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Showing posts with label Desperate Dan. Show all posts
Showing posts with label Desperate Dan. Show all posts

Friday, 31 May 2013

Rare Roy of the Rovers art, Dan Dare toys go under the hammer

Roy Of The Rovers original artwork (1993) drawn and signed by Barrie Mitchell.
From the last issue of Roy Of The Rovers
Comic Book Postal Auctions Summer 2013 auction has another wide range of British comics lots, from the first issue of Comic Cuts published in 1890 (one of only eight known copies to exist), Radio Fun Number One from 1938,  a fine run of early Dandy comics and Desperate Dan’s fourth appearance original artwork by Dudley Watkins , from the Dandy No 4 Christmas issue 1937 – Dan’s first use of the famous blow-torch for shaving!
Desperate Dan art by Dudley Watkins from The Dandy Number 4, published in 1937

The auction closes on Tuesday 11th June, so nip over and take a look at the catalogue, which also includes a number of US comics.

In ComPal's March catalogue a number of Beano printer’s proof covers sold strongly and their vendor has decided to offer eight more covers - this time Dandy proofs. all signed by legendary editor Albert Barnes, whose granite jaw was copied by Dudley Watkins when creating Desperate Dan.

The Beano is also well represented with bound volumes of the complete years of 1945, 1953 and 1955. There’s also a copy of The Beano Number 1 but it is in dull, brittle condition and offered at No Reserve.

For only the second time in 20 years ComPal have unearthed a Broons At The Seaside Jigsaw from 1944. This one is missing 14 out of its 400 pieces and is estimated at £350-400. One for Sunday Post readers, perhaps.

The company has never featured Thomas The Tank Engine before and a run of his first print books along with the rarer Isle of Sodor Railway Map are also in the auction.


Of interest to Eagle and Dan Dare fans will be a number of scarce Dan Dare toys and games feature so now is the time to consider your skills at Dominoes, Draughts and Rocket projection -- plenty to write home about using the Eagle Stationery Set and Dan Dare postcards.




There’s also a high grade run of Girl comics and some rare TV Century 21 gifts and spin-offs including issue 90 with Thunderbirds Cap (yes, I do remember wearing mine to destruction), Thunderbirds Are Go original film poster and a Stingray-inspired space pistol.



The 1970s offer key runs of Buster, Cor, Shiver And Shake and Valiant with the rarer Summer Specials including Beano, Dandy, Victor, Krazy and Tammy.

2000AD 1-3 are also up for grabs with their free gifts and there’s cover art by Colin MacNeill from Classic 2000AD #1, artwork from The Trigan Empire, Frankie Stein, Rupert and an exceptional Roy Of The Rovers board to complete the UK line-up by ace artist Barrie Mitchell.


The US section highlights a third tranche of 1950s pre-code horror, science fiction and EC titles with key issues of Astonishing, Beware, Vault Of Horror, Weird Science/Fantasy and the classic bondage/headlights favourite, Phantom Lady #17. The Silver Age offers Avengers #1, Hulk #1, Journey Into Mystery #83 and Tales Of Suspense #39 – all in affordable low grades.

• The Summer 2013 auction bidding ends on Tuesday 11 June at 8.00pm UK time.

• More info: www.compalcomics.com

• Receive an email before auctions open and closes: Click here to join their mailing list

Friday, 17 August 2012

The Dandy's digital move: media reaction

Desperate Dan
© DC Thomson

The news of The Dandy's move to digital publication has prompted a huge flurry of news stories across various news media outlets.

While most simply parrotted the official announcement made by DC Thomson about their plans (some playing up claims from the company that they have locked down the title's official web site for fear of it being hacked, which frankly, sounds like complete cobblers), some newspapers chose to do a bit more research into the state of the British comic industry, and their stories make for interesting reading.

The Daily Mail not only reported that the title would be going online but also went to the effort of getting a video interview with the Cartoon Museum's Anita O' Brien, who talked about the general malaise for comics on the UK News stand - but also had an chance to promote The Phoenix, reportedly enjoying news stand sales of 9,000 despite limited high street and supermarket distribution

 
The Economist, in a feature titled "Not So Dandy" notes most children's magazines are taking a hit because of the recession. "It seems when parents' incomes are squeezed, less money is spent on them. But the decline in British comics goes back farther than the present downturn. The Beano's circulation was a 'six-figure' number in 2003.

"The reason might have something to do with social media and TV," the magazine suggestes, "which kids spend more of their leisure time attached to these days. TV tie-in magazines like Simpsons Comics, with a circulation of 52,000, are proving more popular than antiquated comics like the Beano. Moshi Monsters, a magazine based on the eponymous social network where youngsters can raise virtual pets, has a circulation of 228,000."

