In Review: Dan Dare - Spacefleet Operations Manual

by Rod Barzilay; Illustrated by Graham Bleathman
Publisher: Haynes
Out: Now

The Book: Dan Dare is easily the most famous British comic hero. His adventures appeared in the original Eagle comic during the 1950s and 1960s, but he also featured briefly in 2000AD before returning in the re-launched Eagle of the 1980s.

This innovative Haynes Manual takes a detailed look inside the spaceships, space stations and various other craft that played such a huge part in bringing the excitement of space travel to the stories.

Beautifully illustrated with cutaway artwork by Graham Bleathman, and supported by fabulous contemporary comic-strip art, this is the ultimate technical guide to the spaceships of Dan Dare and a wonderful addition to every comic fan's bookshelf.


The Review: Rod Barzilay and Graham Bleathman have brought back the world of the original Dan Dare with a vengeance in this fun collection, delivering not just some great cutaways of the strip's well-loved vehicles and craft, but also making a coherent whole of the original Dare mythos, placing it in its own universe - no easy task given the character's long history. (The modern versions of Dare are not included in this Manual, consigned, perhaps, to other parallel universes).

While I'm sure there are Dare enthusiasts out there who will nitpick details of the chronology Barzilay has crafted (I have no idea if any of it is "wrong"), for me, the author has delivered a wonderful guide to a fictional universe, accompanied by some terrific cutaways from Graham Bleathman.

While some of the cutaways and art have been previously published (in Spaceship Away) there's plenty that is new to savour, and unlike some Dare-related books, its official status means there's no shortage of art from the comic strip itself included.

Back in its day, Eagle regularly published many amazing cutaways of real world ships, planes and other vehicles: it's wonderful to see the most memorable creation of Frank Hampson and his talented team put under a similar microscope in this Haynes Manual. The subject is treated with respect, but in a way that will rekindle an excitement and enthusiasm for the original in fans - and, hopefully, stir the imaginations of those new to the mythos.

There have been some who have commented on the format of the book: all the cutaways are printed across double page spreads and there has been some griping at the loss of some detail as a result. But to do as others have suggested - utilising gatefolds and landscape formats - would simply have made this marvellous title overly expensive, a barrier to bringing the world of Dan Dare to a new audience.

This is a glorious title, recreating the world of Dan Dare with aplomb. Worth tracking down - before the Mekon buys every copy for his spies!

Detail:

• A personal introduction by the Controller of Space Fleet, Dan Dare.
• A history of spaceflight, propulsion systems and our first steps to the Moon and Mars.
• Fully detailed and comprehensively annotated cutaway drawings of the principal ISF spaceships, space stations and installations, along with many of the alien craft that Space Fleet has encountered to date, by renowned cutaway artist Graham Bleathman.
• Profiles of ISF personnel, and the aliens they have faced over the years.
• Space Fleet history: a guide to ISF’s missions and Dan Dare’s adventures.

Based on the classic Dan Dare comic strip that appeared in Eagle magazine during the 1950s and 1960s, this Haynes Manual is fully authorised by the Dan Dare Corporation Limited.

• Buy the Dan Dare: Spacefleet Operations Manual from amazon.co.uk

•  Buy the Dan Dare: Spacefleet Operations Manual from Forbidden Planet

• More Dan Dare books from Forbidden Planet

• Read Jeremy Briggs interview about the book with Rod Barzilay

• Read Jeremy Briggs interview about the book with Graham Bleathman 

• Daily Mail feature, 18th May 2013: Looks like your electrosphere primary accelerator's gone, mate

• Haynes Dan Dare Page

Dan Dare: Six Questions For Writer Rod Barzilay

In the 1990s Rod Barzilay had the idea to bring Eagle comic’s best known character, Dan Dare, back into print, not updated for a Star Wars audience as in 2000AD or as a political commentary as in Revolver, but rather as the original character read and loved each week in the 1950s by hundreds of thousands of British schoolboys.

