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Showing posts with label Channel 4 Education. Show all posts
Showing posts with label Channel 4 Education. Show all posts

Tuesday, 25 October 2011

Channel 4 launched The Thrill Electric web and mobile comic



Channel 4 Education has announced details of its launch of The Thrill Electric – a 10-part enhanced comic series written by Leah Moore and John Reppion, designed by Emma Vieceli, illustrated by the all-female comic book studio Windflower and produced by Hat Trick Productions.

It's a story in the Victorian era that demonstrates the extraordinary parallels between the telegraph age and the internet age.

“Teenagers may be surprised to hear that online gaming, personal messaging, cyber-bullying and online profiles are all an invention of the Victorian telegraph, not the internet,” says executive producer Jonathan Davenport. “By setting our story in the sprawling metropolis of Victorian Manchester, we are taking the concerns and issues of young people today and playing them out in an atmospheric setting that will seem both exciting and strangely familiar to our readers.”

Working with the very best names in the British comic’s industry and award-winning digital agency Littleloud, The Thrill Electric tells the story of Emily Bagley, a sassy and intelligent young woman who breaks with tradition and becomes a telegraph worker. In addition, there’s a whole host of characters to follow through the series as they tackle issues of sexual identity at a time when it was illegal to be gay; trying your best to better yourself in the face of peer pressure from gangs; the dangers of creating a false impression of who you are online; and female issues of body image and sexual inequality. And for eagle eyed readers, there’s a secret storyline hidden in the code.

The Thrill Electric is written by comic writing duo Leah Moore and John Reppion, designed by Manga aficionado Emma Vieceli, drawn by the Windflower team and produced by Tracy Beaker and Young Dracula’s Mia Jupp.

“When we discovered that the Telegraph system in the Nineteenth Century was to all intents and purposes a Victorian Internet, it really caught our imaginations,” says Leah Moore.  “A young woman could, with the right skills, join a predominantly male workforce and become part of the rapidly growing online international community.

"There is a strong resonance between the story in The Thrill Electric and the team helping to create it - lots of talented women working in a male dominated industry but rising to the surface despite that.”

The Thrill Electric tells its story in the form of an enhanced comic with layered panels and atmospheric animations and comes packed full of contextual issue-led information threaded throughout the story. 

"Littleloud created the technical framework and animations, with a view to explore and push what comics can be in the digital age," explains Darren Garrett, the agency’s Creative Director, "and how they can connect with new audiences. The technical framework we've built is all about exploring those possibilities and giving writers and artists tools to do this."

Commissioning editor, Jo Twist, says, “After reading comics on the iPad, I really wanted us to transform the way you could read them online, and what the team have done is a joy to experience. This is the first use of Unity player in comics and the innovative way the narrative is combined with real historical fact, the illustration and the animations with contemporary music makes this something quite unique.”

• The Thrill Electric will be released weekly from 27th October 2011 and experienced via a bespoke comic reader available online at this address www.thethrillelectric.com and on iPod and iPhone devices.

Thursday, 3 June 2010

Take Ten: Channel 4's Alien Ink graphic novel project launched

Channel 4 Education recently launched Alien Ink, an online graphic novel for teens. Written and illustrated by the team at Pulp Theatre, publishers of the hard-hitting cult hit graphic novel Brodie’s Law, Alien Ink aims to reflect a series of teen pressures, including relationship issues, sexual health and drug use.

Published in seven issues, comprising a total of 30 episodes, one-a-week for 30 weeks, Alien Ink combines Pulp Theatre’s trademark innovative illustrations and animations with engaging storylines designed to reflect the experiences of teenagers today. In it, teens Trinity and Ryder arrive in Camden, London, curiously at the same time as UFO sightings on Primrose Hill. They open Alien Ink, a tattoo shop in Camden Town, which quickly becomes a hub for local teens, thanks to its unusually welcoming aura and the beautiful tattoo art. Trinity and Ryder seem to be normal young people – but as word spreads about their extraordinary tattooing talents, questions begin to be asked....

