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Showing posts with label Gerald Scarfe. Show all posts
Showing posts with label Gerald Scarfe. Show all posts

Monday, 17 October 2011

Private Eye marks 50th anniversary with special issue

Issue 1300 of Private Eye, on sale 26th October, will be a special issue marking its 50th birthday.

This landmark event for the magazine - which has always featured cartoons and comic strips satirising British life and politics - is also being marked by Private Eye: The First 50 Years. an exhibition of art at the V&A Museum in London, which runs until 8th January 2012.


Founded in 1961, Private Eye has survived and prospered for half a century by entertaining, informing and irritating its readers with a unique mix of jokes, journalism, campaigning and gossip. In August, MediaWeek noted that the magazine had retained its position as the UK's leading domestic current affairs magazine with an average circulation of 206, 266 per issue in the first half of 2011.

Despite representing a marginal drop of 0.1% on the previous six months, and down 0.7% year on year, the current affairs magazine remains more than 20,000 copies larger per issue than its nearest rival, The Week.

The bumper edition of the magazine on sale next week will look back at 50 years of exposing political corruption and scandal.






Private Eye: The First 50 Years. the V&A's free exhibition, explores the wealth of artistic talent that the magazine has fostered by showing the original artwork for some of the finest and funniest Private Eye cartoons. Over its 50 year history, It's published and promoted the work of more than 90 artists, many of whom started their careers at the magazine, including Ken Pyne (above) Gerald Scarfe, Ralph Steadman, William Rushton, Barry Fantoni, Michael Heath, John Kent and Ed McLachlan.

Strips have also included a Dan Dare spoof, 'Dan Dire' in the 1990s, lampooning Labour leader Neil Kinnock, drawn by Nick Newman.

The illustrations are being shown in thematic sections on politics, royalty and social observation and are richly varied in style and tone and take the form of single cartoons with captions, long-running strips and caricatures.

Ian Hislop, Editor of Private Eye - who is celebrating 25 years as editor - has chosen 50 of the best of the trademark front covers, one from every year the magazine has been published. The front covers are arranged in a timeline, offering a graphic satirical history of the news over five decades.


Visually, Private Eye is renowned for its low-fi aesthetic. The cut-and-paste production technique and overall look have changed little in over 50 years, despite the switch from cowgum to computers and letraset to the internet.

Private Eye: The First 50 Years aims to evoke the atmosphere of the magazine’s Soho office, with a recreation of the editor’s paper-strewn desk plus seldom-seen ephemera from the magazine’s past campaigns and court cases, plus as a life-sized cut out of Tony Blair, a stuffed dog, a flying Robert Maxwell and a giant inflatable banana.

"At last," note Hislop, "Private Eye makes an art of itself."

The 50th anniversary is not just being celebrated by the magazine in print. Last month saw the release of Private Eye: The First 50 Years, an A-Z - a lavishly illustrated, definitive history of the magazine, charting its rise from 300 copies of the first edition on 25th October 1961, to a fortnightly readership of 700,000.


Written by Private Eye journalist Adam Macqueen, who has been with the magazine since 1997, the book offers is an in-depth, witty and occasionally critical appraisal of the magazine, a long-awaited volume "containing everything you ever wanted to know about the nation’s favourite satirical organ" (it says here).

At last the origin of Ugandan discussions will be disclosed, along with the story behind that Andrew Neil photo, and the identity of Britain’s Biggest Pseud. Plus the inside story of the magazine’s many high-profile legal battles, scoops and staff bust-ups, told by those who were there.

In addition to a wealth of new material, the book features exclusive interviews with current editor, Ian Hislop, his predecessor Richard Ingrams and co-founder, Christopher Booker, plus a host of other key figures past and present.

The book also contains exclusive reminiscences and revelations about former contributors including Peter Cook, Auberon Waugh and Willie Rushton, in addition to rare archive material, unseen photographs and an abundance of cartoons from the likes of Nick Newman, Tony Husband and Michael Heath – many never before published.

Also on sale now is the 2011 Private Eye Annual presenting the very best of Private Eye’s unique blend of wit and humour, jam-packed with pages of parody, the funniest spoofs, gags, cartoons, photo bubbles and topical humour.

Consistently found in the best seller chart and selling in excess of 78,000 copies last year alone, it's a must for every Christmas stocking.


- Official Private Eye web site: www.private-eye.co.uk


- Private Eye cover gallery: www.private-eye.co.uk/covers.php

- V&A Private Eye Exhibition: www.vam.ac.uk/content/articles/p/private-eye-the-first-50-years


- Shortlist interview with Ian Hislop: http://www.shortlist.com/entertainment/ian-hislop

Cover images and cartoons copyright Private Eye

Wednesday, 9 June 2010

Radio Show spotlights Rude Britannia exhibition

Opening today at Tate Britain in London is the new exhibition 'Rude Britannia', which traces the history of British comic art from Hogarth to the present day.

