UK TV channel Watch has teamed up with Titan Magazines to offer an exclusive Torchwood online comic.
Drawn by ace comic artist Brian Williamson and written by Oli Smith, the story is set at Pontyvale Golf Club, where the post-Christmas reopening hasn’t gone well thanks to some grisly killings... The site has been closed off, and Torchwood’s Captain Jack, Gwen and Lanto investigate. But they soon come face to face with the cause of the killings – and it’s not pretty!
Available to view exclusively at justwatch.co.uk, the strip was designed to celebrate Alien Invasion week on Watch, which offers viewers a bumper week of Doctor Who, Torchwood and Sci Fi movies including Starship Troopers and Terminator 3. The week long alien-inspired extravaganza begins on Saturday 13th February, with the latest Torchwood series, Children of Earth showing every weeknight at 9pm.
Personally introduced each evening by John Barrowman, Children of Earth re-joins Captain Jack & co in one edge-of-the-seat story told over five nights. An ordinary day turns into something terrifying as every single child in the world stops, possessed by an alien force to deliver a message to all the governments of the world... “we are coming.”
Also available to view on justwatch.co.uk are a series of interview clips with Captain Jack himself; John Barrowman. Discussing his thoughts on his most recent appearance in Doctor Who, what makes Torchwood stand out and who he’d love to guest star in the series, these exclusive interviews are the icing on the Watch sci-fi cake.
London Underground Comics organiser Oli Smith has penned a new Doctor Who short story for the BBC Doctor Who web site to help celebrate the 40th anniversary of man first stepping foot on the Moon.
Blue Moon, which begins today on the official site, is a completely new adventure that puts the Doctor slap bang in the middle of the first Apollo Moon landing. It's set during the tumultuous days of 16th, 17th and 20th July, 1969 and the next three parts will run on those dates, with the first part published today, Wednesday, 15th July.
There's everything you could want from a story set during such a crucial moment in Earth's history - mysterious aliens, sinister US agents, a threat to the future of mankind and, err, BBC Radio 4's The Archers.
"I’ve tried to make this story as ‘real time’ as possible," says Oli of the story on on his web site. "The events in the story correspond to the day that each part is put up. I’m really proud of it." In fact, he enjoyed it so much he's done a bit of fan art for the story (above) which he hopes will whet your appetite.
"I didn't want the Doctor to take anything away from the achievements of the Apollo mission," he says of the story on the BBC site, "but rather to prevent outside influences, both extra terrestrial and closer to home, from manipulating events for their own ends."
This is Oli's second short story for Doctor Who, his first being “Total Eclipse of the Heart” for the Doctor Who Storybook 2010 (Annual), out on 1st August, illustrated by the brilliant Martin Geraghty.
"Surprisingly," says Oli, "both stories are pretty hard sci fi (well, for Doctor Who anyway) but both have been a complete blast to write so long may my adventuring with the Doctor continue."
Alongside Blue Moon the BBC is also a publishing material looking at representations of the Moon in Doctor Who. There's a new Lunar Gallery showing some striking imagery from several moon-related stories.
Some of those adventures are briefly revisited in a series of Video Clips and they also present The Dark Side of the Moon, a precise history of how the silvery satellite has been depicted in Doctor Who.
Matthew Badham goes behind the scenes with Oli Smith of London Underground Comics fame about their latest event, LUC 176, which will take place on 27th June 2009.
This is the first of a series of interviews with comic convention organisers over the next few months, which will be cross-posted on downthetubes, the Forbidden Planet International blog, Bugpowder and Fictions. Our aim is to give the conventions themselves some well-deserved publicity and also to, hopefully, spark a wider debate about what’s good and bad about the convention circuit in the UK.
176 co-organiser Oli Smith is a freelance writer and illustrator living in London who has also produced several self-published comics. He founded London Underground Comics in 2007, a group of London-based comic creators dedicated to raising awareness of the indie comics scene to the general public. The collective spent over a year running a stall in Camden Lock Market and Oli went on to organise several one-day festivals attracting hundreds of visitors and dozens of exhibitors each time. The LUC team also teamed up with Paul Gravett to run an event at the ICA during the ComICA festival., then went on to organise an exhibition at the Alphabet Bar in Soho, building to 176, what will hopefully be a massive one day multimedia event featuring live drawing, animation, comics and music at the 176 Project Space in Chalk Farm, London.