To remain true to the original Rod decided to approach the original 1950s artists to see if they would be willing to return to the comic strip of their youth. Keith Watson and then Don Harley agreed to this and the magazine Spaceship Away was born. 29 issues later, and with many more of the original 1950s and 1960s Dan Dare artists involved along the way, Spaceship Away remains a high quality, full colour, glossy magazine that is published three times a year. So it was no surprise that when Haynes decided to add Dan Dare to their list of science fiction technical manuals that includes Star Wars, Star Trek and Thunderbirds, Rod was the man to write it.

Jeremy Briggs spoke to Rod about this new Dan Dare Spacefleet Operations Manual from Haynes as well as Spaceship Away.

downthetubes: When did you first encounter Dan Dare and what made him standout for you amongst the other strips in Eagle?

Rod Barzilay: I first saw a copy of Eagle in May 1954, at the tender age of seven. I remember green men caught my attention, the Mekon and his Treens in ‘Prisoners of Space’, and although I liked other Eagle strips as well, the idea of outer space adventures appealed the most.

Desmond Walduck was illustrating the strip at this time while the following year Frank Hampson and his team took up the reigns again. To a lad who knew nothing about artists then, the strip just seemed to get better and better until the end of the 1950’s when Dan Dare was updated which was very unsettling to previous readers. Many characters disappeared, equipment and uniforms drastically changed, and continuity with past events was almost totally lost. When the strip went to black and white my interest waned and I stopped taking Eagle at the end of 1963 (mind you I was more interested in girls then!). However, from 1960 onwards I began to chase the early stories I had never seen. It took ten years to fill in all the gaps and when the original Eagle folded in 1969 I also started looking for the later issues to complete the run. It was only then that I saw some of Keith Watson’s later impressive colour Dan Dare work like ‘All Treens Must Die’.

DTT: You began Spaceship Away in 2003 and it is now on its 29th issue. What inspired you start the magazine and how has it changed over the years?

Rod: The magazine was started as a means to get new 1950s style Dan Dare stories in print for the fans who longed for the original Dan Dare to be revived.

Although Dan Dare is the main focus of Spaceship Away, from issue seven we started adding other sci-fi strips as well, including Charles Chilton’s Journey Into Space reprinted from Express Weekly with artwork by Ferdinando Tacconi, and Sydney Jordan’s “Hal Starr” reprinted from the Dutch comic Eppo and its first time being published in English. Later on we added Ron Turner’s “Nick Hazard”, John Freeman and Mike Nicoll’s “Ex Astris” and eventually the Daily Mirror’s “Garth” with art by Frank Bellamy and Martin Asbury.


DTT: Where did the idea for the Haynes Dan Dare manual come from, did you approach them or did they approach you?

Rod: I believe Graham gave Haynes the idea to do a Dan Dare book, along with the suggestion that I could write it. He did bounce the idea off me and I was up for it. As Dan Dare has gone through so many changes over the years we decided to just stick with the original up until the point when Dan was made controller of Space Fleet. This was the period I knew the best and when the strip had the most interesting technology and ideas. The book took about six months to write and I was tweaking stuff right up until it went to the printers at the end of March. Some sections were rewritten when I reread the old stories again and spotted some references that I had miss-remembered, or forgotten about. Also as some information in Eagle had no reference time-line, or was at odds with earlier stuff printed in the strip or elsewhere, this did present some problems, and I had to work it all in somehow. No doubt I’ll get some interesting feedback on my solutions! I would have liked to have expanded some areas of the book had there been more space. Let’s hope nothing important got passed over – no doubt fans will let me know if that is the case!

DTT: How did you and Graham decide on what to feature in the manual? For instance how did you choose the Spacefleet theme rather than feature any spaceships that were in the Dan Dare strips?

