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Showing posts with label Bambos Georgiou. Show all posts
Showing posts with label Bambos Georgiou. Show all posts

Thursday, 18 October 2012

Creating Aces Weekly: Behind the Scenes with editor Bambos Georgiou





Interest in Aces Weekly, a new weekly digital comic conceived by David Lloyd, has accelerated now the title is up and running, with the project attracting plenty of press attention at last weekend's New York Comic Con.

downthetubes caught up with Aces Weekly editor (and comic book inker) Bambos Georgiou and creator David Lloyd to get the latest on the project.

David Lloyd

As the co-creator of V for Vendetta and creator of the graphic novel Kickback, David Lloyd should need no introduction to regular downthetubes readers. He originally trained as a commercial artist in an advertising art studio before becoming a strip cartoonist in 1977 and his numerous credits include Night Raven and Doctor Who strips for Marvel UK, Hellblazer, Slaine, War Stories, Global Frequency, Aliens, Marlowe: The Graphic Novel and much, much more. Aces Weekly is his latest project, breaking new ground in the digital comics field.

Bambos Georgiou

A comic professional for over 20 years, who has read comics since age of 5, Bambos Georgiou worked as an editor for Marvel UK and has a string of creator-owned projects to his name.

"This project is fairly unique, as it's been set up by a couple of creators to benefit their fellow creators," explains Bambos of Aces Weekly's origin.
"The whole thing was David's idea and he asked me what I thought back in October 2011. I looked at his basic premise, put in my two cents worth and we took it from there, gradually laying the ground work.

"Fairly early on, we established that it should be weekly and available on home computers as well as on an iPad."

Progenitor © 2012 Phil Hester and John McCrea
It's an ambitious project that has attracted some top line creators across the globe, including Phil Hester, John McCrea, Kyle Baker and many more. "I don't think creators will get too many opportunities like this," Bambos enthuses. "They get to keep their copyright and the majority of the revenue is paid to the creators.

"The pages are all landscape," he says of the title's format, "as Aces Weekly is tailored for the screen ratio of all digital delivery devices. We want to reach everyone - at home or anywhere else they happen to be.

"Aces Weekly is readable on both home computers and tablets," he adds. "Our web designer has made it compatible with every device. You just need an internet or wifi connection.

"We have gone for straight comics without any technological tricks such as panel to panel progressions," he expands on the project's presentation mechanic.
"David and I both wanted to just make comic strips available exclusively digitally," he adds. It's very much about the strips as opposed to any technological gimmicks.

"I believe in the comic strip medium, I don't think it needs 'improving', he expands. "If you link content with technology, like computer games, the technology moves on and your content becomes old fashioned. You can still read V For Vendetta and it's a very good (make that great) comic, but people don't play Pacman any more because it's old fashioned, the technology's moved on.

"For me, digital media is just another way of getting comic strips in front of readers. It's up to our web designers to make it work – I'm just interested in the comics!"

Talking generally about the move to digital comics, "We looked at what had been done and realised that most comic companies were merely making their print books available in digital formats as well.

"We wanted to produce something that was only available in a digital format, exclusively. To sell that to the established comic market we knew we needed names that comic fans recognised and trusted. We know they'll be taking a leap of faith, but it's a bit easier when you've got well known, popular creators providing the content."

How did were the initial creators chosen for the first issues of Aces Weekly?

"David gathered together the talent, which comes from all over the world," Bambos reveals. "He's been going to comic conventions for years and has met lots of comic creators, many of them wanted to be involved with his project.

"Once people like Kyle Baker, John McCrea, Phil Hester, Mark Wheatley, Billy Tucci, Yishan Li and Alain Mauricet were involved, I knew it had a good chance of success. That was the first wave to say they were willing to sign up, so it really was a very positive response from the start.

Legion Zero, an upcoming story for Aces Weekly. © 2012 Kev Hopgood and Ferg Handley

"We've got creators from all over the world contributing, UK, US, France, Belgium, Spain, Italy, China and the Philippines. It's a pretty incredible line up."

As to the title's planned frequency, "we're publishing Aces Weekly in volumes, seven weekly issues to each volume and a volume costs £6.99/$9.99/EU 7.99. There are two-week breaks before each new volume begins - this is to give those creators producing stories across volumes maximum time to deliver, whilst not keeping readers waiting too long for the following volume.

"Each issue has up to 30 pages of brand new comics including extras such as pencils and sketches which builds up to 210 pages per volume - a very good deal.

"In most volumes six stories are serialised through the seven issues, but in Volume 1, and other volumes coming up, we'll also be featuring self-contained three-pagers, that are previews of upcoming stories or comedies, or one-off dramas."