In his personal work Oli has self-published many small press comics, his first, Hazy Thursday, being named one of the best comics of 2006 by popular magazine Comics International. He also created the short film Weekend Friends, a documentary covering the events surrounding the second Camden Market festival which was shown at the Roxy Bar and Screen in Christmas 2008. He has also appeared in several episodes of Resonance FM’sStrip!, a weekly show about comics which can be downloaded as a podcast under the name Panel Borders talking about his work.
Professionally, Oli has illustrated articles for Electric Sheep Magazine and various comics anthologies as well as the odd indie album cover. He has written several reviews for Electric Sheep, Total Sci Fi, Sci Fi London and various comic-related websites and is currently working on illustrations for childrens’ books and has written for the 2010 Doctor Who Storybook.
downthetubes: Please tell us about a little about the history of your con and how it's evolved over the years.
Oli Smith: As I'm sure most readers of this article are aware, London Underground Comics (LUC) began life two years ago as a weekly market stall in Camden Lock manned by whichever people I could drag down from their ivory towers to help me stand around for eight hours on a Saturday.
Then we bought some chairs.
Then we sat around selling literally thousands of comics to the general public and realised we had been conned in the past by the small press scene and comics events organisers telling us that the only way to network or sell anything was to give them lots of money for events that didn't cater to our needs. So we decided to do our own conventions, to see how we did without the 'networking opportunities' of 'real' cons.
Then we met Alan Moore, Dave Gibbons, Eddie Campbell and got Paul Gravett to dance to the Austin Powers theme tune whilst we helped organise an event at the ICA and were interviewed by Radio 4.
We also ran two events in the Market with 50 exhibitors each time, a footfall of a few hundred visitors and for the first time in their life, I think every small presser could afford a round of drinks plus extra from the profits of the day, or at least had 50p spare.
Pretty sweet, I think.
downthetubes: How is your con funded, by ticket sales, the exhibitors, a grant from the council, some other means or a combination of these?
Oli: 176 is funded by GOSH! comics shop and exhibitors. It's amazing what you can get for free if you just ask. I don't think we've ever had to pay over a hundred pounds for a venue, and considering the locations and spaces we get, it's a great deal.
For this special event we wanted to offer exhibitors more for their money than any other con, so we asked Gosh! if they would donate some money so that we could buy every exhibitor their own canvas and provide some sort of materials to decorate them with. They were very generous.
Also, anybody who is an animator gets the opportunity to have their work shown on our massive wall screen for free. We've also managed to subsidise the booze and give out free teas and coffees.
Did I mention ambient DJ's throughout the day and live music in the evening?
As you can see, we make the exhibitor's £5 for a quarter table and £10 for a half go a long way.
downthetubes: What are the overall aims of your con/event?
Oli: God, I don't know. When I started LUC I was very idealistic, but late nights of balancing accounts and replying to a million emails and organising the bloody thing have drained the political spark.
So what I would like to achieve now from 176 is for everybody to have a brilliant day out, try some new things, sell lots of their work to new and interesting people and get to see their mates. And to try and do it in such a way that they go home with a bob or two to spare.
downthetubes: Who is your con aimed at? What sort of punters do you hope to attract? Are you family-friendly?
Oli: 176 is aimed at everyone, I want to see people who have never heard of comics drop by on the day and see what's going on. I want regular con goers to come and try something new. I want to present the small press as a stylish and professional thing to be part of, rather than rickety old vanity press in the corner.
I know that's not to everyone's taste, but I don't mean change the way you make comics. I mean change the way you sell comics. Let’s make those tourists think they're talking to professional artists when they drop by. Let's show the diversity of what the underground scene can really be. For instance, it takes me mailing round everybody to find out that there are some fantastic musicians in the small press world, and some even better animators. How didn't I know that before?