Rod: The idea was that when Dan became controller of Space Fleet, he commissioned a manual for new recruits. This would not only give an outline of Space Fleet’s history so far, but would also include details of any craft or equipment they could encounter, be it older Space Fleet craft possibly lost in space, or alien ones that had already turned up in the Solar System and might reappear again someday - forewarned is forearmed. We investigate different drive technologies that Space Fleet has tried out, and alien ones it has encountered. There is a good look at lots of Treen spacecraft including the M.E.K.1 space station, and other important alien craft too, like Tharl’s Battleship, Black Cats, the Crypt inter-star ship, and the Zylbat. We also have notes on Theron, Cosmobe, Pescod, Nav, Triton, Pittar, and Krevvid spaceships, plus some unidentified ones that turn up in the saga as well.

DTT: Artist Graham Bleathman has provided cutaways for Spaceship Away in the past. How much interaction did you have with him over the details of the interiors of the ships and other vehicles featured in the book?

Rod: We both have extensive Eagle collections, which are rich in background details of spaceships and equipment, and did compare notes from time to time, talking over things not fully covered. Two spacecraft, the Marco Polo and the Delaware, were drawn up from my notes and designs in the comic strips in Spaceship Away, but it is Graham’s genius that brings them all to life in such fine cutaway detail. However, Eagle and related publications are a bit thin on the ground with details of Space Fleets early history so I expanded this area taking into account ideas put forward by other fans over the years.

DTT: If the manual is successful enough to warrant a sequel, are there other aspects of the Dan Dare universe that could be featured in a second book?

Rod: Oh yes – we could do a book on all the alien worlds that Dan Dare visited, looking at everything found there, futuristic cities, novel equipment, robots, other spacecraft and strange transport etc – not only in the Solar System, but further afield as well. Venus, Mercury and the Moons of Saturnia are rich in things to have a closer look at, as are planets in other star systems such as Cryptos, Phantos, Terra Nova, Zyl, Platinum Planet, Moss, for example. It would be great fun to do.

DTT: Rod, thanks for taking the time to talk to us.

• There are more details of the Dan Dare Spacefleet Operations Manual on the Haynes website

• There are more details of Spaceship Away on the magazine's website and Facebook page

• There are more details of Graham Bleathman's work on his website.

Dan Dare: Six Questions For Artist Graham Bleathman

For most comics readers Graham Bleathman's name is synonymous with large detailed cutaway paintings of buildings, vehicles and flying craft both real and fictional. It was not surprising then that he is now the artist behind four of the new series of Haynes Workshop Manuals that feature fictional vehicles rather that the real cars that the publisher is best known for. The latest of these is the Dan Dare Spacefleet Operations Manual which has just been published.

Jeremy Briggs spoke to Graham about these new Dan Dare cutaways as well as the rest of his work.

downthetubes: You are perhaps best known for your detailed cutaways of Gerry Anderson craft from TV series such as Thunderbirds, Stingray and Captain Scarlet published in the various 1990s comics that covered those series and the large format hardback cutaway books that followed. When did your love of cutaways begin and did you set out to be a cutaway artist?

Graham Bleathman: I first came across cutaway illustrations in the TV21 (and related) annuals that I picked up mainly second hand in the early 70s. A handful of cutaways also appeared in TV21 itself, which I also started to collect at around the same time that I was buying Countdown every week. I never bought (or had bought for me) TV21 when it first came out, so I relied on second hand and charity shops in the early 70s, along with jumble and ‘bring and buy’ sales, where in those days comics like TV21 and Eagle could still be found reasonably easily. It was at these sort of events that I found my first few copies of Eagle, and was of course somewhat taken with the centrespread cutaways as well as the more well known strips like 'Dan Dare' and 'Heros the Spartan'.

I don’t think I set out specifically to become a cutaway artist; it just sort of happened after I left college. During my time at Exeter College of art, I painted a cutaway of Exeter Cathedral, which was followed a year or two later by cutaways of Salisbury Cathedral and a few other buildings which were commissioned by the Salisbury Journal newspaper.

I was also involved in the Gerry Anderson fanzine SIG at the time, and I produced my first Anderson cutaway for that, which was a black and white illustration of the Battlehawk (SIG  issue 15, Spring 1986), from the then current Anderson production Terrahawks. 

