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Monday, 26 March 2012

Review Of Scottish Comics Events In 2011

Over the last few years downthetubes contributor Jeremy Briggs has collated a Scottish Comics Events Review Of The Year.

These articles originally came about after discussions at the first Hi-Ex comics convention in Inverness in 2008 showed that many people were unaware of the extent of comics events north of the border and that there was a general consensus amongst the Scottish attendees that such events only happened in the Midlands and the south of England. The aim of these articles therefore was to document all comics related events in Scotland that were open to the general public, from talks to exhibitions, workshops to conventions

The first two years reviews were published in the Hi-Ex convention brochures with the Hi-Ex 2 brochure covering those events in 2008 and the Hi-Ex 3 brochure covering those events in 2009. With the postponement of Hi-Ex in 2011 the home of the reviews moved, with the blessing of the Hi-Ex organisers, to the downthetubes main site where the 2010 review was published for the first time and the previous two reviews were reprinted.

As the reviews were originally so closely tied to the Hi-Ex convention, Jeremy has held back publication of the 2011 review this year to allow it to once again tie in with the Hi-Ex convention that is taking place this weekend, Saturday 31 March and Sunday 1 April 2012. Jeremy will be attending the convention on both Saturday and Sunday while downthetubes editor John Freeman will be there on the Saturday.

You can read the Scottish Comics Events Review Of The Year for 2011 here.

Previous Scottish Comics Events Reviews are below:
Review Of The Year 2008
Review Of The Year 2009
Review Of The Year 2010

Reviews of the previous three Hi-Ex conventions can be found on the downthetubes blog:
Hi-Ex in 2008
Hi-Ex 2 in 2009
Hi-Ex 3 in 2010

There are more details of the Hi-Ex Comics Convention on their website.

Latest Spaceship Away features new Don Harley paintings

Issue 26 of the Dan Dare-inspired Spaceship Away is now at the printers and will soon be winging its way to subscribers and stockists.

Along with the regular strips the issue features three new Don Harley paintings, including a fabulous centre-spread of Frank Hampson working away in his studio under the watchful eye of Dan and the Mekon.

There are also three articles focusing on the audio versions of Dan Dare - Phil Harbottle and Penny Fabb review Dan Dare on Radio Luxembourg; Rod Barzilay hears from cast and crew of the 1990 BBC Dan Dare radio drama; and John Freeman tells us about the "Dan Dare Pilot That Never Flew", along with comments by actor Colin Baker.

Jeremy Briggs interviews Tom Kelly about his Dan Dare Musical that premiered nine years ago and there is some interesting feedback on previous issues in Chat-Back (which includes the late Bruce Cornwell's last ever sketch).

"Models from Dan Dare's World" also offers readers a look at Sid Clark's Treen "Green Magnet" fighter.

There is also the second and final part of the "Pre-Emptive Strike" Dan Dare adventure by John Freeman & Mike Nicoll, plus an Eric Eden painting in Readers' Corner, along with some details from "The Horlicks Spaceman's Handbook" relating to the Radio Luxembourg article.

Finally, Tim Booth's oil painting of Professor Peabody adorns the back cover.


Spaceship Away is available at selected British comics shops and directly from theSpaceship Away website. The cover price for the 2012 issues is £7.95 each which includes UK postage if ordering from the website. An annual subscription for the three issues is £21.50 for UK residents and non-UK subscriptions are available from the website.

The Spaceship Away website, which includes ordering details for the 2012 issues as well as back issues and binders, is here

Sunday, 25 March 2012

Eagle Times Reaches Its Quarter Century

Eagle Times, the quarterly journal of the Eagle Society, has reached its twenty-fifth year of publication. By far the longest running British comics fanzine, Eagle Times has now been published some six years longer than the weekly comic that it celebrates, the original Eagle which ran from 1950 to 1969.

The current issue of the 56 page A4, B&W and colour fanzine is Volume 25 Number 1 and includes features on Luck of the Legion, the French Foreign Legion strip by writer Geoffrey Bond and artist Martin Aitchison that ran in Eagle from 1952 to 1961, the Dan Dare story from 1958, The Ship That Lived, about Dan's spaceship Anastasia, and the air pirate tale Sky Buccaneers written by Edward Cowan and drawn by José Ortiz which appeared ten years later.

In addition there are articles on the connection between artist Roger Dean and Eagle, the 1930s and late 1960s work of Eagle's main cutaway artist L Ashwell Wood, and colour photo features on the 1980 Eaglecon convention and Dan Dare toy figures from the 1950s to the modern day.

downthetubes contributors Richard Sheaf and Jeremy Briggs provide features on the exhibition celebrating the work of John Ryan, artist of Eagle's Captain Pugwash and Harris Tweed, as well as the Eagle cutaways of the Dan Dare artist Bruce Cornwell who passed away as the issue was at the printers.

Our congratulations go out to Eagle Times editor Howard Corn and his production team of Tony Crowley, David Gould, Will Grenham, Keith Howard, Nigel McMurray and Adrian Perkins on reaching their silver anniversary.

Eagle Times is published four times annually and is available via membership of The Eagle Society. The subscription rate for 2012 is: UK £27, Overseas £38 (in Pounds Sterling). Postal applications to: Keith Howard, 25A Station Road, Harrow, Middlesex HA1 2UA, United Kingdom.

More details of both the magazine and the society are available on the Eagle Times
blog.