And, yes, we are family friendly. Not only are we going to have a nice little reading area and outside tables for people to sit and read their purchases, but you've also got the animations and coffee to give people a reason to stay past a quick circuit of the room and to want to read their purchases at the event!
downthetubes: How effective have you been in getting those kind of people to attend?
Oli: Very. Next!
Well, up until now we've only had events in tourist hotspots. It's not hard to attract a crowd on a Saturday in Camden if you've got 50 people in an event. The 176 Gallery is well known if you like art, but a little off the beaten track. Maybe I’ll send people out flyering round Chalk Farm tube. I still think we'll pack the place, to be honest.
downthetubes: Can you give a projected (or actual) attendance figure for your event?
Oli: Well, we sold all our table space in two weeks so that’s 45 exhibitors (we decided not to cram as many people in as possible, but to give the people that come a really nice experience and room to breathe). So, if they're sensible they'll invite all their friends and family. Then you've got the regular gallery attendees. We're the last event of a two month long series of arty things so there'll be people attracted by that, and then anyone who picked up one of Jake Harold's sexy fliers surely won't be able to resist.
downthetubes: What lessons have you learned during your time running a con, in terms of marketing and advertising your event?
Oli: Flier. Lots.
The youtube videos are a fun diversion, but they're there more to give a welcoming front to the people that are on the fence, to show we're friendly. But if a couple of people come because of them, then that's great.
What's nice are places like the Forbidden Planet International blog and downthetubes that are very good at picking up our announcements, which pretty much covers the comic circuit, and the Gosh! association should bring down some more London-based fans as well.
downthetubes: Do you use emerging technologies to spread the word about your con? Do you have a website or blog, or use email mailing lists?
Oli: I don't have a mailing list. It would be too long really and I'd have to keep updating the contacts and stuff. It's too fiddly. We have the London Underground Comics website and my website and my twitter and facebook groups and events so it's pretty easy to keep tabs on what's going on if you're linked to me in any way. Facebook and twitter are good because word of mouth can spread pretty quickly once they get informed that such and such a friend has joined the LUC group or whatever.
Then there's the youtube videos, which still seems to be an emerging technology in the comics world.
downthetubes: What about print? Do you use print advertising, have a newsletter, anything like that?
Oli: Haha, God, no. Who would, in this climate? If you print it you lose money, and if you charge for it you don't get readers. No one wants to go out and get anything physical for news any more. Also, it'd be such a pain to distribute when I could just post it all on a website, and hit some randomers along the way.
downthetubes: What's the mix in terms of exhibitors at your con? Do you even have exhibitors?
Oli: Yes, we have exhibitors, although in the future I want to maybe move away from the standard 'market' layout to events. But then, I want to graffiti a building for a day as my next event.
The mix is a hard balance to achieve; I love getting the newbies involved and they're very keen and up for anything. It's the best feeling in the world to know you're a few people's first ever convention. But then again I want all my old friends to come down and to have a catch up with them, so it's striking the balance of being fresh for the new punks and just the right hint of familiarity so you don't scare off the oldies. Like you, Matt.
downthetubes: What are your thoughts on the small press comics scene in this country? How do you try and support it (do you try and support it)?
Oli: I have a lot of thoughts on the UK small press scene, most of them revolving around, what's it for? I've had a few breaks recently in work and commissions, and none of them came from making a small press comic. I've not seen a career ladder that starts in small press and ends in professional work, I mean, it happens, but it could just as easily be a chat with the right person rather than a critically acclaimed masterpiece.
And if a career ladder isn’t your thing and you just want to share your ideas then that’s great and that's why I do it too. But is paying through the nose for a space at a con to sell comics to people you know really sharing your ideas or getting the word out? Or is it vanity press? Is it a club for people to sit around and feel famous because they're in a room with a very specific bunch of people who have all visited their site?
