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Showing posts with label John Cooper. Show all posts
Showing posts with label John Cooper. Show all posts

Friday, 14 December 2012

In Review: One-Eyed Jack And The Death of Valiant

Hibernia Books, who have previously published licensed reprints of 1980s IPC strips Doomlord from new Eagle and The 13th Floor from Scream, are back with a factual fanzine about the weekly IPC comic Valiant and its links with 2000AD entitled One-Eyed Jack And The Death of Valiant. Writer David McDonald has created a 36 page magazine with a black and white cover, and black and white and colour interior images about Valiant comic and its Dirty Harry style cop character who foreshadowed Judge Dredd.

Split into five sections, the magazine gives an brief overview of Valiant weekly from its origins in 1962 before focusing on the revamp it was given by writer and editor John Wagner when he was tasked with revitalising the title in 1975. While this revamp gave the Sixties comic a more modern Seventies look, it did not halt the declining sales figures enough to prevent the title being amalgamated into its sibling title Battle Picture Weekly in 1976. David interviews John on the subject of his editorship of Valiant which makes a refreshing change from the more normal interviews with him which inevitably concentrate on his creation and writing of Judge Dredd.

One of the strips introduced in the revamp of Valiant was about Detective Jack McBane, the New York cop known as One-Eyed Jack, written by John Wagner and illustrated by John Cooper. While Wagner took his inspiration from TV series such as The Streets Of San Francisco as much as movies, it was Cooper who based the visuals of the character on Clint Eastwood in Dirty Harry. David focuses on this proto-Dredd character and interviews the now retired John about his art on One-Eyed Jack as well as talking about the rest of his career from Thunderbirds in TV21 in the 1960s to his recent Armitage strip in the Judge Dredd Megazine. John Cooper has rarely been interviewed before so it is a treat to be able to read what he has to say.

The magazine concludes with an interesting piece on the background role of the Art Editor focusing on Jan(et) Shepheard who worked on Valiant, 2000AD, Starlord and Tornado amongst many other IPC titles, with contributions both by herself and former 2000AD staffers, editor Kelvin Gosnell and art editor/artist Kevin O'Neill. While this may sound like the least interesting section of the magazine, covering as it does the work of people who are rarely if ever mentioned, I found this a fascinating read which highlights a side of the comics that readers simply take for granted.

One-Eyed Jack And The Death of Valiant is available as a digital edition but I would think that the majority of readers will be from a background where they want a paper version in their hands and the print version is no let down. Professionally printed on matt paper that is just slightly shorter than A4, this is an impressive publication both from a production, a design and a writing perspective and is the first of a potential series of semi-regular titles covering older UK comics entitled "Comic Archive".

As I said when the title was initially plugged on downthetubes, most of the writers here on DTT come from a factual fanzine (as opposed to a stripzine/small press) background and so we know what it is like to produce this sort of title and how difficult it can be getting interviews and 'new' hard facts that have not previously been discussed to death.

One-Eyed Jack And The Death of Valiant is one of the best factual fanzines that I have read in a long time and I can't recommend it highly enough to both those interested in the general history of British comics as well as those who choose to focus on 2000AD alone.

One-Eyed Jack And The Death of Valiant is available to buy via Comicsy with the printed edition costing £3.99 plus £1.50 postage while the digital version is only £1.50. Copies of the Doomlord reprint magazine are also available.

There are more details of all Hibernia titles on their blog.

Sunday, 2 December 2012

New One-Eyed Jack / Valiant Fanzine Available

Hibernia Books, who have previously published licensed reprints of 1980s IPC strips Doomlord from new Eagle and The 13th Floor from Scream, are back with a fanzine about the IPC comic Valiant entitled One-Eyed Jack And The Death of Valiant.

David McDonald has created a 36 page magazine with a black and white cover and black and white and colour interior images about Valiant comic and its Dirty Harry cop character who foreshadowed Judge Dredd. Features include The Death Of Valiant covering the last year of the title before it was amalgamated into Battle Picture Weekly, a comparison of One-Eyed Jack and Judge Dredd, a piece on the work of IPC art editor Janet Shepheard, as well as interviews with artist John Cooper and writer John Wagner.

This is the first of a potential series of semi-regular titles covering older UK comics entitled Comic Archive. As most of the writers on downthetubes come from a fanzine (as opposed to a stripzine/small press) background, this is a venture that we wish David every good luck with.

One-Eyed Jack And The Death of Valiant is available to buy via Comicsy with the printed edition costing £3.99 plus £1.50 postage while the digital version is only £1.50. Copies of the Doomlord reprint magazine are also available.

There are more details of all Hibernia titles on their blog.

Monday, 2 November 2009

Johnny Red's Real History Revealed in BBC Shows

Johnny Red from Battle Picture Weekly


Comics commentator Michael Crouch reports that Radio 4's excellent From Our Own Correspondent show has just aired an item on the Night Witches - the all-women squadrons that fought for Russia during World War 2 and who featured in the Battle Picture Weekly comic strip Johnny Red, first brought to vibrant life by Joe (Charley's War) Coloqhoun but mostly by John Cooper for the bulk of its long run.