Moreover, the magazine points out, there are more rivals now than there were a decade ago, citing examples such as Doctor Who Adventures magazine (which at its height had a circulation of 155,000), Moshi Monsters and Pokemon World.

"... To their credit, both comics have the same number of pages dedicated to cartoons as they had a decade ago," says the Economist. "They have retained some of the same artists. But the tone is noticeably different. The Dandy talks of farts, toilets, and "doofus" parents, and has two strips whose central characters are chavs and bogeys respectively. But the comic still raises a good chuckle or two. The quality of the cartoons has not declined, in this writer's opinion."

The Financial Times chose to run a more general piece on the problems facing comics publishers on both sides of the Atlantic in": A Serious Turn for Comics"
"Behind The Dandy’s decline... lie broader lessons about the challenges of keeping up with children’s fickle tastes," the newspaper suggests, "the speed at which new digital choices are changing consumer behaviour and the need to manage brands across different platforms."

As rumours about the comic's fate continued, some papers conjectured a transfer for the titrle's main character to rival comic The Beano.  The Daily Record claims today that Dandy favourite Desperate Dan is in transfer talks with Beano, and "looks set to take new direction.

"The end of the printed version of the Dandy means the end of an era for generations of children," the paper notes. "Its loss was summed up last night by Scottish First Minister Alex Salmond. He said: “I have fond childhood memories of reading the Dandy and it’s a shame future generations won’t be able to enjoy the printed edition.

“But I’m pleased that the publishers have confirmed the Dandy will live on online.”


The last print Dandy will be published on 4th December 4th - an 75th anniversary edition, which will include a facsimile of the very first issue.

"I can confirm that this will be our last print edition," said DC Thomson's Chief Executive Ellis Watson. "It's what comes online then that will set the tone for the next 75 years. Dan has certainly not eaten his last cow pie.

"All of The Dandy's characters are just 110 days away from a new lease of life."

The Dandy Annual will continue to be printed, and that branded products such as mugs will continue to be produced.

The last officially audited circulation for the Dandy was 7,489 weekly sales on average in the last six months of 2011. It is priced at £1.99. DC Thomson launched a Dandy iPhone and iPad app in November last year, priced at £1.49.




 

Sunday, 5 August 2012

In Review: The Art and History of The Dandy

The Art and History of The Dandy
By Morris Heggie

Publisher: Waverley Books

Out: 6th August 2012

ISBN-13: 978-1849342414

The Book: A chronicle of 75 years of the world's longest-running comic, The Art and History of The Dandy is a beautiful gift book and treasury of everything that has made The Dandy so anarchic and special.

The Review: With such a rich history, documenting the story of the world's longest-running comic, even with access to DC Thomson's archives, must have been no easy task - but for me, a casual Dandy reader, former editor Morris Heggie pulls off this herculean task with aplomb.

The Dandy is a record breaker: in 1999 it became the world's longest running comic and this reasonably-priced hardback book comes packed with stories of how its characters -- Desperate Dan, Korky the Cat, Beryl the Peril, Keyhole Kate, Brassneck, Winker Watson and many more -- came to be, along with profiles of its numerous creators from its origins to its troubled present.

For those who don't know, The Dandy, DC Thomson's first weekly comic, hit the streets on 3rd December, 1937, six months before its sister comic The Beano. The intent - stymied by the Second World War, whose paper rationing could so easily have put paid to the comics and indeed, meant a fellow title, Magic Comic, was short-lived - was to create a 'Big Five' of humour titles. This would, original editor Alfred Barnes believed, echo the success of DC Thomson's 'Big Five' of adventure comics - Adventure, The Rover, The Wizard, The Skipper and The Hotspur.

Ledgers of the comic's sales (which I've been lucky enough to have seen during one visit to the DC Thomson offices) document the title's early success, quickly out-selling adventure titles as Britain battled its way out of economic depression and prepared for War.

Telling the story of the comic chronlogically, breaking down its history into eight sections from its origins and huge success to its difficult present, beset by competition from many quarters, The Art and History of the Dandy is a glorious read, albeit tinged with the sad truth that its glory days are, perhaps long behind it.

And yet, while the title's past success - in the 1950s, it was the world's largest-selling comic with a circulation of around two million copies a week - is without question, there are some who do challenge more recent attempts to breathe new life into the title, the comic's older fans perhaps forgetting it is aimed at children, not 40-something fans with rose-tinted memories of childhood. Indeed. The Art and History of The Dandy tells the story not just of the comic, but how changing society, frowning on some aspects of its very nature, have affected and changed the style of its storytelling, with characters such as Bully Beef considered politically incorrect today, despite the fact that the vile character regularly got his comeuppance.

