Despite the recent release of
Johnny Red Volume 1 by Titan Books, it seems there are plenty of British comics fans who are totally unaware that attempts are being made to republish a lot of our classic comic material.
Johnny Red is just the latest British comics collection from
Titan Books, whose other reprints include
Charley's War,
James Bond
,
Modesty Blaise and
Dan Dare, with more character-focused projects in the works. These include the release of an uncensored collection of John Wagner and Mike Western's classic but perhaps controversial
Darkie's Mob from
Battle Picture Weekly, on sale in late March.
Johnny Red is surely one of the best-loved aerial combat comics ever, plucked from the pages of Battle. When pilot Johnny Redburn is discharged from the RAF for striking an officer, he is forced to join the Merchant Navy. But a German sneak attack forces Redburn back into the air - in a stolen Hurricane. Redburn aims for Russia, planning to save his plane and career, but on landing, meets the 'Falcon Squadron' of the 5th Soviet Air Brigade, who are under German attack! Redburn takes to the skies once more - to fight for Russia.
This first collection of the classic strip by Tom Tully (whose credits include
Roy of the Rovers) and, features the first strips which were all drawn by Joe Colquhoun (
Charley's War) and includes a new introduction by Garth Ennis and a feature on real-world origins of the strip by downthetubes very own Jeremy Briggs.
Titan have also published a number of
Dan Dare collections from the original
Eagle,
The Misadventures of Jane, compiling strips from the femme fatale's early adventures in the
Daily Mirror, and seven volumes of
Charley's War, with Volume 8 in pre-production - a volume that will include hero Charley Bourne's dangerous encounter with a young Adolf Hitler.
Collections of other strips from
Battle are in development, although one major issue is finding good quality copies of the original comics.
Elsewhere, the monthly anthology
STRIP Magazine is to re-publishing
Hookjaw from
Action, with the first issue on sale later this year. This will be in colour and re-lettered (but not censored), which may upset purists but the work being done is top notch (declared bias - I commissioned it), with some stunning re-presentation work by Jim Campbell and colouring by Gary Caldwell.
DC Thomson has been no slouch in getting some of its classic comics work in print. Quite aside from collections of Beano and its other humour comics, Carlton have published several collections of
Commando stories and of course
The Best of Victor was released last year.
In terms of sheer volume of re-releases, however,
2000AD publishers
Rebellion surely win hands down, with a wide range of collections featuring the likes of Judge Dredd, Rogue Trooper and other.
Here's a link to a search for 2000AD titles on amazon.co.uk.
Reynolds and Hearn published
four collections of TV Century 21 and Countdown stories inspired by the Gerry Anderson science fiction shows such as
Thunderbirds,
Captain Scarlet and
UFO, with a fifth in the series on its way from the same editorial team (but different publisher, no matter what Amazon says).
And then there's the work of the
Book Palace, who have been republishing a lot of Frank Bellamy's work, and a glorious (but pricey) collection of Ron Embleton's
Wulf the Briton from
Express Weekly.
There is, of course, a huge amount of British comics material that could be reprinted. Of the companies that own rights, the newspapers are perhaps the most receptive, with Rebellion and DC Thomson leading the field in terms of keeping their properties in print.
Egmont is supportive of licensing deals -
Billy's Boots was re-published in
Striker, for example.
IPC Media own rights to a lot of British characters, revamping many of them back in 2007 in the
Albion mini series by Leah Moore, John Reppion and Shane Oakley. There have been limited attempts to reprint other IPC characters such as Steel Claw and Spider (again by Titan Books), but apart from the superb
Trigan Empire collections from
The Don Lawrence Collection, there's so much more that could be reprinted from their archive - but that's of course dependent on many factors, not least of which is finding an audience. But here's hoping!
On a day of protests to keep UK libraries open we are pleased to bring you a positive library story. In early December 2010 Carnoustie Library opened an exhibition of war comics that was due to run of the entire month and which we covered here. Due to the unprecedented snow that blanketed the country in December the exhibition was extended into January 2011 to allow visitors to see it.
