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Saturday, 1 November 2008

Pack Up Your Troubles In Your Old Kit Bag…

For most people living in the United Kingdom in the 1970s it was something that happened somewhere else, somewhere across the water, but growing up in Belfast in those now increasingly far off days there was no getting away from the reality of The Troubles. Since Belfast is a port with hills to the north and south, the bomb explosions in the city centre would echo around the whole city. Everyone knew when something large had gone off with its associated destruction and possible deaths.

The attempts at stopping those bombs affected day to day life. The task of city centre shopping, so mundane in London, Cardiff or Edinburgh, in Belfast involved walking through permanent check points with body searchs on each street entrance to the central shopping area, coupled with additional bag searches on entering every big store. Boots, BHS, Marks and Spencer, all the familiar high street names searched each bag you carried as you entered their stores. That was normality for us. What wasn't normal was white police cars with flashing lights on the roof and policemen with tall helmets. That was the stuff of television since our police travelled around in armoured grey landrovers and had carbine rifles and flak-jackets.

Then there was the Army, on the streets, every day. They had similarly armoured landrovers, only theirs were painted dark green, and they carried SLR rifles and Sterling sub-machine guns which made the police carbines look a little pathetic in comparison. In addition to their landrovers, they also drove heavier armoured vehicles around the city streets. The six wheeled Saracen, designed to fight through the fields and rivers of West German against a Soviet onslaught, and the similar looking but four wheeled Humber 1 Ton Armoured, universally known as The Pig. In the skies, Lynx helicopters with cameras and searchlights and Beaver spotter planes were more common than airliners or private light aircraft.

With these as everyday sights, why read comics about the fantasy of Superman or Spiderman when you could read Warlord, Battle or Commando and learn from their factual features something about the equipment that you saw day in day out? Today these old features tend to get ignored but they made Battle and Warlord much more interesting to me than Valiant or Hotspur. As for the few American comics that made it the whole way over the ocean to the local news stands, well they may as well have come from Krypton with their odd dotty colours and irrelevant and incessant adverts.

I have read complaints that the British war comics never covered the modern reality of warfare or that a title like Commando still does not feature the modern Iraq or Afghanistan conflicts, complaints that forget that these are titles that were, and in Commando's case still are, produced for children. Children who may have parents or close relatives fighting in those war zones. The weekly war comics did not cover the then contemporary Troubles in Northern Ireland in the same way that Commando does not cover the current conflicts today. No editor is going to produce a war story for children that may show how members of the child's own family could die on a contemporary battlefield. Showing such things happen in the historical context of the Great War, World War 2 or Korea divorces the story from a modern reality and as the once present conflicts fade into the past they do get covered. Commando has set stories during the Soviet occupation of Afghanistan during the 1980s as well as the Gulf War of the early 1990s. Battle told a fictional tale of the Falklands War some five years after that conflict itself had ended.

Back in Belfast in those childish days the politics and sectarianism of the adults mainly passed us by. The rumble of the Saracens passing the school playground was impressive, the speed of the Lynx helicopters flying over the back gardens was breath-taking, while the soldiers patrolling with their sub-machine guns past the local newsagents as you bought your comics were slightly scary. That said, the impression was that if they weren't there then the echoes of those explosions would have happened more often and that was something that you didn't want to happen.

763 members of the British armed services died during The Troubles in Northern Ireland - Army, Navy and Air Force. They continue to die in Iraq and Afghanistan today. The least you could do to remember their sacrifice is to buy a poppy this Remembrance Day.

Royal British Legion Poppy Appeal

Earl Haig Poppy Scotland Appeal

Battle Modern Master Plan from Battle Picture Weekly © Egmont UK Ltd
Army Today from Warlord © DC Thomson and Co Ltd

Friday, 31 October 2008

Spectacular Spidey Sneek Peek


Here's a peek at a page of the originated new Spider-Man strip in the upcoming Panini comic Spectacular Spider-Man #180, on sale in a couple of months, guest starring Spiderwoman and Kraven the Hunter. The strip is written by Ferg Handley with pencils by John Royle and inks by David Roach. "I love drawing the ladies!" says John.

• Direct link to details of the latest issue of Spectacular Spider-Man on the Panini UK site
• Panini Comics UK
• John Royle's web site

Comic Artist's Work on Show in Liverpool

Brownsea Island, Poole HarbourGround-breaking comic creator Chris Reynolds, creator of strips such as Moon Queen and Mauretania Comics, has been in touch to tell us that one of his paintings, of Brownsea Island (in Poole Harbour) has been chosen to be part of the Stuckists' Antidote to the Ghastly Turner Prize at the ViewTwo Gallery, Liverpool, from 6 - 29 November 2008. The exhibition is part of the Independent strand of the Liverpool Biennial Festival of Contemporary Visual Art.

The infamous phenomenon that is The Stuckists - an international art movement for contemporary figurative painting with ideas, described as "anti the pretensions of conceptual art or Anti-anti-art" - returns to Liverpool for the first time since their major show at the Walker Art Gallery for the 2004 Biennial, which proved hugely popular and very successful.

The Stuckist art group was founded in 1999 by Charles Thomson and Billy Childish, who has
since left, with 13 artists to promote “figurative painting with ideas” and oppose conceptual art.
There are now over 160 sister groups in 40 countries. The name comes from an insult by Tracey
Emin to Childish that he was “stuck”.

The Stuckists have gained considerable media attention for their demonstrations against the
Turner Prize, and also instigated a media scandal about the Tate’s purchase of its own trustees’
work. This led to a Charity Commission ruling that the Tate had been acting illegally for 50
years.

• Brownsea Island, the current location for BBC Autumnwatch with Bill Oddie and Kate Humble. is just one of many paintings by leading British Stuckists that form the exhibition and large (A1) prints of this painting are available in a limited edition of 100 from the Guildhall Gallery, Poole, UK, price £39, Tel: (01202) 673 715.

• More about the painting and Chris Reynolds via www.metropoppyfield.com

Thursday, 30 October 2008

Fone Freaks Debuts on ROK Comics

Comics writer Thomas Behe and British comics artist Chris Walker have just launched a new comic strip, Fone Freaks, via ROK Comics, just in time for Hallowe'en.

Fone Freaks follows the adventures of Sally Snedley, a wireless scientist who seeks revenge on the nasty corporate criminals who stole her cell phone invention back in the 1970's.

Sally seeks justice by targeting the Fat Cat's cell phone customers by creating a haunted network that enables ghosts to zoom out and make people to do dumb things on their phone.

Canadian writer Thomas is probably best known to comics fans as the writer of the graphic Contraband, drawn by Phill Elliott, which was released by Slave Labor Graphics earlier this year. He's spent several years experience developing compelling mobile content for global entertainment companies including BBC, SkySports, Playboy, MTV and O2.

Illustrator Chris has been creating comics for five years and hopes his new strip will appeal to sequential art fans of all ages. "Each Freak represents a silly, embarrassing or annoying social cell phone habit we all do - or see others doing - at some point in time.

"It's mildly self-deprecating at heart although we hope younger children will enjoy the characters - even if they don't fully understand some of the sometimes twisted underlying message. Most kids seem to have a cell phone now and (the ones I know anyway) really love being on them as much as possible."

Fone Freaks can be viewed online at www.rokcomics.com and on ROK's WAP subscription service.

• For more information about ROK Comics go to www.rokcomics.com. For more information about the Fone Freaks strip, please go to www.fonefreakscomic.com.

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