Convention organisers aren't helping break the vanity press mould and neither are the exhibitors who keep paying for these events. With LUC, I took comics to anywhere but where comics fans are found: the Alphabet Bar art gallery off of Oxford Street; Camden Market; The Prince Charles cinema; the Bookart Bookshop; we've given talks at schools and libraries. If we are scouting out a venue and there might be someone there who has heard of LUC then we're not doing our jobs and we move somewhere else.
To me, art is about communicating ideas, and sharing those ideas with as many people as I can. It's not about making a new issue to sell to all your friends at a convention so that you can make slightly less of a loss at the end of the weekend. That's just mutual backslapping. And I love my fellow creators, I really do, but I don't want them and only them to read my work. Because to me that isn't small press.
downthetubes: How much are the tickets for your event? How did you arrive at that price? Please tell us about any concessions.
Oli: Tickets? You want me to charge money for people to come into a room and buy things? That's ridiculous. It's like WH Smith charging you to come in, even if you just want some gum. How do you get people who don’t know anything about comics to come in off the street with an entry fee?
At 176, there's reasons for everyday folk to stay and watch the animations or bands or abuse the coffee. Even if I had a panel of comics professionals, that wouldn't justify an entry fee for a family of four who don't know who any of those people are and only wanted to come in because their son saw Wolverine at the cinema.
downthetubes: How much are exhibitor tables for your event (if you have any)? Again, how did you arrive at that figure? [Editor's note: exhibitor tables at 176 are fully booked and have been for some time]
Oli: We work out what we want to do, how much it will cost and divide it by the number of people. If it's too much we cut back or find another venue. We never charge on the door, and we don't want to price anyone out of the market. It's small press, not private press. You shouldn't pay a member’s fee to take part.
Sadly that means I don’t make any money, but then I wouldn’t be best pleased to go to an event that charged me, lets say, £120 for a table. How many comics would I have to sell to break even on that? And how many more to cover my train fair, hotel bills and printing costs for this completely hypothetical event? A train to Birmingham is expensive.
downthetubes: Do you run workshops/events/panels at your con? Please tell us about those and how they are organised.
Oli: Every exhibitor gets a canvas. They draw/paint a picture on it during the day and we build a wall at the back of the room out of them as they are finished. Every event is accessible to all. The animation, the music, the comics should become this synergy-type entity. I don't want a convention, I want a festival.
downthetubes: As you've been kind enough to answer these questions, please fell free to big your con up a bit. Tell us what you do well, what your event's main attractions are and why our readers should attend the next one.
It's going to be a fantastic day filled with fantastic people. I've already gone into a lot of detail about what we offer above. I would like to say that if there are any more people out there who have animations they'd like to show or some music they might feel appropriate, please just send me an email (chocolatewednesdaycake@yahoo.com) and I'll try and fit you in somewhere.
See you soon!
• 176 will take place on Saturday 27th June from 12 noon until 7.00pm at Project Space 176, Prince of Wales Road, London. For more information visit: http://londonundergroundcomics.com/?page_id=482. Our thanks to Oli for taking time out from revising to do this interview: hope his finals went well!
It's been a busy couple of weeks so our quick round ups of British comics news here have been a bit lacking. My apologies.
• The reason things have been scant here is down to the soft launch of weirdandbeard.com, the technology, scifi and other weirdness site I work for as a day job, part of Steam Industries (the name inspired by steampunk). We're still shaping the site and there comics may begin to be included... Expect some cross posting of reviews at the very least.
• Oli Smith got in touch ages ago to tell us his Grumpy Days has finished for the moment, but he's started an all new four pages per Wednesday comic called I, Toddler - "a fairytale about growing up and a bit of a departure in terms of style and content from me usual autobiography work." The first part can be viewed here http://theolismith.com/?p=536
• Steve Holland has his hands full with various projects, but he's not leaving loyal fans of his Bear Alley blog in the lurch. To make up for the lack of daily posts he's publishing, with full permission, Eagles on the Western Front from Look and Learn. The was a long-running First World War strip that appeared in the magazine between July 1971 and October 1973. "The artwork throughout was by the great Bill Lacey and I think you'll enjoy the way it unfolds as a story," says Steve.
