National newspaper
The Guardian is continued its coverage of British comics -- specifically, the future of
The Dandy -- throughout last week, with key writer
Jacqueline Rayner stepping up to champion the lost world of girls comics like
Misty and
Tammy and
Charlie Brooker savaging those afraid of
The Dandy's evolution into a digital-only title. Here's a round up of the coverage.
On Tuesday, artist
Jamie Smart, who was an integral part of the comic's re-design and relaunch in 2010, wrote on
Why The Dandy Still Matters, arguing it's essential to keep kids reading comics.
"Comics
are where we first learned about pea shooters, mud pies and building
forts in trees," he notes. "They're one of the most exciting mediums around, and
unrestrained by common sense or manners. Inside the pages of the best
comics you will find pure, unbridled anarchy, running rampant through
the world, telling hilarious stories with the naughtiest, silliest
characters."
Writer
Charlie Brooker - who was also one of
Oink's youngest contributors back in its day - got hot under the collar about critics of the title's move to digital publication, arguing
reports of the Dandy's death are greatly exaggerated. Going all-digital is the best thing that could happen to Britain's longest-running comic, he argued in
The Guardian's sister paper,
The Observer, yesterday.
"Why is
The Dandy going all-digital? Because it's a magazine for
children, and today's children don't seem to want magazines any more
than I wanted a 1920s whirligig when I was their age," he said. "Kids today have
Moshi Monsters and
the Nerf Vortex Nitron Blaster. Traditional ink on paper looks like
medieval tapestry to them. This is the price you pay for technological
advancement. On the plus side: fewer cases of rickets."
Meanwhile, acclaimed author
Jacqueline Rayner noted that at least
Dandy fans were still going to have the chance to read their favourite comic - an opportunity not afforded fans of
Jinty, Tammy, Misty from the golden age of girls' comics. The
decline of the
Dandy is sad news, her article noted, but let's not forget the plucky young
heroines who have already perished in the Great Comics Bloodbath, from
Diving Belle to Lisa the Lonely Ballerina
"The news this week that the
Dandy's 75th
anniversary issue in December would be its last in print must have been a
blow to its readers, but at least they had the consolation of knowing
it would continue online," she mused. "For some of us, this summer has only reminded
us how much we have lost."
Her article prompted a flurry of memories of mainly 1970s and 80s from girls comics fans, including a post from comic artist
Sean Phillips who cut his teeth in professional comic work by drawing many of them.
The Guardian also published a round up of
Twitter to the news that The Dandy was quitting print, noting it was a decision that has got a few Desperate
Dan fans a bit misty eyed. The round up included a note about DC Thomson's Chief Executive Ellie Watson's continued fuming at the alleged 'leak' of the company's plans for title; links to
The Dandy's
YouTube channel's videos offering how to draw Desperate Dan and Korky the Cat - and the Guardian's Media Editor Dan Sabbagh noting it's not just kids comics in trouble on the news stand.
Word magazine
closed a few weeks ago, and the
men’s magazine market
is in big trouble. The dead trees
business is not a happy place to be for many publishers.
"
Moshi Monsters mag is the best performing magazine," he commented (with reported sales of 223,000).
• Links to earlier news stories about the demise of The Dandy are posted here as part of an ongoing discussion on our forum about the title and its future. Contributors include Dandy artist Nigel Parkinson; Kid Robson, an outspoken critic of The Dandy in its current form, who outlines his vision for the future of British comics; and Dandy, TOXIC and Viz artist Lew Stringer
