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Showing posts with label Lizz Lunney. Show all posts
Showing posts with label Lizz Lunney. Show all posts

Friday, 12 October 2012

Off Life, free indie comic zine out now

While I was away last week in the wilds of Scotland, OFF LIFE - the new, free indie comic magazine, available in print and online - got under way with a sparkling first issue crammed with some great comics. My apologies to the editorial team for not being about to give it a plug, because it's fantastic.

OFF LIFE is the UK's only street press comic magazine. Each issue featurs comic stories from today’s best indie talent, compiling them in a bi-monthly magazine and then leaving them around bars, coffee houses, shops and galleries for good people like you to pick up – free of charge.

The first issue has some fab strips - one pagers and longer strips - from talents such as Sean Azzopardi, Neill Cameron, Rob Davis and Lizz Lunney, just to name a few, along with a profile of ace creator Tom Gauld.

It's a strong start for the title that aims to put great talent in front of more people - not just comic fans - and I hope it's the success it deserves to be.

• If you're in a major city in the UK you may find a print copy lurking near you, but if not then you can view it online or download a PDF at: www.offlife.co.uk

 

 

Friday, 2 March 2012

New Comical Animal released in the wild (web, that is)

Happy Kitty Spa Holistic Day Spa, by Gemma Correll

(with thanks to Matt Badham): The latest online edition of Comical Animal is online now, a diverse compendium of animal-inspired comic strips and cartoons.

Released quarterly, Issue 7 includes tributes to the Pink Panther and features contributions from Fred Blunt, Gemma Correll, Spirou comic's Geoffrey Alistair Coupland, Rob Jackson, Lizz Lunney, Jim Medway, Piotr Nowacki, Alex Potts, Ryan Taylor and others.

A quarterly online publication for comic, cartoon and kids books afficianados, the next issue is out on 1st June. 
 
• Check out Issue 7 at http://comicalanimal.com


Monday, 27 September 2010

Let's hear it for some Comical Animals!

Bumble Billy by Gary Northfield
A quick reminder that Jim Medway's Comical Animal, a bi-monthly online publication for comic, cartoon and kids books aficionados, is on course for a proper launch in December.

Sponsored by Good Grief! and Blank Slate Books, Jim is taking submissions for strips, articles, reviews and illustrations for the first full issue, scheduled for December. You can get to the submission guidelines here.

The preview issue features strips by a host of British artists such as Dave Shelton, Gary Northfield, Lizz Lunney, Francesca Cassavetti, Rob Jackson, Dan Berry and many more.

• Check it out at: http://comicalanimal.com

Wednesday, 4 August 2010

Mad Scientists storm Caption 2010

(cross posted from Bugpowder with the kind permission of Daniel Fish): The Mad Scientists have retired back to their mountain core fortresses following another successful Caption in Oxford this past weekend.

I had a fun time, meeting up with the usual crew, plus a few I hadn't yet met, and attempted to create my own Frankenstein's monster with a mixture of Beer, Burgers and Comics, using my by then ink-stained fingers.

Ant_Monkeys+logo1.jpgOn arriving Saturday morning, after a quick browse, and depositing my new Trevor the Ant minicomic on the freebie table, I drew a page of stickers with the Dino-Saw-Us crew (Tim Winchester, Philippa Rice, Lizz 'Lizz' Lunney et al), then took part in Jeremy Day's (formerly Jeremy Dennis) apocalyptic jam comic workshop.

Then PJ Holden, who's currently working on 2000AD and the new STRIP Magazine, gave an informative interview with Matt Badham, which was followed by Lost Girls co-creator Melinda Gebbie's revealing conversation with Jenni Scott.

Paul Gravett hosted the Webcomics panel next, with PJ, Tozo creator David O'Connell, Philippa, Lizz, and Sydney Padua, making her comics convention debut (creator of the excellent Lovelace and Babbage webcomic, which I'll be catching up on as soon as I've written this).

John Miers gave a talk next, which I missed, but heard was excellent, and would have been right up my street. You can buy his book online, its beautiful stuff.

The art auction followed, then Atomik Burgers for dinner, closing with Tony Hitchman's Mad Science quiz, then back to the B and B for cocktails and dancing girls.

The next DFC Library books, out in September 2010
Sunday followed (as is traditional), starting with the DFC Library panel - Sarah McIntyre and Neill Cameron showed off the first six DFC Library books (I still can't decide which is my favourite), and shared reminiscences of the much-missed DFC Comic.

