (Frontier), John Welding (Will Scoggin's Skull), James Turner (Super Animal Adventure Squad), Wilbur Dawbarn (Bodkin and the Bear), Laura Howell (The Mighty M), Kate Brown (Spider Moon), Gary Northfield [Little Cutie] and Simone Lia [Sausage and Carrots]

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