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Showing posts with label Comics Studies. Show all posts
Showing posts with label Comics Studies. Show all posts

Monday, 5 March 2012

Comics Forum launches "scholar directory"

Today sees the launch of a new resource on the Comics Forum website. The scholar directory provides information on the biographies, research interests, conference papers and publications of scholars researching comics from around the world.

The site runners tells us the hope is this will be useful in helping scholars to make connections, see where people are studying and what they’re interested in, and increase the accessibility of comics scholarship for everyone.

Until today, the directory has been running in a limited pilot phase, with invited parties submitting their data for inclusion so Comic Forum could work out how to build the pages and structure the system. Many thanks to all those who agreed to take part in this trial run.

Now, all comics scholars are being invited to fill in our data form and submit it to comicsforumAThotmail.co.uk for inclusion in the listings.

"It would be great to build a better picture of who is where," says Ian Hague, director of the Comics Forum. "Any queries about getting listed can also be directed to the above email address."

Any comments on the directory are very welcome. If you know of anyone who would be interested in being listed in the directory, please pass on this news story to them.

• To be taken to the directory and download the data form, go to: http://comicsforum.org/scholarly-resources/scholar-directory/.

Thursday, 27 October 2011

Comics Forum for comic studies gets overhaul, adds digital texts

(with thanks to Norman Boyd): The Comics Forum website (http://comicsforum.org) has recently had something of a makeover and now includes the addition of a new 'Scholarly Resources' section for anyone interested in the study of comics (accessible from the top of all pages on the website).

This section also includes a newly launched Digital Texts archive, which offers freely downloadable texts of relevance to comics scholars - including a digital copy of the controversial UK Children and Young Person’s (Harmful Publications) Act, 1955, the genesis of which was discussed at length in Martin Barker’s A Haunt of Fears: The Strange History of the British Horror Comics Campaign (and is still in force).

The digital text archive is currently in its launch phase and as such contains a small number of texts, but the creators hope to be able to expand this collection as time goes on in order to provide a useful centralised hub for freely available, open access comics scholarship.

"We are particularly keen to feature previously unpublished material," says Forum manager Ian Hague, "or texts that have gone out of print, in order to help develop the breadth, longevity and sustainability of comics scholarship, and contribute to overcoming the sense of ‘reinventing the wheel’ that was alluded to in a post on the Comics Forum site by Randy Duncan and Matthew J. Smith in July of this year, and by Charles Hatfield in a post on the Thought Balloonists blog in September 2009.

"We are also interested in publishing new material where it is available, with the hope that featuring such material on this website can help it to find a wider audience."

If you are an author and you would be interesting in making your articles, books, dissertations, essays, fanzines, theses etc. available via this archive please contact me at this address or I.Hague@chi.ac.uk.

Already available in the Digital Texts archive are Ian Gordon’s book Comic Strips and Consumer Culture 1890-1945 and Dan Raeburn’s series of critical essays published as The Imp (four issues).

Ian is also planning to launch additional resources to complement the existing materials and would welcome some assistance in doing so. "Up to this point I have largely been running the website by myself, he says. "At present the situation is fairly manageable, but I would like to expand the site and the remit of Comics Forum as a whole if possible, in order to increase its usefulness to scholars individually and to scholarship as a whole.

"At the moment I am looking to get together a larger team of people to help with the 'behind the scenes' aspects of the website and possibly the 2012 conference (depending on what format that takes next year)."

• If you would be interested in getting involved with Comics Forum please get in touch with Ian via the email address above for more info. Experience working with the WordPress online service would be helpful but is not essential.

• You can access the scholarly resources section directly here: http://comicsforum.org/scholarly-resources/

Tuesday, 30 August 2011

Comic Art Module launches soon at Jordanstone

A module which looks at historical and contemporary comic art practices and will include visits by top British comic creators is due to commence at Duncan of Jordanstone College of Art & Design at the University of Dundee this month.

The expansive module will be available to current level 3 undergraduate students studying under the Communication Design umbrella.

The module will be a mixture of theoretical and practical lectures, seminars and workshops delivered in the studio and in conjunction with the School of Humanities. The module is unique in the current programmes offered in Scottish art colleges and will run for the duration of Semester 1.

Top industry speakers and guests such as Cam Kennedy, Frank Quietly, Colin MacNeil and David Bishop will make visits to the College, delivering workshops and offering practical and career advice to students.

The comics market is part of an ever expanding multi-million pound industry, which feeds into the games, TV and film markets, and the emerging field of Comics Studies, in which the University of Dundee is leading the way, shows students the various ways in which popular culture engages with industry and commerce.

Freelance designer and animator Phillip Vaughan,
who authored the Comic Art Module
at Duncan of Jordanstone College.
"You only have to look at the recent slew of Hollywood comic book adaptations to see that the comics industry can be very lucrative for a top creator," argues freelance designer and animator Phillip Vaughan, who authored the module and who lectures at Duncan of Jordanstone. "We hope to discover the next big comic book talent here in Duncan of Jordanstone!"

Phillip has over 15 years experience in graphic, print and interactive design, motion graphics and the 3D computer games industry and has worked on high profile licenses such as Braveheart, Star Trek, Tom and Jerry, Teletubbies, and Wallace & Gromit, subsequently working as a cut-scene producer for Farscape. He also realised a lifelong ambition and worked with the creators of Judge Dredd on a video game project for Digital Animations.

The students will be tasked to produce an anthology publication in print and in a digital format, utilising their own original concepts and characters. By the end of the module students will be in possession of a creative piece of work which could form part of a portfolio.

The opportunity is to open up an area of undergraduate study that is currently very much underrepresented in the UK, and to take advantage of the increasing demand for courses dealing with comics and graphic novels. The University of Dundee’s commitment to this is seen in the recent launch of the MLitt in Comic Studies by the School of Humanities, led by Dr Chris Murray.

Murray, who is course leader of the postgraduate MLitt in Comics Studies is backing the module at Duncan of Jordanstone, and will assist in delivering it, just as Phillip Vaughan will assist with the delivery of the MLitt course on comics.

"I'm very happy to see Duncan of Jordanstone taking on this course” he says. "It has been obvious for a while looking at the Degree Shows that students at DJCAD are very influenced by comics, so there is a clear demand for this course.

“I’ve supervised dissertations on comics and graphic novels by art students at the College for several years now but it is clear that what they have been looking for has been a creative outlet and a dedicated module in this area," he continues, "so Phil’s course is a very positive development, and fits in very nicely indeed with what I’m doing at the School of Humanities.

"Collaboration between Humanities and the Art College has been a very important part of making the development of Comics Studies at Dundee possible, and we have plans to pursue this further, making Dundee a focal point for comics training, teaching and research”.

• For more information contact: p.b.vaughanATdundee.ac.uk or visit: http://www.dundee.ac.uk/djcad

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