For Glasgow based graphic novelists Metaphrog, who are artist Sandra Marrs and writer John Chalmers, 2009 has been a busy year. As part of National Poetry Day in October they adapted the poem The First Men on Mercury by Edwin Morgan into a four page, full colour comic of which over 32,000 copies were given out free to Glasgow's school children while they also have continued work on the fifth of their Louis graphic novels, Louis Night Salad.
In addition to this writing and illustrating they have also regularly given workshops on their work and on comics creation in general and this year to date they have presented some 26 workshops to the general public as well as both primary and secondary school pupils.
On 16 January they were at Oldmachar and Harlaw Academies in Aberdeen for two separate workshops for secondary school children and they were back to Aberdeen on 30 January at Bridge of Don Academy. 6 March saw them take part in the Big Book Bonanza at Perth High School while their first public workshop of the year was for teens at Johnstone Library on 26 March. 8 March saw them do their only non-Scottish events with two workshops at Cardiff Central Library before returning to Scotland and another two workshops on 15 May at Alexandria and Duntocher libraries as part of the West Dunbartonshire Festival of Words. On 19 June they were at Glasgow's Hillpark Secondary School Book Week before a run of six public workshops for 8-14 year olds from 7-9 July in Dalmuir, Parkhall, Balloch, Dumbarton, Clydebank and Alexandria libraries.
26 August brought perhaps their most significant event of the year when they sold out the Edinburgh International Book Festival's RBS Workshop Tent with a teen workshop entitled Design Your Own Comic. 21 September took them to Bellshill's Cultural Centre Library for two workshops for late primary pupils while 30 September to 2 October saw them give five workshops to teens as part of the school orientated WESTWord Festival section of the Wigtown Book Festival at Stranraer Academy, Newton Stewart's Douglas Ewart High School and the main Wigtown Festival marquee. On 23 October they were near Edinburgh at Kirkliston library for a children's workshop while on 6 November they finished off their 2009 workshops with one at Edinburgh's St-Thomas of Aquin's High School.
October's Kirkliston workshop has just been featured in the City Of Edinburgh council's Edinburgh Outlook newspaper with a picture of Sandra looking over the illustrations that the Kirkliston children produced. The article is also available on the Edinburgh Outlook website.
For libraries, schools or other organisations wishing to discuss putting on comics workshops with them, Metaphrog's details are available on the Scottish Book Trust website along with other Scotland based comics creators such as Alan Grant, David Bishop and Denise Mina. Metaphrog can also be contacted directly through their own website.
The full version of The First Men on Mercury comic is available here.
More details of Metaphrog and the Louis series of graphic novels are available on the Metaphrog website.
Wednesday, 2 December 2009
Tube Surfing: Comics Academia
In the aftermath of Thought Bubble and its associated academic conference on comics, Possibilities and Perspectives, here is round up of what is happening comics-wise in the hallowed halls of academia.
We have recently mentioned on downthetubes the Fractured Images, Broken Words postgraduate conference at Lancaster University on 12 June 2010 which will include former 2000AD editor Andy Diggle as one of the key-note speakers.
Before that on 13-14 April 2010 Manchester Metropolitan University will host an academic conference entitled The Graphic Novel and Comic Conference: Comics, Cultures & Genres, hosted by Dr David Huxley and Dr Joan Ormrod who have previously organised the university's 2007 Aesthetics of Trash conference on animation and comics. This conference will tie-in with the launch of a new academic comics publication, the Journal Of Graphic Novels And Comics, from the university's Faculty Of Art And Design.
The longest running of the various academic journals is the American based International Journal Of Comic Art which has been running since 1999, although their website is not that up-to-date. We mention it here as the current issue has a long interview with Scottish comics artist Ian Kennedy on his work which includes Dan Dare, Judge Dredd and of course Commando.
Closer to home is European Comic Art from Liverpool University Press which is the first English language scholarly publication to study European language graphic novels and comics. This has been going since 2008 and is published in association with the Glasgow based International Bande Dessinee Society and the American Bande Dessinee Society.
Due to begin publication in 2010 is Studies In Comics from Intellect Books, one of the editors of which is Dr Chris Murray of Dundee University who has been instrumental in organising the Dundee University Comics Day for the last three years as well as the Beano 70th Anniversary exhibition and event. Plans for the fourth Comics Day in Dundee to be held in the middle of 2010 are at an advanced stage.
Perhaps the best known academic tie-in with comics is Edinburgh's Napier University with its MA in Creative Writing course taken by Sam Kelly and former 2000AD editor David Bishop. This is in its first year and is scheduled to include guest speakers such as Alan Grant, Mark Millar and Leah Moore.