(I had the pleasure of looking over Sarah's shoulder while she sketched Melinda Gebbie - See her page for the results, )

Paul Cornell chatted about his work (Knight & Squire from DC Comics sounds great), then Sydney Padua clued us in some more on her webcomic, and her work on animation for films including Clash of the Titans and Iron Giant ("Suuupperrrrrrrmaaaaannnnnnn!!!!").

Wrapping the event off was Darryl Cunningham, who discussed his experiences which inspired his Psychiatric Tales book and other work, then the 'Comics as Mind Control' panel followed, and we all shuffled off to find our ways home.

I haven't seen those dancing girls since...

Web Links

Official Caption web site

Sean Azzopardi
"
I was only attending the Saturday this year, but had a good time. There was a good range of talks, and a better variety of guests this year...."

Caption 2010 By Matthew Badham


Darryl Cunningham at Caption 2010

Caption 2010 Report - Part 1 - by co-organiser Selina Lock

Sarah McIntyre's CAPTION write-up

Jenni Scott
"Mostly mellow, definitely fun, great guests and panels..."

• There's also a growing set of photos from the event on Flickr.

Wednesday, 19 August 2009

Tube Surfing: Dave Gibbons, Digital Awards and Zombies!

downthetubes has been having some behind-the-scenes computer woes: we apologize for the lack of posts in recent days. We're grateful to Jeremy Briggs for his review of Cinebooks' Rameses' Revenge.

Digital Artist 2009 Masterclass #1 - Dave Gibbons from Intel Digital Artist 2009 on Vimeo. News story below



• Artist Dave Gibbons has been interviewed for The Guardian, talking about how computers have liberated him as an artist – and the dubious honour of inspiring the Comic Sans font... Dave is busy promoting the Digital Artist 2009 awards, backed by Intel and Future Publishing. Gibbons is a judge in the competition to find the digital artist of the year, and has contributed a masterclass video (above) on how he uses digital media.

• A re-design of the official 2000AD web site is underway - expect some modifications to unfurl next week. The official forum is still accessible. Talking of things 2000AD, word is that the latest Meg' (out today) carries the first part of a two part interview with artist Ron Smith.

• Still on 2000AD, the 2000AD Review Site has had a revamp. It looks rather nifty, with the news section now more of a blog featuring 2000AD news and much anything 2000AD related that might be of interest to 2000AD readers.

• Want some great original comic art by a very talented British cartoonist? Lizz Lunney is doing a comic a day for August and selling the original artwork in her online shop.

Lew Stringer reports that the Pathetic Sharks are back in Viz for the summer, and that to mark the humour magazine's 30th birthday, an exhibition of original artwork will be shown at the Cartoon Museum, Little Russell Street, London from 4th November 2009 to 24th January 2010 (www.cartoonmuseum.org).
Viz No.188, which also features favourites such as Roger Mellie, Eight Ace, Millie Tant, and Meddlesome Ratbag is £3 and on sale now in all good newsagents, supermarkets -- and even some bad ones. Viz website: www.viz.co.uk

500x_vicundead2.jpg• Ian Edginton is writing a six part zombie series for DC Comics' Wildstorm imprint: Victorian Undead, is set in a 19th Century London overrun by zombies, and only Sherlock Holmes can save the day. The series is illustrated by Star Wars and Brothers In Arms artist Davide Fabbri and will launche in November.

• DC Thomson is to launch a Scottish football magazine in October. AllMedia reports Eleven aims to report all levels of the game in Scotland, including the national men's team, the Scottish Premier League and Scottish Football League, all the way to Highland League and East of Scotland leagues and women's football. Priced £2.75 it will be on sale in newsagents and promises - for its launch issue - news from each of the 42 SPL and SFL clubs, plus a report from the Major League Soccer scene in the USA. No word on whether it will include any comic strip.

• Despite this launch, AllMedia also notes DC Thomson, like all UK publishers, is not having the best of times. It stable of magazines and comics has suffered across-the-board drops in its sales, according to figures published recently, the ABCs indicating the average net circulations of the likes of People’s Friend and the Dandy all experienced sales falls between the end of December, last year, and the end of June this year.