In an hour-long Clear Spot radio show from the Strip! radio show team, looking at the art on display and related topics, you'll hear an extract of a tour of the gallery conducted by curator Martin Myrone. Along with one of the contributors to the exhibition - Gerald Scarfe - he'll be talking to Alex Fitch about the choices that went into curating the show and the crossover between fine art and 'low brow' satirical drawings.




Alex also talks to cartoonist Martin Rowson - who is currently exhibiting his illustrations for New Humanist magazine at Menier Gallery (51 Southwark Street until 12th June) - about his adaptation of the humorous and experimental Eighteenth century novel The Life and Opinions of Tristram Shandy, Gentleman into graphic novel format.

Dickon Harris also talks to comedienne Josie Long about creating 'zines and comics for distribution at her gigs and contributing comic strips to Alan Moore's new magazine Dodgem Logic...

• Clear Spot airs tonight, Wednesday 9th June at 8.00pm on Resonance 104.4 FM / streamed at www.resonancefm.com / podcast in three parts at www.panelborders.wordpress.com on Thursdays 10th / 17th / 24th June

• Tate Britain is at Millbank, London SW1P 4RG. Tel: 020 7887 8888 E-mail: visiting.britain@tate.org.uk. Web: www.tate.org.uk/britain/. Entry is free except for major exhibitions: Entrance to Rude Britannia is £10, Concessions £6. Open every day 10.00–18.00. Last admission to exhibitions

Monday, 4 May 2009

Maggie, Maggie, Maggie...

-- Out, Out, Out! What's that? She turned into a man and re-named herself Tony Blair? The cunning minx...

30 years ago today (4th May) Margaret Thatcher walked through the doors of 10 Downing Street as Prime Minister, quoting St. Francis of Assisi. As far as I'm concerned, she totally failed to bring harmony where there was discord, and any hope where there was despair was ruthlessly crushed for anyone who was not a Fat Cat business tycoons or bank manager. But of course, opinions differ about Maggie, scourge of miners, students, pensioners... oh, all right, I'll come quietly, officer...

Noting the divisions she fostered, London's Cartoon Museum has asked two veterans of the ideological battles of the Thatcher years – Kenneth Baker, who served in her cabinet from 1985 until 1990 and is vice-chairman of Museum and Steve Bell, the Guardian’s chief cartoonist – to select some of their favourite cartoons of Britain’s first woman Prime Minister, her colleagues, her critics and her adversaries. (The opposing views she generarated are perfectly captured in the featured cartoon above caricatured by Charles Griffin, via Bloghorn)

The London-based Museum's latest exhibition shows how she has been both loved and loathed by politicians, the press and the public, featuring a selection of nearly 100 cartoons by 35 cartoonists from across the political spectrum. Steve Bell, Michael Cummings, Stanley Franklin, Nicholas Garland, Les Gibbard, Charles Griffin, Jak, Peter Kennard, Gerald Scarfe, Posy Simmonds and Ralph Steadman all feature in an exhibition that chronicles her rise to power, the Falklands war, the miners’ strike, privatisation, the poll tax, Europe, her eventual downfall and her long term impact on both the Conservative and Labour parties.

While Thatcher ws the butt of many a cartoon (although, off the tope of our heads, she was never drawn to look like one), the British Journalism Review noted back in 2007 that she did not care how she was depicted – she rarely looked at cartoons and never bothered to watch Spitting Image. "She appeared to be a gift for cartoonists, but the more the left-wing artists attacked her, it seemed, the stronger she became," the site states. Indeed.

The exhibition is accompanied by a gorgeous, fully illustrated 100-page catalogue, including contributions by Kenneth Baker, Steve Bell, Lord Carrington, Michael Foot, Les Gibbard, Charles Griffin, Geoffrey Howe, Ken Loach, David Owen, David Steel, Norman Tebbit and Admiral Sir John ‘Sandy’ Woodward.

Maggie! Maggie! Maggie! Margaret Thatcher – Mother of the Nation or Monster from the Blue Lagoon opnes on 6 may and runs until 26th July. The Cartoon Museum is at 35 Little Russell Street, Bloomsbury, London and open: Tuesday – Saturday, 10.30 – 17.30 and Sun 12 – 17.30. Web: www.cartoonmuseum.org

BBC News: Maggie's Cartoon Legacy Item

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