The show talked to surviving 'Night Witches', who recalled their greatest terror, that of being burnt alive in your aircraft. An extra bullet was always carried in their pistols so that if they crashed behind enemy lines they could shoot each other, then themselves, before the Germans could get them.

Noting that Warren Ellis recently revisited these squadrons in his series, The Night Witches, Michael is right to describe it as "a fascinating and horrific period of history."

A new collection of Johnny Red stories is in preparation for release by Titan Books next year, the first in an ongoing series.

The programme is currently available to hear again on the BBC's iPlayer and all the programmes are regularly available as podcasts. Look for Saturday 31st October's podcast here. There is also a BBC slideshow and audio commentary available here and Radio 4 will be broadcasting a documentary on Monday 2nd November at 8.00pm. Both feature contributions from Garth Ennis and there are some pictures from the graphic novel and series on the slideshow.

Tuesday, 28 July 2009

Tube Surfing: Billy the Cat, Cradlegrave and Cla$$ War for iPhone

Billy the Cat by Sean Phillips• Over on his brilliant site Bronze Age of Blogs, Pete Doree has posted a short article on DC Thomson's much-loved teen hero Billy the Cat, prompting artist Sean Phillips to respond with this fab drawing of William Grange in action...

Cradlegrave, from John Smith and Edmund Bagwell, has proven to be one of the most popular stories in 2000AD for years. Over on the 2000AD Review Siet, thanks to John Smith, you can now read the script for episode 9 - so you can see how it made the transfer to the page. Warning: there are spoilers and there is bad language...

• Geek Syndicate is running a competition to win a signed copy of ComX's upcoming superhero-styled Forty-Five comic, due for release in December.
Forty-Five is a series of Superhero interviews documented by James Stanley. As a soon-to-be father, James wants to find out what lies in store for his family if his unborn child turns out to have a Superpower.
Forty-Five features Forty-Five different industry artists, all having just one page to capture the essence of each interview. More info on the Com.X web site: www.comxcomics.com

• Talking of Com.X, a company never averse to innovation, they've just announced, in collaboration with Iconology, Inc., that Com.x comics are now available for download from the iTunes store. The first wave of releases features Cla$$war #1, #2 and Path. These will be followed by the rest of the Cla$$war series and other, soon to be announced, titles.
The application is available for £0.59 or ¢99, dependent upon your location. Once you have purchased the app, which enables you to read the comics, you will be able to download Cla$$war #1 and the first chapter of Path free of charge. If you like what you see, you can then download the rest of the books for 59p/99¢ and £1.79/$2.99 for Cla$$war and Path, respectively.

2000AD #1646 features a new Future Shock with art by the legendary John Cooper, from a script by Mike Carroll.

David Hine and Shaky Kane are working on a new Image comic called Bulletproof Coffin.

• Over on the BBC web site writer Mark Gatiss and radio producer Simon Hollis offer a revealing insight into their love of Doctor Who Target books, the focus of their recently-aired Radio 4 documentary, recent Radio 4 documentary, 'On The Outside It Looked Like An Old Fashioned Police Box'. They rightfully sing the praises of those with painted art covers...

• Over on the Coventry Telegraph's web site, David Bentley has an interview with Coventry-based artist and author Al Davison, who is taking Tennant's popular Time Lord to a whole new dimension. Al's new Doctor Who comic for IDW Publishing will consist of alternating two-part and four-part stories, all written by Tony Lee.
Al is drawing the two-parters while the artist on the four-part arcs ironically has the same name as the new Doctor Who, Matt Smith.

The ongoing series is launched with Al's first story arc, called Silver Scream and sees the Time Lord investigating an unearthly mystery in 1920s Hollywood.

"The first arc has already had a very good response, it's a very strong Doctor Who story," Al says. "Tony has really captured David Tennant's voice and personality: you read it and it really does sound like Tennant. Read the full interview, which covers much of Al's prestigious comics career Coventry Telegraph - The Geek Files.)



• Swindon will play host to the Swin City Comics Retro Fair on 26 September, to be held at Wharf Green. More details here on Facebook.

• After a few months concentrating on his The Spine Chillers webcomic, artist Ben Clark has moved hisMagic Beans! to a new location on Blogger. Expect the usual Clark madness to ensue in the coming days!

• Talking of web comics, Forbidden Planet International honcho Kenny Penman has been talking to Richard Cowdry and Daniel Locke recently, with the result that they’re going to be doing the new resident strip for the FPI blog. First Somersault went live recently and should be every Tuesday, just like they did with Darryl Cunningham’s Super-Sam.