More details of academic publications and conferences will appear as we receive them.
We have recently mentioned on downthetubes the Fractured Images, Broken Words postgraduate conference at Lancaster University on 12 June 2010 which will include former 2000AD editor Andy Diggle as one of the key-note speakers.
Before that on 13-14 April 2010 Manchester Metropolitan University will host an academic conference entitled The Graphic Novel and Comic Conference: Comics, Cultures & Genres, hosted by Dr David Huxley and Dr Joan Ormrod who have previously organised the university's 2007 Aesthetics of Trash conference on animation and comics. This conference will tie-in with the launch of a new academic comics publication, the Journal Of Graphic Novels And Comics, from the university's Faculty Of Art And Design.
The longest running of the various academic journals is the American based International Journal Of Comic Art which has been running since 1999, although their website is not that up-to-date. We mention it here as the current issue has a long interview with Scottish comics artist Ian Kennedy on his work which includes Dan Dare, Judge Dredd and of course Commando.
Closer to home is European Comic Art from Liverpool University Press which is the first English language scholarly publication to study European language graphic novels and comics. This has been going since 2008 and is published in association with the Glasgow based International Bande Dessinee Society and the American Bande Dessinee Society.
Due to begin publication in 2010 is Studies In Comics from Intellect Books, one of the editors of which is Dr Chris Murray of Dundee University who has been instrumental in organising the Dundee University Comics Day for the last three years as well as the Beano 70th Anniversary exhibition and event. Plans for the fourth Comics Day in Dundee to be held in the middle of 2010 are at an advanced stage.
Perhaps the best known academic tie-in with comics is Edinburgh's Napier University with its MA in Creative Writing course taken by Sam Kelly and former 2000AD editor David Bishop. This is in its first year and is scheduled to include guest speakers such as Alan Grant, Mark Millar and Leah Moore.
More details of academic publications and conferences will appear as we receive them.
Tuesday, 1 December 2009
Latest Jeff Hawke's Cosmos Now Available
Has it really been five years since Bill Rudling started publishing Cosmos?
Titan's series of Jeff Hawke books may have stopped after two titles but Bill's 84 page, A4 sized zine which reprints complete stories from the Daily Express' daily Jeff Hawke strip created, illustrated and often written by Sydney Jordan, is now coming to the end of its fifth year with a sixth year planned.
Volume 5 Number 3 includes the complete Jeff Hawke stories Faery Land Forlorn from 1964, The Engine That Worked On Grass from 1967 (as illustrated on the front cover) and Rogue Star from 1968/69.
In addition there are detailed articles on each story by Duncan Lunan as well as articles on Rick Random and the little remembered Time And Ms Jones strip from the Sunday Times written by Marise Morland and illustrated, in part, by Sydney Jordan.
A subscription Jeff Hawke's Cosmos for three issues costs £20 in the UK, £30 overseas. Cheques made payable to Jeff Hawke Club with a stamped addressed envelope should be sent to: The Jeff Hawke Club, 6 The Close, Alwoodley, Leeds, LS17 7RD, United Kingdom.
There are more details on the Jeff Hawke Club website.
Titan's series of Jeff Hawke books may have stopped after two titles but Bill's 84 page, A4 sized zine which reprints complete stories from the Daily Express' daily Jeff Hawke strip created, illustrated and often written by Sydney Jordan, is now coming to the end of its fifth year with a sixth year planned.
Volume 5 Number 3 includes the complete Jeff Hawke stories Faery Land Forlorn from 1964, The Engine That Worked On Grass from 1967 (as illustrated on the front cover) and Rogue Star from 1968/69.
In addition there are detailed articles on each story by Duncan Lunan as well as articles on Rick Random and the little remembered Time And Ms Jones strip from the Sunday Times written by Marise Morland and illustrated, in part, by Sydney Jordan.
A subscription Jeff Hawke's Cosmos for three issues costs £20 in the UK, £30 overseas. Cheques made payable to Jeff Hawke Club with a stamped addressed envelope should be sent to: The Jeff Hawke Club, 6 The Close, Alwoodley, Leeds, LS17 7RD, United Kingdom.
There are more details on the Jeff Hawke Club website.
Monday, 30 November 2009
In Review: Charley's War - Underground And Over The Top
Underground And Over The Top is the latest in Titan's annual Charley's War reprint series and it follows the story of First World War soldier Charley Bourne from May to September 1917.
