downthetubes is undergoing some main site refurbishment...

This blog is no longer being updated

The downthetubes news blog was assimilated into our main site back in 2013.

Hop over to www.downthetubes.net for other British comics news, comic creating guides, interviews and much more!

Tuesday, 10 February 2009

Fly Me to the Moon, Forties Style

Manchester-based comics artist Jim Boswell, whose credits include Markosia's Starship Troopers and more, has begun posting some of his designs and pages for Project: Luna 1947, his latest project for the company.

Written by
Martin Hayes, who Jim worked with recently on the "Intergalactic Bank-Robbing Aliens" story for Futurequake, Project Luna: 1947 is an 88-page graphic novel that looks like it's going to be great retro-fun, mixing 1940s post war austerity with spaceships, spacesuits and adventure.

"I won't give away too much of the plot," says Jim, "I'll just say it will be awesome! Martin is a fantastic writer and we're going to have a blast doing this."

Jim plans to post more teaser panels and pages on his blog as the project develops.

"Jim’s a great artist and I’m really looking forward to seeing his pages as they come in," said Martin of the project late last year, who is still busy contributing to the Futurequake project. He's recently written a five-page story called Bad Static for an upcoming issue of indie publiser's horror anthology Something Wicked, which is being drawn by John Cahill.

Monday, 9 February 2009

Tube Surfing: 9 February 2009

• The animated feature based on Neil Gaiman's Coraline is now on release int the US and seems to be doing well both critically and at the box office. "A lot more people than anyone expected are going to see it," Neil notes. "...Which is good for Coraline, and good for Laika, and good for the Portland animation world, and good for [director] Henry [Selik], and I'd be lying if I said it wasn't good for me."

• IDW has announced it to publishe a new ongoing Doctor Who title by Tony Lee, which will launch in July from IDW. The first two issues will be set in 1920's Hollywood.

• Fans of US comics will adore the concept behind Covered, a blog where people redraw famous comic covers. The results are mixed but have prompted Paul Harrsion-Davis, one of the artists involved in the upcoming TOXIC Comic Supplement (see news story), to come up with his own interpretation of a Blue Devil cover.

Graeme Neil Reid is finishing his illustration work for The Dangerous Book of Heroes, a new follow up to The Dangerous Book for Boys that became a massive hit for the authors Conn and Hal Iggulden back in 2006. There will be around 100 of Graeme' s illustrations in the book and Graeme has posted a marketing sampler for the new title on his blog.

• Talking of books, Lee O'Connor has posted his latest book cover commission, Short Stories from a Troubled World, soon to be published by Iconoclast Publishing. The book is a collection of the beautiful thoughts of one Tony Paul "who takes 'a Humorous, yet heard-hitting swipe at some serious issues. Among the book's targets are Ruling Elites, Globalisation, Dumbing Down, Think-Tanks and the unholy alliance between government, Big Business and the media," Lee notes. Check out the cover on his LiveJournal and if you can guess who all the personalities are in the drawing " you get a fictional prize!"

Wilson's Star Wars Project Revealed

We've previously mentioned in passing 2000AD artist Colin Wilson's upcoming Star Wars project for US publisher Dark Horse, but now details about Star Wars: Invasion, which launches online in May, have been officially announced.
Italic
The series, set 25 years after the Battle of Yavin (when the first Death Star was destroyed, as seen in the original Star Wars film), kicks off in print on 1 July from Dark Horse.

The series features an older Luke Skywalker and other long established characters.

"Although Tom [Taylor]and I have been working together on a variety of projects over the last couple of years, this is the biggie, and we are both giving this new series our best shot," says Colin via his blog. "Invasion introduces the readers to the Galfridian family, and the peace-loving planet of Artoria. Unfortunately the Yuuzhan Vong are about to arrive..."

"The Vong are a real challenge," Colin told Comic Book Resources, "because so little is known about them. But early on I realized that this was also a huge advantage, as well.

"Once I got a good visual handle on these guys, I could pretty much do what I want with them, at least visually. The important thing I’d like to retain about the Vong is their aura of mystery. With these guys, anything can happen, and usually does. Big, bad, threatening... what else does a comic artist need?"


• For more details on the Invasion project, check out the Comic Book Resources New York Comic Con coverage here, and online interviews on CBR with Tom Taylor and Colin Wilson.