• Complied with thanks to Matthew Badham

Friday, 26 September 2003

Convention Report: Raptus, Norway, 2013

2013 RSS Viewers: This is an old story from the main downthetubes site which I am transferring to the blog. I'm sorry it has unavoidably popped up in your RSS feed

Here's a quick report on my trip to Raptus 2003 in Bergen, Norway. This feature is an overview of the Norwegian comics scene itself rather than a report on the Festival itself which was great fun and included UK comics artists sushc as Mike Collins, Lew Stringer, Dave Windett, John Armstrong, John Cooper and Barrie Mitchell as guests. Pat Mills and Carlos Ezquerra and one of my all-time favourite creators, Will Eisner, were also at the event.

Thanks to Arild Wareness and the rest of the Raptus team for inviting me.


Jenni Scott has written a report on the convention which appears on the Silver Bullets web site.

The Raptus 2003 Comics Festival, part funded by the Norwegian government, proved a busy event attracting some 5000 fans from across Scandinavia and beyond. Guests included Will Eisner, Pat Mills, John Cooper and many European artists. I helped arrange some of the guests on Raptus behalf as an unofficial UK liasion. Jenni Scott has written a more detailed report on the event appears on the Silver Bullets site, but the information below is about the Norwegian Comics scene. This information is based in part on UK Comics Festival organiser Kev Sutherland's comments on the event on the Comics2000 yahoo group and my own observations and feedback from Norwegian creators and the convention organisers.

The number off new publishers and magazines hitting the Norwegian news stand is staggering. This autumn four new magazines will launch from mainstream publishers, their launch supported by government subsidies for new comics publishers, responding to concerns at the amount of reprint on the news stands and also to promote Norwegian creators. A committee meets regularly to decide which new creators and strips should get a break. This funding also extends to assisting with the production of albums and graphic novels, all of which means Norwegian comic creators don't have to rely solely on the free market and have been supported in their building of a popular audience. The numbers off smaller publishers and underground magazines is also rising. Major newspapers -- Norway has one of the most literate and well read populations in Europe -- use their columns to give reviews of comics, and both mainstream and underground strips get publicity. A typical newsagents has a healthy collection of comics -- not just cartoon-based, like the UK. Disney's Donald Duck dominates of course -- he is the most popular comics character, with over 100,000 sales of his top comic. While there are many import titles, there are many home-grown titles such as Nemi (now published in the UK in Metro)

Thus on newsagents shelves you have Disney titles; Fox Kids; plus newspaper strip anthology compilations such as Glen Larson's far Side, adventure magazines such as Conan, Agent X-9 (leading with Modesty Blaise reprints) and The Phantom (published by Egmont and edited by Ulf Granberg, who also edits Lew Stringer's strip Suburban Satanists. While Fantomen does reprint some of the old Phantom newspaper strips (along with Tom Strong), the lead 30-page strip is usually originated. These strips are reprinted in English by Australia's Frew Comics).

There's also: Cosmic(an Image compilation), Marvel characters (Spider-Man, X-Men - Marvel characters have started to be published in Norway in the same compilation format as Panini UK, but on better stock), plus Nemi, Pondus (a newspaper strip anthology) - lots of those on sale, Rex Rudi (a band who have their own comic strip - ever seen Norwegian rockabilly?) and Gorilla.

Although I can't read Norwegian these are vibrant and fun, the Norwegian titles -- all characters creator-owned -- are very MTV generation, vibrant and basically fun with a sassy look to them, far more self-assured than any humour comic currently published in Britain. They are published on good quality stock. They retail for around 35 kroner, about £3.50 - £4.00. (Norwegian prices are about three times as much as UK). The Nemi magazine is also using some reprint such as Lenore (little dead girl zombie who accidentally kills a lot of people). It was Nemi that led the resurgence in originated comics sales in Norway, with 70,000 sales in Norway alone. This is pretty impressive when you consider the population of Norway is just five million... The strip is now running, uncredited, in Metro, across the UK.

UK cartoonist Lew Stringer's Suburban Satanists is published in the Egmont title
Herman Hedning. Herman is the lead strip; a sort of troll character. The comic is published as both a Swedish and Norwegian language edition.

Essentially, you have maybe a few more comics titles than a big UK newsagents but dedicated shelf space is far more in even small newsagents, such as railway stations. There's also a diversity of content and very few promotional gifts on covers (in fact, Norwegian creators held up their hands in horror at the very idea). Most publishing is on better paper stock and of a high quality.

On the magazines front, there is a huge amount of reprint going on from Emap, IPC etc. with the same title (Digital Camera, Elle, Mojo etc.) but in Norwegian. The same happens elsewhere in Europe of course, I saw the same kind of thing in Italy.

Bergen's only comics and games store, Avalon, was also an experience. The layout and stock is similar to, say, Forbidden Planet, but the layout is more spacious. In fact all the shops I visited seemed to have more space except those in the older quarter. Maybe they don't have rates like we do, since they're also able to include a small cafe area.

US imports are plentiful as well as a section for homegrown comics and magazines, foreign graphic novesl and a section of SF (US) books. Not much underground comics in evidence though there was a small press section. Seems to be a big market in comics stores for English language titles. Farscape Books spotted on sale, and SFX. Sadly, no sign of Dreamwatch.

• Raptus Festival: www.raptus.no

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