Paradise Mechanism © 2012 David Hitchock
The initial serialised strips are Valley Of Shadows by David Lloyd & Dave Jackson, Shoot For The Moon by Alexandre Tefenkgi & Mauricet, Return Of The Human by JC Vaughn & Mark Wheatley, Progenitor by Phil Hester and John McCrea and Paradise Mechanism by David Hitchcock.

"The self contained three pagers feature some well known characters making a welcome comeback; Combat Colin by Lew Stringer, Thrud by Carl Critchlow, Psycho Gran by David Leach and Gimbley by Phil Elliott. There are also strips by Spanish creator Esteban Hernandez and UK creator Rory Walker.

"I've teamed up with Mychailo Kazybrid to produce a three pager called Dr Queer. Mychailo and I work on the Wallace & Gromit strip which appears in the Sun newspaper."

And will any of the strips be returning in future volumes or will we see a change of line-up?

"Smash Mannix, Progenitor and Return Of The Human are all set to return," Bambos reveals."Any of the strips could make a comeback: it depends on the creators and the reader reaction, but those two strips are already booked in for future volumes. The self contained three pagers will also be appearing semi-regularly, which I think helps to break things up a bit."

Of course, despite the digital presentation of the comics, there are many who still like their comics on paper - so are there any plans for collected editions of the strips that feature in Aces Weekly?

"The title was designed to be exclusively digital, so we have absolutely no plans for print versions," says Bambos. "These creators are involved in the future of comics because the future of comics, and most media, is digital."

That digital new world remains something of an unknown and Bambos and David - and the creators - know the long term eventual success of Aces Weekly is not just down to great comic storytelling but letting people know the comic is available and encouraging subscriptions. But they also know it will be some time before they know if all the hard work they've put into the project so far has paid off for all concerned.

Art © David Lloyd
"In the direct sales market publishers and creators know how many copies they've sold three months before the comic's been printed," he acknowledges. "With digital comics it's a long term proposition, we'll still be on sale in three months or three years.

"It's down to us to get the message out there to the general market, you know the 99.99 per cent of the population that don't read comics in the UK and US. Now that's a prize worth going for and it's not going to be attained by turning a comic strip into a graphic novel and putting it into a direct sales comic shop."

Despite these unknowns, there is one positive for the creators concerned, Bambos reveals.

"The money our creators get from a single sale of Aces Weekly is greater than the royalty from most graphic novels – and that's just on 21 pages of material! "It's a sweet deal," he opines. "David and I are creators – so, as I've said many times, the whole project is geared towards the creators."

Initial reaction has been very positive, the title's creator, David Lloyd, tells us. "I had an excellent time promoting Aces Weekly at the New York Comic Convention over the weekend," he reveals. "There was no quiet moment from the beginning to the end - a dozen interviews with everyone from Canadian tv to the Wall Street Journal and including the trusty Bleeding Cool. Visitors to my table every minute were reacting with enthusiasm to my enthusing about Aces Weekly."

"Readers can subscribe now and get all the issues that have been published up to that point in our first volume," Bambos reminds us. "We're trying to make it as simple and attractive to buy the comic as possible."

• Head over to www.acesweekly.co.uk now and check it out for yourself. Issues 1 - 3 are now available!

Interview compiled with help from 'The Emperor'. Thanks to Bambos and David for their time providing this interview.

Wednesday, 3 October 2012

Aces Weekly digital comic gets underway

Progenitor by Phil Hester and John McCrea

Aces Weekly (www.acesweekly.co.uk), an exclusively digital comic art magazine featuring some of the world's finest sequential art creators launched at the weekend and offers a fine mix of strips and creators, combining adventure, science fiction and humour. 

The brainchild of V For Vendetta co-creator David Lloyd, edited by veteran comics creator and form Marvel UK editor Bambos Georgiou, has gathered together top talents from the US, UK, France, Belgium, Spain, Italy, China, New Zealand and the Philippines in this unique publishing project. 

Seven weekly issues form a volume of Aces Weekly for a total cost of just £6.99/$9.99/€7.99 and are accessible once you subscribe on the site. The comic is not available for download from any other on-line site, and is available exclusively digitally.

A volume of Aces Weekly will contain at least 126 pages of top quality comic strip material as well as copious extras such as character sketches, line drawings and unlettered artwork. After the first seven issue volume of ACES WEEKLY has been published on-line there will be a two week break before the next volume begins.
Volume one contains:
  • VALLEY OF SHADOWS by David Lloyd & Dave Jackson
  • RETURN OF THE HUMAN by JC Vaughn & Mark Wheatley
  • PROGENITOR by Phil Hester & John McCrea
  • PARADISE MECHANISM by David Hitchcock
  • SHOOT FOR THE MOON by Alexandre Tefenkgi & Alain Mauricet
  • Plus three pagers by Lew Stringer, Carl Critchlow, Mychailo Kazybrid, David Leach, Phil Elliott, Esteban Hernandez & Rory Walker
As long as you have an internet connection you can access your Aces Weekly volumes from your home computer, laptop or tablet device. Just type in your password and you’ll be able to read whichever volumes you’ve subscribed to.