Sales of The Beano average at 53,964 between December 31 and June 30, down 12.8 per cent on the previous six months, and sales of My Weekly average at 145,676, down 4.6 per cent. Read the full report

The Geek Syndicate web site have a 45-minute chat with British International Comics Show organiser Shane Chebsey, where Shane "reveals what events people can expect at this years show as well as a look back at lessons learned from previous years. There is a look behind the scenes at what goes into the preparation of the show and what their plans are for the future."

• And finally... Jason Cobley reports for the education market, Classical Comics have got together with Heinle Cengage Learning to publish an ELT (English language teaching) version of their Frankenstein graphic novel. "It's quite similar to the Quick text version, with some changes to the language for clarification, the intended readers being learners of English as an additional language," says Jason. "It's interesting to compare the three versions alongside each other.

"I know which I prefer as a straight read - for a general reader I'd recommend the Original Text, for younger readers the Quick Text, and a mix of the two for use in schools, emphasising the original text. But the ELT version is a really good tool for schools also, the best thing about it being the audio version that comes with it. It's a great reading, with a variety of voices and sound effects for key scenes - a narrated audio play that I heartily recommend whether using it in school or just to listen to in the car."

Buy Classical Comics: Frankenstein

Compiled with thanks to Matthew Badham

Friday, 5 September 2008

Tube Surfing: 5 September 2008

• There's an excellent interview with David O'Connell, the writer and artist behind science fiction comic Tozo, over at Garen Ewing's website.

David's art is very much in the tradition of ligne claire (clear line) artists such as Belgium's Herge (of Tin Tin fame) and France's Jacque Tardi. In the interview, Garen, himself a talented cartoonist, talks to David about ligne claire, world-building and the Dutch comics scene (David lived in Amsterdam for a while):

"The Dutch domestic comic scene is unsurprisingly small but very healthy," says David in the interview. "They have fun with what they do and are more interested in the 'artform' of comics than in the 'business', or at least, that's my perception.

"I've found that idea very important to hold on to: if you go looking for some kind of material gratification through comics, whether it's in terms of cash or number of blog comments then you'll end up miserable."

Garen Ewing is the man behind the rather fantastic Rainbow Orchid. He's also got a forthcoming strip, Charlie Jefferson and the Tomb of Nazaleod, in new children's comic The DFC. You can see a preview of this strip here. David's Tozo strip can be found here.

(This interview sourced via the brill Forbidden Planet blog)

• Oliver East of Bugpowder makes us aware of the new issue of Colouring Outside the Lines, which features an interview with British indie cartoonist, Lizz Lunney.

According to its myspace site, Colouring Outside the Lines is "...a zine featuring interviews with contemporary female artists; illuminating various corners of current female artistic and creative activity."

Lizz Lunney's minimalist style and occasional anthropomorphic stylings should appeal to fans of cartoonists such as Ralph Kidson and Lewis Trondheim.

Anyway, sounds like a cool zine. Please check it out.

• Speaking of Oliver East, his blog is well worth a read, especially for its stream of consciousness musings on India, the creative process and fellow cartoonist Stuart Kolakovic's superb rugs!

• Richard Bruton draws our attention to cartoonist Hunt Emerson's recently revitalised website, Large Cow.

I'll let Richard do the plug for this one:

"Hunt Emerson's website Large Cow is proving to be a black hole of time stealing delight. I was directed there via Pete to have a look at the Owl & The Pussy Cat three page strip from the Beano and I find myself looking around for the best part of an hour..."

If we're mentioning Richard, we should also give a shout-out to his excellent blog, Fictions, which often contains lots of comics-related goodies, including the Propoganda reviews that are cross-posted at the aforementioned Forbidden Planet blog.

And finally... Peter Murphy has just posted an interview with comics legend Alan Moore over at the Blog of Revelations. It's pretty good stuff, with some classic Moore-isms and interesting anecdotes:

"So I got the second draft of the [film] script [for V for Vendetta] where I think to justify the special effects budget, they decided that having Britain taken over by fascists was just not exciting enough, and they’d used the fact that I mentioned a limited nuclear war to say, ‘Right, there’s mutants everywhere!’ So instead of it being fascist policemen that are patrolling the benighted streets of this enslaved London of the future, it’s half-goat mutant policemen. You’ve got these people that are policemen down to the waist and have goats’ legs. And as I said at the time, if you wanted to do a film about goat policemen, then why the f**k didn’t you just buy the option to Rupert Bear?!!"

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