Sales of The Dandy may be a pale shadow of past years, and the most recent total revamp - documented in this book - has not been entirely welcomed by some. But the creators involved have held true to The Dandy's original ethos, summed up by its first editor, the late Albert Barnes: 'There is never any real violence, only the cartoon kind to be found in Tom and Jerry where the victim always springs back unharmed. It gives children a chance to cock a harmless snook at authority, and sublimate their desires to kick against the traces.'

(Barnes was also behind Desperate Dan, who became The Dandy's biggest star).

Whatever the future of The Dandy - and indeed other non-licensed, original and long-running titles such as The Beano, Commando and 2000AD - The Art and History of The Dandy is a hugely enjoyable read, albeit strong on the earlier history of the title but perhaps less revealing on its current state. If you grew up reading the comic, or are a fan of British comics, Desperate Dan, Korky the Cat, Bananaman (and many other great creations by the likes of Dudley Watkins, Ken Reid, Steve Bright et al) this title definitely deserves a place on your bookshelf.

Sub-titled 75 Years of Biffs, Bangs and Bana Skins, The Art of The Dandy offers an amazing trip down memory lane for fans of The Dandy. Sumptuously illustrated (with some great behind-the-scenes imagery and cheeky notes), I really enjoyed reading this and I think many of our readers will, too.

- Morris Heggie will be appearing at the Edinburgh Book Festival on 13th August at the Scottish Power Studio Theatre. Join Mr Gum writer and comic book fan Andy Stanton as he introduces Morris and artist Gordon Tait. More info here

 

Wednesday, 7 July 2010

Dudley D. Watkins gallery launched as Courier revamps web site

(with thanks to Lew Stringer and the Forbidden Planet International blogs who spotted this first): DC Thomson has just revamped its web site for its Scottish newspaper The Courier -  and  included a fantastic gallery of comic work by Dudley D. Watkins.

Considered an icon of Scottish culture, Watkins amazing talents are forever linked with DC Thomson, working on comics, newspapers, books and more from 1925 right up until his death in 1969, gving life to unforgettable characters such as The Broons, Oor Wullie and Desperate Dan.


The paper presents a gallery of his work, drawn from the huge DC Thomson comics archive, much of it not been seen since it was first printed, so many decades ago, including strips from annuals, religious images from a 1957 Beezer book (Watkins was a devout Christian and it's thought he was given rein to create these images in order to persuade him to do other work).

Offering some fine examples of the artist's range and offers the chance to see different versions of some of the most famous characters "Watty" created, with very familiar faces from the Sunday Post.

Desperate Dan © 2010 DC Thomson

Monday, 24 May 2010

In Review: Classics from the Comics Issue 170

The latest issue of DC Thomson's Classics from the Comics sports a new look, complete with revamped cover masthead reflecting it's 'retro' appeal, but the line up of humour and adventure strips inside is the usual engaging mix of material from yesteryear that again reminds readers of how vibrant British comics used to be. While not every story was a memorable hit - this issue's The Space Kids, from Beezer, drawn, I think, by Ron Smith, being one example - experimentation and enthusiasm for the work positively oozes from most pages.

Highlights this issue include an archive look at 50 decades of Desperate Dan, from an incredibly detailed 15-panel one page story from 1940 (Dan wins a makeover but filing his nails proves near-impossible) through to 1985 (just how will Dan quench his thirst?); a single page of Ken Reid's creation, Jonah, the jinx-ridden sailor (more, please!); Little Plum turns rock star, a barbed tale about celebrity that proves timeless; Davy Law's loose style wonder of a 1967 episode of Corporal Clott; L Cars from Sparky... There's even an episode of the quickfire half pager Desert Island Dick from Topper, as well as more General Jumbo adventure, up against a gang of terrorists with his toys.

Overall, there's a much stronger sense of editorial selection to this issue and somehow it seems less 'scattergun' than recent editions. The continued inclusion of background info on characters such as Desperate Dan is welcome feature material.

The only thing lacking for me is a list of creator credits, even if only the artists, perhaps included in the contents page. While I know that traditionally, DC Thomson never allowed creator credits in the past, it does these days in The Beano etc. I'm sure readers of this title would be fascinated to know more about the character and creator history behind some of DC Thomson's most fondly-remembered strips.

This title offers a well put together example of how a regular 'classics' package could look, and it's one Egmont should be looking at, and, although it's sadly unlikely ever to happen, IPC.

Classics from the Comics, published by DC Thomson, is on sale now in all good UK newsagents, price £2 Click here for subscription information

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