• The Girly Comic Book Volume 1 is now available from Factor Fiction here for the very reasonable price of £15.The Girly Comic website has a lot of sampler strips for the book as well as some original Girly Comic webcomics. "I’d encourage any of you interested in picking up the book to visit and see what you think - I don’t think you’ll be disappointed, enthuses Richard Bruton in a review over on the Forbidden Planet International web site. "The sheer breadth of styles and topics means there’s just got to be something here for you. But The Girly Comic Book is far more than your usual comic anthology, so I’d imagine you, like me, will be flicking through the pages finding new, exciting and interesting strips from the start to the end of this very impressive collection."
• (via Boing Boing) The free quarterly speculative fiction ‘zine Heliotrope’s fifth issue is a tribute to the mighty Michael Moorcock and boasts articles and short fiction from comics artist Bryan Talbot, Pyr Books editor Lou Anders, Hal Duncan, Catherynne M Valente, Chris Roberson, Paul S Kemp, Rhys Hughes and author Neil Gaiman, available online now as as PDF or to read in HTML format, all totally free from www.heliotropemag.com/04/heliotrope-issue-5
• It looks like Jamie Smart's Count von Poo will will TOXIC's Crazy Comic poll, still ahead of strips featured in its recent strip giveaway, which has just gone off-sale. Jamie's strip is just ahead of Dave Hailwood and Paul Harrison-Davies Hoaxers, Werewilf and Lew Stringer's The Clump. Still, pleased to see that Bovver Baby by myself and Paul J. Palmer has claimed five per cent of the votes so far. Vote online at www.toxicmag.co.uk/vote
• And finally for now... with animals in mind, we're pleased to report that comics creator 'Israeli has spotted Lucky the Half-Face Cat, which means it's officially the first day of spring in his neck of the woods. Half Face is something of a legend with the 2000AD contributor, a true cat survivor of many escapades.
Playing host to over 40 creators from around the country with live music, a cinema screen showcasing animation reels and visual DJing, this 176 comics event -- its location cleverly exposed by our very own Jeremy Briggs back in January, despite LUC's careful teasing as to its exact nature -- promises to be a great day out for the whole family.
There will be free entry for the public and there are 20 (very large) exhibitor tables available which the LUC team are hiring out at £10 for half a table or £6 for a quarter meaning space for between 40 and 80 creators. These amounts are subject to a discount if creators help publicise the event. "We want small pressers from all walks of life and areas of the country," urges organiser Oli Smith. "We want webcomics, autobiography, political, funny, fantasy... you name it, we want it!
Gosh! Comics shop in London have kindly offered to sponsor the festival and exhibitor space is already a quarter full after two days since the official announcement of the event.
• Project Space 176 is on Prince of Wales Road, London, NW5 3PT. Not only is this place a grand converted church but it’s also two minutes walk from three pubs and a Wetherspoons... surely a perfect venue for the vast majority of comics creators!
Following the success of London-based Hectic Peelers recent night of Raindance Shorts, the group is presenting another night of renowned short movies.
The main attraction is the portmanteau film Civic Life, a septet of short films showing life around the UK by the film making duo Desperate Optimists, namely Christine Molloy and Joe Lawlor, whose first feature film Helen is currently showing at the London Film Festival.
Each part of Civic Life varies in genre from murder mystery to comedy and drama but all are made up of a single uncut take of between five and 17 minutes and were filmed with the help of local people across the length and breadth of the country. A Desperate Optimist will be in attendance to introduce the film and do a Q&A afterwards.
In addition, award-winning comic book artist Oli Smith (creator of Hazy Thursday) will introduce the theatrical premiere of his first short film Weekend Friends and will be available to answer questions and sign copies of his comic book prequels to the short film at the bar.
• Roxy Bar and Screen, 128-132 Borough High Street, London SE1 1LB7.30pm, 11th November 2008More info at: www.roxybarandscreen.com
UK TV channel Watch has teamed up with Titan Magazines to offer an exclusive Torchwood online comic. 
, out on 1st August, illustrated by the brilliant Martin Geraghty.