The book covers two full stories with the beginning of a third. Charley has been posted to tunnelling duty as the British dig mine shafts towards the German guns at the Messines Ridge and the story takes place mainly underground as the troops get closer to their objective - setting massive amounts of explosive under the German positions. After Messines the book returns to the trenches with the Third Battle Of Ypres, now better known as Passchendaele, as heavy rains turn the front line into a quagmire that is as dangerous to the troops as the enemy are. The book finishes with Charley's unit being pulled back from the front line to the huge training camp at Etaples, a camp where the regime is so brutal that the men are on the verge of mutiny, and a meeting with an old friend.
For the sake of transparency this is where I will point out that the editor of Titan's Charley's War series is now our own Chief Tuber, John Freeman. That said the format of the series of books was set five years ago with the first book and, since they are both a critical and commercial success, there is no reason for any new editor to change the format and John doesn't. From the classy black and white photo cover with its red poppy, through the scene setting feature on the Messines tunnels to the "DVD commentary"-like notes of writer Pat Mills at the end, the format still works and continues to work well. How many other hardback comic reprint book series that Titan have started have faltered after the first or second publication? Yet here is Charley's War still going strong on its sixth book.
Of course a lot of that is down to the strip itself. Widely considered to be one of the best British comic strips ever published, Pat Mills heavily researched scripts combine with Joe Colquhoun's intensely detailed artwork to create something that perhaps becomes more that the sum of its parts. The Messines tunnelling section has every opportunity to be dull, after all Charley's War readers signed up for combat not digging. However Mills includes a conscientious objector within the unit which leads to much discussion between the characters of the ethics of killing while Colquhoun goes as far as producing a cutaway panel to show just how close the British and German tunnellers were getting. The Passchendaele story returns to the more familiar territory of the trenches and hand to hand fighting this time in heavy rain which falls for four consecutive week's episodes. The final story sets the scene for the Etaples mutiny with hard, pointless training and a band of deserters raiding the camp.
The biggest issue with the reprints of Charley's War from this period of its publication in Battle is the fact that it often was printed on the cover or in the centre spread and those particular pages were therefore in colour. As this book is in black and white and reprinting from the weekly comics rather than the long lost original artwork, the formerly coloured pages are soft in their reproduction with their text picked out in a darker black. The original black and white pages are reproduced better than the last Charley's War book in which the hard blacks lost much of the subtlety of Colquhoun's art and while the blacks in this edition are not always solid, the reproduction of the B&W pages represent the original publication in Battle better.
Classy story telling and classy art combined with thoughtful text articles mean that Charley's War - Underground And Over The Top remains as impressive as its forebears and the only real complaint is, as ever, that we will have to wait a year before the next one appears.
The book covers two full stories with the beginning of a third. Charley has been posted to tunnelling duty as the British dig mine shafts towards the German guns at the Messines Ridge and the story takes place mainly underground as the troops get closer to their objective - setting massive amounts of explosive under the German positions. After Messines the book returns to the trenches with the Third Battle Of Ypres, now better known as Passchendaele, as heavy rains turn the front line into a quagmire that is as dangerous to the troops as the enemy are. The book finishes with Charley's unit being pulled back from the front line to the huge training camp at Etaples, a camp where the regime is so brutal that the men are on the verge of mutiny, and a meeting with an old friend.
For the sake of transparency this is where I will point out that the editor of Titan's Charley's War series is now our own Chief Tuber, John Freeman. That said the format of the series of books was set five years ago with the first book and, since they are both a critical and commercial success, there is no reason for any new editor to change the format and John doesn't. From the classy black and white photo cover with its red poppy, through the scene setting feature on the Messines tunnels to the "DVD commentary"-like notes of writer Pat Mills at the end, the format still works and continues to work well. How many other hardback comic reprint book series that Titan have started have faltered after the first or second publication? Yet here is Charley's War still going strong on its sixth book.
Of course a lot of that is down to the strip itself. Widely considered to be one of the best British comic strips ever published, Pat Mills heavily researched scripts combine with Joe Colquhoun's intensely detailed artwork to create something that perhaps becomes more that the sum of its parts. The Messines tunnelling section has every opportunity to be dull, after all Charley's War readers signed up for combat not digging. However Mills includes a conscientious objector within the unit which leads to much discussion between the characters of the ethics of killing while Colquhoun goes as far as producing a cutaway panel to show just how close the British and German tunnellers were getting. The Passchendaele story returns to the more familiar territory of the trenches and hand to hand fighting this time in heavy rain which falls for four consecutive week's episodes. The final story sets the scene for the Etaples mutiny with hard, pointless training and a band of deserters raiding the camp.