Star Wars: Invasion launches on www.starwars.com in May with an eight-page preview web-only issue, followed by a second eight-page preview web-only issue in June.

Sunday, 8 February 2009

Haward's Tempest Set to be Another Classic

Comics artist Jon Haward has shared some stunning samples of Classical Comics adaptation of Shakesepare’s The Tempest, which goes on sale in May in all good bookshops across the UK.

Set on a mysterious island, The Tempest, possibly the last play Shakespeare wrote, centres on the banished sorcerer Prospero, rightful Duke of Milan, who uses his magical powers to punish and forgive his enemies when he raises a tempest that drives them ashore.

In total, he and the art team on the book -- Gary Erskine delivering inks, Nigel Dobbyn providing the colouring -- will be providing some 125 pages of comic art on the project, plus two covers. The book also features educational background notes on the play from the Classical Comics editorial team.

“I’m now on the last 25 pages of pencils,” Jon told downthetubes, who has been working on the book for about a year -- since, in fact, we last interviewed him -- if you include development time, character and scene design.

There were some specific challenges when it came to this adaptation, compared with his earlier Classical Comics work, Macbeth.

“As this is William Shakespeare's last play and classed as a masterpiece, I wanted the book to have a beauty about it,” Jon says, “but at the same time, [publisher] Clive Bryant's brief was to make it exciting for the children who'll read it in libraries and schools.

“This book has been more of a challenge than Macbeth in some ways, as there are more characters, if you include the creatures, goddess's and sailors,” he continues, “plus the main characters. There’s also the details I needed to research for the 15th century styled costumes.

“Clive helped with the ships and flags and I checked out a lot of art books from that period to get the costumes looking right.”

“Where Macbeth, which I drew, and Frankenstein, which I art directed, are dark and brooding, I wanted The Tempest to look magical and beautiful," he expands. "At the heart of the story is a romance, with young Ferdinand and Miranda.”

While there's still some pages to complete, Jon’s delighted with the final work. “I think this book will appeal more to girls than boys,” he enthuses, “although saying that, the boys should like the humour in the play and the creatures such as Caliban and the Harpie, and the creatures that rise out of the ground later in the play.”

“It"s been a really hard job but immensely rewarding,” says Jon of the book. “It’s been a joy working with Clive and Jo, and great working with Gary and Nigel, who have been fantastic.

“Of course, as I said, we’re still working on this book, but it’s near the end now and I can say that, to me, it's really looking a beautiful production one that I'll always be proud of.

Working on the Classical Comics has also been something of a welcome learning exercise. “I've gotten better at character acting working on these books,” he reveals.

“What I mean is, drawing superhero stuff, you work on the dynamics of the action and pace of the story and you try to make it as bombastic as you can for the reader. With Shakespeare, there are pages just of people talking so I've learned more about body language, faces, drawing hands to indicate sadness, joy, fear… It’s almost being like a actor or director drawing the play. It’s been a lot of very hard work but I think it works. When you see the finished book there are loads of small moments that make the whole.

“This book has it all – love, hate, revenge, joy, friendship… it's a great play and story, and I've enjoyed getting to know all the characters.”

As well as his work for Classical Comics, Jon has just completed some work for an animated US TV commercial, “and I’ve been drawing some new characters for a weekly online comic strip which I hope will have universal appeal, which should be launching in a few months.

“I'm also pitching for my next big job -- whatever that will be!” the award-winning artist laughs. “So if there are any publishers out there that would like to use my skills who pay a decent page rate than please get in touch. I’m open to offers...”

• The Tempest will be available from all good bookshops including amazon.co.uk and amazon.com.
• Comic shops can order the books direct from www.classicalcomics.com as the book will not, sadly, be available through Diamond
• Jon Haward’s web site is at: www.jonhawardart.com
Read our March 2008 interview with Jon

• All art shown is copyright Classical Comics Ltd 2009 and is shown with permission from the publisher

Latest News on downthetubes.net

Contact downthetubes

• Got a British Comics News Story? E-mail downthetubes!

• Publishers: please contact for information on where to post review copies and other materials: editor@downthetubes.net

Click here to subscribe to our RSS NewsFeed

Powered by  FeedBurner