Treating Comics Seriously: Six Questions For Lecturer Phillip Vaughan

Phillip Vaughan is a lecturer at the University of Dundee's Duncan of Jordanstone College of Art And Design (DJCAD) with a background in 3D animation for the television, film and games industry. At DJCAD he teaches graphic design and has run the first module on Comic Art and Graphic Novels, the results of which have just been published in the Anthology One book from the new UniVerse imprint. Jeremy Briggs talks to Phillip about his work teaching the new generation of animators and graphic artists.

What comics did you grow up reading and what do you read now?
Being brought up near Dundee, it was inevitable that my first comics were The Beano and The Dandy. I soon graduated to more 'adult' comics such as The Victor, Warlord, Commando, Starblazer, Spike, Buddy and Champ, all DC Thomson stalwarts. In 1982 I picked up the new Eagle, but wasn’t impressed with the photo strips (bar Doomlord!), really I bought it for Dan Dare, especially the early Ian Kennedy run. A slow adopter, I moved onto 2000AD in 1984. Also around this time I discovered Marvel and DC Comics imports in my local newsagents. Sporadic though these imports were, I managed to collect runs of Uncanny X-Men, Peter David's run on the Hulk, John Byrne's run on Superman and some of Alan Moore's stint on Swamp Thing.

These days, I have stuck with 2000AD through thick and thin, and like the sentiment of anthologies such as Strip and Clint. I dip my toes into the American mainstream now and then, currently reading Hellblazer, Fatale, Action Comics and Captain America (mainly for the Alan Davis art). I have also been picking up Requiem by Pat Mills and Oliver Ledroit.

You lecture at DJCAD, could you tell us a little about what you cover and how comics came to be in the curriculum?
For the past 7 years I have lectured part-time in Graphic Design, mostly covering On-Screen and Motion Graphics, and I have also taught 3D Animation. We restructured our courses last summer, and as part of the new Communication Design umbrella, we were invited to pitch new expansive modules. I proposed the Comic Art and Graphic Novels Module, and was happy when this was picked up for Level 3 students to participate in.

Dr. Chris Murray, Lecturer & Programme Convenor at the School of Humanities (left, with Phillip Vaughan, centre, and Cam Kennedy, right), was a great help in the preparation of this module, as he had undergone the same process in the School of Humanities a couple of years before. The first cohort of students signed up for the module last year, and we are expanding to offer the module to other undergraduate areas of the art college next year.

You have had a number of comics creators give talks to the pupils as part of the course - who has done this and do the students value these talks?
So far we have been very lucky to welcome David Bishop, Colin MacNeil (a DJCAD graduate and cover artist of Anthology One), Frank Quitely, Cam Kennedy and the guys from DC Thomson, Calum Laird, George Low and a childhood favourite of mine, Ian Kennedy! Phew! This year, as well as returning guests, I have a few more very special creators up my sleeve, who have agreed to come in and impart their considerable knowledge! The students have given very positive feedback, and I can't wait to reveal who we have coming this year!

How did you get involved with the Dundee Comics Day?
Dr. Chris asked me! No seriously, me and Chris had been having several planning meetings with regard to my module and Chris's Comic Studies MLitt in Humanities. We dreamed up a wish list, that just so happened to include a lot of 2000AD alumni and I had a few contacts, Chris had his contacts and we managed to get a stellar line up of guests for Dundee Comics Day 2012. Again we are looking to push the boundaries for this year’s Comics Day…stay tuned!

How did Anthology come about and is it something that we can expect from each year of the course?
The Anthology was always part of the brief for the DJCAD Comic Art and Graphic Novels module, where the students were asked to produce between 2-6 finished pages of comic art, on a subject of their choice, for publication. The final book, Anthology One, features the best of the work from the module, and runs to 72 pages of full colour artwork. Colin MacNeil has provided a stunning cover for the first issue. The book costs £5.95 and is non-profit, with costs just covering printing, and it will be used to support and promote the students hard work!

We will be launching the book at Hi-Ex on the 31st March. Everyone who has seen the finished product has been very impressed with the work, which was produced in a very short space of time. Anthology Two will feature the work of students from the Comic Studies MLitt, and then we will keep the book running as a biannual affair! These publications will all be published under the UniVerse imprint which we have recently set up.

Could you tell us a little about your work outside of the university?
When I am not teaching, I work as a freelance designer/animator. Over the last 16 years I have worked on many different projects including 3D animated sequences for Deathtrap Dungeon, Star Trek, Farscape, Tom & Jerry, Wallace & Gromit, Teletubbies(!), Braveheart, plus a couple of original computer game concepts for various publishers such as Eidos and Sony. Most recently I completed the character design, animation and front end work on an iOS Superman Game App for DC Comics/ Warner Bros, which was nice! In the little spare time that I have I produce comic work just for fun and have had a couple of strips in Zarjaz, with the next one appearing in issue 15, out in July. The next project on the table is a comic book collaboration with Dr. Chris Murray.

There is more information about Duncan of Jordanstone College of Art & Design on their website.

For more information about the Comic Art and Graphic Novels Module at DJCAD e-mail Phillip Vaughan at p.b.vaughan@dundee.ac.uk

For information about ordering Anthology One email:
universecomic@gmail.com

There is more information about the University Of Dundee's MLitt in Comics Studies on the university website.

There are more details of Phillip Vaughan’s freelance work on his website, V14 Studios.

Phillip Vaugan will be at the Hi-Ex Comics Convention in Inverness on Saturday 31 March and Sunday 1 April 2012 where he will have copies of Anthology One for sale.

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