The biggest issue with the reprints of Charley's War from this period of its publication in Battle is the fact that it often was printed on the cover or in the centre spread and those particular pages were therefore in colour. As this book is in black and white and reprinting from the weekly comics rather than the long lost original artwork, the formerly coloured pages are soft in their reproduction with their text picked out in a darker black. The original black and white pages are reproduced better than the last Charley's War book in which the hard blacks lost much of the subtlety of Colquhoun's art and while the blacks in this edition are not always solid, the reproduction of the B&W pages represent the original publication in Battle better.
Classy story telling and classy art combined with thoughtful text articles mean that Charley's War - Underground And Over The Top remains as impressive as its forebears and the only real complaint is, as ever, that we will have to wait a year before the next one appears.
Sunday, 29 November 2009
Commando Webbing: New Issue Gen
The latest issues of Commando are now available -
Commando 4247
Raiders from the Sea
Story: Ian Clark
Art/Cover Gordon Livingstone
Previously published as Commando 2550
Tommy Bell was heartbroken when he was evacuated from his blitzed home city of Glasgow. To him the countryside was dull - nothing ever happened. But Adolf Hitler gave an order that was to turn Tommy’s new home into a battle-torn hot spot. Crack German troops mounted a raid to capture a British secret weapon and all that stood between them and success were a few regular soldiers, the local Home Guard - and Tommy Bell!
Commando 4248
Figthing Retreat
Story: Ian Clark
Art: Ibanez Cover: Ian Kennedy
Previously published as Commando 2565
They were the crew of one of the last Catalinas out of Singapore as it fell to the Japs - and the target of every enemy fighter around. It made sense to get out of the area fast, so what were they doing down on the sea, slowly towing two lifeboats full of exhausted infantry?
Commando 4249
The 11th Hour
Story: Ferg Handley
Art: Olivera Cover: Ian Kennedy
Sergeant Roy Willis had fought bravely throughout the First World War. By November 1918 the end was in sight, the armistice due come into force in a matter of hours. And though Roy was determined to make sure that the lads in his squad would get back home safely, a villainous fellow sergeant had other ideas. Would Roy survive to hear the clock strike… THE 11TH HOUR?
Commando 4250
Tradition of Honour
Story: Peter Grehan
Art/Cover: Carlos Pino
The Zonder and Von Trager familes had fought alongside each other in battles throughout the ages. They had never revelled in the grim realities of war but they had always acquitted themselves with honour. Now, in the Second World War, the latest generations were going into battle. But Karl Von Trager had fallen under the Nazi spell. Influenced by their ruthless tactics how could he possibly uphold the TRADITION OF HONOUR.
Commando 4247
Raiders from the Sea
Story: Ian Clark
Art/Cover Gordon Livingstone
Previously published as Commando 2550
Tommy Bell was heartbroken when he was evacuated from his blitzed home city of Glasgow. To him the countryside was dull - nothing ever happened. But Adolf Hitler gave an order that was to turn Tommy’s new home into a battle-torn hot spot. Crack German troops mounted a raid to capture a British secret weapon and all that stood between them and success were a few regular soldiers, the local Home Guard - and Tommy Bell!
Commando 4248
Figthing Retreat
Story: Ian Clark
Art: Ibanez Cover: Ian Kennedy
Previously published as Commando 2565
They were the crew of one of the last Catalinas out of Singapore as it fell to the Japs - and the target of every enemy fighter around. It made sense to get out of the area fast, so what were they doing down on the sea, slowly towing two lifeboats full of exhausted infantry?
Commando 4249
The 11th Hour
Story: Ferg Handley
Art: Olivera Cover: Ian Kennedy
Sergeant Roy Willis had fought bravely throughout the First World War. By November 1918 the end was in sight, the armistice due come into force in a matter of hours. And though Roy was determined to make sure that the lads in his squad would get back home safely, a villainous fellow sergeant had other ideas. Would Roy survive to hear the clock strike… THE 11TH HOUR?
Commando 4250
Tradition of Honour
Story: Peter Grehan
Art/Cover: Carlos Pino
The Zonder and Von Trager familes had fought alongside each other in battles throughout the ages. They had never revelled in the grim realities of war but they had always acquitted themselves with honour. Now, in the Second World War, the latest generations were going into battle. But Karl Von Trager had fallen under the Nazi spell. Influenced by their ruthless tactics how could he possibly uphold the TRADITION OF HONOUR.
Click here for subscription information or write to: D.C. Thomson & Co Ltd, The Subscribers Department, Commando Library, 80 Kingsway East, Dundee DD4 8SL or Freephone (UK only) 0800 318846