Forthcoming artists include Kyle Baker, Bill Sienkiewicz, Steve Bissette, Herb Trimpe, Marc Hempel, Yishan Li, Dylan Teague, Henry Flint, James Hudnall, Val Mayerik, Hunt Emerson, Roger Langridge, Dave Hine, Paul Peart Smith and many more.

•  Sign up for Aces Weekly

Discuss Aces Weekly on the DownTheTubes forum 

Wednesday, 19 September 2012

Remember, Remember the 30th September

PROGENITOR By Phil Hester & John McCrea © 2012 John McCrea & Phil Hester

David Lloyd (V for Vendetta, Kickback) empowered the world with his iconoclastic Guy Fawkes mask in V for Vendetta. Today, comic conspirator Lloyd is changing the world with his publishing launch of an ambitious new online magazine called Aces Weekly.

Acesweekly.co.uk is a sequential art magazine, available exclusively through on-line subscription which will be released as seven weekly issues which form a volume. Each issue will have at least three landscape pages from six contributors (18 pages per issue), plus many pages of extras such as artists sketches etc.

Readers subscribe to volumes which cost £6.99/$9.99 per seven issue volume. Aces Weekly will be available exclusively on-line and feature all new material. Stored online, readers now have access to their magazine wherever they have web access.

PARADISE MECHANISM By David Hitchcock © 2012 David Hitchcock

What makes Aces Weekly special? The creators have more control then ever before.

"The aim was to create something very much like a traditional weekly English comic but without limiting the subject matter," says Lloyd explaining the origin of the magazine. "We asked a range of creators who we knew to be excellent - the reason for the ' aces ' of our name - to do whatever they liked within certain bounds of taste, and they just came up with a great mix of stories.

© 2012 Yishan Li
 

"Creators in this business rarely get asked to do whatever they like, so that's part of the pull of the project for them. And they're enthused by the newness of the project and its potential for growth.”

“Most comic companies use creators to make money for the company, this company has been set up to make money for the creators," says Bambos Georgiou, the managing editor. "This time readers will know their money is going direct to the creators." All strips are creator owned.

Lloyd, who along with writer Dave Jackson has created Valley Of Shadows for Acesweekly.co.uk, has gathered together some of the top names in the comic industry to appear, such as Kyle Baker (Smash Mannix versus The Mob, the story of Detective "Hottie" McDaniel's quest to find out who's wiping out mobsters in unusual ways), Steve Bissette, Colleen Doran, Bill Sienkiewicz, Billy Tucci and Herb Trimpe, including, alongside him in the first volume; Phil Hester & John McCrea (Progenitor), JC Vaughn & Mark Wheatley (Return Of The Human) Alain Mauricet & Alexandre Tefenkgi (Shoot For The Moon) and David Hitchcock (Paradise Mechanism) who all contribute twenty-one page stories serialized over the first seven issue run.

Also included in the first volume are stand alone three page strips by Lew Stringer (Combat Colin), Carl Critchlow (Thrud The Barbarian), David Leach (Psycho Gran), Esteban Hernández (Harmony), Phil Elliott (Gimbley) Rory Walker (Chloroform) and Mychailo Kazybrid & Bambos (Dr Queer).

Contributors lined up also include Marc Hempel (The Love Brothers).

The website goes live on 30th September 2012.

• Official Aces Weekly Web Site: Acesweekly.co.uk

Official Facebook Page


 

Friday, 3 August 2012

David Lloyd's Aces Weekly, digital comic - details announced

(Updated 4th August): Bambos Georgiou, the editor of David Lloyd's new digital comic, has been in touch with more news about the project featuring an amazing line up of creator-owned strips.

"The on-line magazine is called Aces Weekly," he reveals.

"Creators contributing are David Lloyd, Kyle Baker, Mark Wheatley, JC Vaughn, John McCrea, Phil Hester, David Hitchcock, Steve Bissette, Dan Christensen, Yishan Li, Algesiras, Alain Mauricet, Alexandre Tefenkgi, Billy Tucci, Mindy McPeak, Kathryn Layno, Kev Hopgood, Ferg Handley, Lew Stringer, David Leach, Carl Critchlow, Colleen Doran, Shaky Kane, Dave Hine, Hunt Emerson, Dylan Teague, Marc Hempel, Paul Maybury, Phil Elliott, Esteban Hernandez, Mychailo Kazybrid, Ben Dickson, Gavin Mitchell, Henry Flint and (believe it or not) many more...