Alien Ink is the first title to be published under the umbrella of Pressure Comics, set up to produce graphic novels to tackle issues in teen life.

downthetubes caught up with Pulp Theatre's Esther Bircham to pose her one of our occasional "Take Ten" Question and Answer sessions and find out more about this innovative new project...

downthetubes: How did you come up with the story - or was this a project instigated by Channel 4, who then sought out Pulp Theatre?


Esther Bircham: Pulp Theatre came up with the complete story concept and characters. We worked with Channel 4 who provided the brief that they wanted a comic geared around teens. Pulp Theatre and Channel 4 brainstormed together before Channel 4 were happy to proceed.

downthetubes: Is this the first time Alien Ink has been published?


Esther: Yes, this is a completely new concept. We are still fine tuning the artwork, as the comic is being produced.

downthetubes: This is a pretty exciting project and a major platform for comics given Channel 4's involvement. Are you planning anything else at this stage?


Alien Ink Character Designs
Alien Ink character designs
Esther: Yes, we are planning to launch the graphic novel offline - with the popularity of Alien Ink there are many opportunities we can explore – really the sky’s the limit.

downthetubes: Will there be a TV tie-in or is this purely an online play?


Esther: At present there are no TV tie-ins – Alien Ink is purely dedicated to online play.

downthetubes: David Bircham is the artist on this project. Can you bring us up to speed on his many projects?

Esther: David has been drawing comics for over 20 years. His career started with 2000AD, when he drew characters such as Judge Dredd, Slaine and various others. David met Daley Osiyemi a graphic designer for the likes of Saatchi and Saatchi amongst others and together they started Pulp Theatre.

Merging all our talents, we designed a dynamic array of online websites, micro-sites and games using a distinctly different style. Because of our passion for the comic medium, we decided to take the long road to producing our own comic, Brodie’s Law (in 2004). It received a lot of critical acclaim from all fronts and even attracted attention from Hollywood. [Brodie's Law has sold over 30,000 copies worldwide - downthetubes Ed]

downthetubes: Do you have any favourite creators or influences?


Esther: We are fans of British and US comic book artists such as Simon Bisley, Alan Moore, Alan Grant, Jim Lee, Chris Bachalo, Frank Miller and Travis Charest.

Alien Ink, created by Pulp Theatre for Channel 4 Education


downthetubes: What’s the most challenging thing about working on Alien Ink?


Esther: Balancing the needs of Channel 4 as well as providing the edginess to satisfy the audience.

downthetubes: And what’s the best part about working on this project?


Esther: The potential to reach a worldwide audience and to be the first comic book publisher to work with a major UK broadcaster on an online graphic novel project.

downthetubes: What one valuable lesson have you learnt creating comics that you apply to your work now?


Esther: We have learnt success depends on the quality of the product and success always means great sacrifice. It’s an old lesson but definitely one worth remembering.

downthetubes: What's next for the strip — and Pulp Theatre?


Esther: We have various plans which will unfold naturally – stay tuned to Pulp Theatre and we will make sure you’re the first to know.

Special thanks to Esther for taking time out of a busy schedule to answer our questions.



Readers can interact with the comic via Facebook, Twitter, MySpace, quiz apps, YouTube (in a partially animated format) and the Pressure blog, and are encouraged to get involved in the Alien Ink world, discussing the issues raised or by submitting examples of their own creativity, be it artwork, graphic design, writing, poetry, or even their own tattoo design.

Alice Taylor, Commissioning Editor, Channel 4 Education says: “We’re thrilled to have found and be working with a dynamic organisation like Pulp Theatre, and to be exploring a new way to engage with teenagers. Alien Ink will raise everyday issues in a relevant and entertaining way, and will further deliver useful data on topics like health, drugs or tattooing alongside the storylines. We think this is a great way to reach teens with stories that matter, and to point them to information that’ll genuinely help.”

• More about Alien Ink on the official website www.alienink.co.uk, which includes links to all the various social network extensions of the project.

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