"Most comic companies use creators to make money for the company, this company has been set up to make money for the creators," he adds. "The whole project has been funded by David Lloyd, who has commissioned the web site. This time readers will know their money is going direct to the creators."

Aces Weekly will be released as seven weekly issues which form a volume. Each issue will have at least three landscape pages from six contributors (18 pages per issue), plus extras such as artists sketches etc.

Then there'll be a break in publication before the next seven issue volume begins.

Readers subscribe to volumes which cost £6.99/$10 per seven issue volume.

Aces Weekly will be available exclusively on-line and feature all new material and can be viewed on home computers, laptops and tablets.

Creators come from the UK, US and European comic industries and have been gathered together by David Lloyd who is the publisher. Bambos Georgiou is the managing editor. All strips are creator owned.

- To be updated readers should send their e-mails to info@acesweekly.co.uk



Wednesday, 28 October 2009

Bambos Goes Expo!

entrance_way.jpg


Comics artist Bambos Georgiou reports on London MCM Expo 16 which ran 24th & 25th October 2009 and is fast developing the comics element of its line-up...

I first realized that there were movie cons which included comics in their line ups when I bought a model magazine for research purposes. I have since discovered that there are huge London conventions held at Olympia and the Excel Arena, events attracting huge audiences over a weekend with cheap entrance fees of around £5. Alarmingly, they’re almost completely ignored by the UK direct sales comic market.

I attended the London MCM Expo at the Excel Centre on the Saturday and was amazed at the number of young people patiently waiting in line to enter. Previous MCMs have seen over 30,000 people through the doors over a weekend and the organizers predict even more this year!

Myebook - London MCM Expo 16 - click here to open my ebookAs you can see from the event's online guide, while there is a heavy accent on cosplay, manga and anime, there are also plenty of video games and movie companies displaying their wares. The movie and games companies use these events as promotional tools, running constant trailers for their movies and letting attendees try out their new games. Other stalls are packed with manga and anime on special offer and a suprising number of cosplay stalls selling replica costumes and weapons. (I traveled from the expo in the same train carriage as a young chap who had just bought a samurai sword, who got a few funny looks from fellow passengers).

The Comic Village section had its own stage area as well as over 80 small press and artists’ tables. The comic village does have a manga bias, which is to be expected. As well as manga publishers such as Tokyopop, Self Made Hero and Sweatdrop Studios there were Markosia, Diamond Distributors, Ilex Press, Avatar and Incognito Comics. Alan Grant was also there, promoting and selling Wasted, and Bryan Talbot was scheduled to promote his graphic novel, Grandville, on Sunday.

At the moment the comic sections of these cons seem unable to attract enough comic fans to encourage comic professionals, dealers and publishers to attend, or should that be there aren’t enough comic professionals, dealers and publishers to encourage comic fans to attend? If the MCM expo could attract a hard core comic audience it would give dealers and publishers a base from which to try and reach the much wider audience who attend.

MCM represents the latest lost generation of comic readers, which both UK and US comic companies have failed to sell their products to. This audience is perfectly at home with fantasy based action, they are a prime target audience, and they’ve got money to spend (those samurai swords were £40 a pop!).

Whereas comic conventions are, primarily, the domain of men 30 years and over the MCM was a multicultural mix of teenage boys and girls. This type of event seems a golden opportunity for the comic industry to sell and/or promote its wares to the wider audience it’s been searching for. The task of the comic industry is to find a way to speak to them in the same way that manga, anime, computer games and movies.

• The next London MCM Expos at London's Excel Centre take place on 29-30 May 2010 and 30-31 October 2010. For al the latest news visit www.londonexpo.com or for all MCM events across the UK visit www.mcmexpo.net


More MCM Reports...


On Warren Ellis' Whitechapel Forum: The MCM Aftermath Thread


""MCM is the UK's only convention that combines such a massive range of stuff in one place," comments comics creator Paul Duffield, who had a stall at the event, "and to be honest, even if you stripped away every non-comics stand in the place, the remaining stalls would still challenge (and probably beat) the other major UK comic conventions in terms of number and diversity. I think it'd be a big shame to write it off just because the comics presence is still new and overshadowed by the parts of the convention that are already well established."

5 Talented Artists we met at the MCM Expo


"After waiting in a queue that went round like a long snake, we were pleased that it was worth it. Games, anime, and comics aplenty. But the most exciting bit for us was meeting some very talented artist that were showcasing their work."

Comics Artist ChaMonkee

"I didn't sell as well as I was hoping but I had great fun running around and talking to people hanging out. The whole thing was massive and very tiring."

Comics Writer Tony Lee


MCM London in Pictures: Bleeding Cool Round Up
(We also like their "Andy Dingle" picture report)

Opening image © 2009 MCM Expo

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