DTT: Other than the many Anderson cutaways and the Haynes Manuals, what else have you worked on?

Graham: I worked on quite a few magazines, comics, and other products over the years. Some have an Anderson link; drawing many of the covers for the Fleetway comics (for which I drew the cutaways of course), artwork for Anderson and Star Trek jigsaws, greetings cards for Space Precinct, illustrations of film/TV locations and cutaways for TV series features in Radio Times, Cult TV, Inside Soap (yes, I’ve illustrated EastEnders, Neighbours, Coronation Street and Casualty!). I seem to have drawn thousands of ‘Sketch Cards’ featuring the Anderson shows for a company called ‘Cards Inc.’

A few real world illustrations have been drawn too in more recent years, such as cutaways for the now defunct RAF Magazine, Radio Times and a few books. I also have a ‘secret life’ doing the covers for DC Thomson’s ‘People’s Friend’! Under the name ‘J Campbell Kerr’, a team of artists has painted the landscape illustrations on the covers of the magazine since 1946. I started around 7 or 8 years ago (although I did do a brief stint in the mid 1990s) and, since the death of cover artist Douglas Phillips last year, I now paint around half of them on average.

I have no idea why the 'J Campbell Kerr’ name has been used all these years; no one seems to know the its origins, and nobody wants to break with tradition!

DTT: Your work for Haynes began with the first of the Wallace and Gromit Haynes manuals, Cracking Contraptions, a book that sold so quickly that it had to be reprinted almost immediately it was published and has since gone to a third printing. After your second Wallace and Gromit book you moved on to the Thunderbirds Haynes manual which, given your artistic background seems an obvious choice, and now the new Dan Dare manual. Where did your interest in Dan Dare stem from and how did the Haynes manual come about?

Graham: My interest In Dan Dare originates through TV21; many of the artists on TV21 were poached from Eagle, and I began to notice the work of Frank Bellamy and others in Eagle as I started to pick up second hand copies. The Dan Dare stories seemed to have parallels with many of the concepts seen in the Anderson shows (particularly the way they were developed in TV21), such as a World Government and a (generally speaking) optimistic view of the future.

I became involved with Haynes when by bizarre coincidence both myself and the writer of the Thunderbirds manual (Sam Denham, with whom I have worked before on a couple of books) approached Haynes separately with a view to doing a Manual based on that series. Initially, Haynes weren’t too keen, but as they were moving into doing manuals based on fictional subjects anyway, they offered me the job of illustrating two Wallace and Gromit manuals instead, having seen my Thunderbirds artwork and in particular a Wallace and Gromit cutaway (of Wallace’s house) for the Bristol Evening Post. The Thunderbirds manual was therefore put on hold for 18 months or so. The success of the Wallace and Gromit manuals prompted Haynes to proceed with the Thunderbirds edition, and that has proved successful enough for them to commission something I had also thought about for a couple of years, Dan Dare. That book is now complete and I have returned to the Anderson world with another manual with Sam Denham to be published next year.

DTT: The writer of the Haynes manual, Rod Barzilay, is a familiar name to Dan Dare fans due to him creating and editing the long running Dan Dare magazine Spaceship Away. How did Rod come aboard and how did the pair of you sort out which spacecraft and other Dan Dare vehicles to feature in the book?

Graham: I knew Rod from Spaceship Away magazine, having initially met him at a Dan Dare ‘Open Day’ at an exhibition in Bristol a few years ago, at which Eagle and TV21/Countdown artist Don Harley was also present. I have since drawn around 10 or so cutaways of Dan Dare spacecraft (and real world locations such as the artists’ studios in Southport and Epsom), for SA over the years, and Rod’s knowledge of Dan Dare’s ‘fictional’ history made him ideally placed to supply the basic text of the book and provide the expert knowledge that I lacked; I almost got the impression that the future history of the Dan Dare universe was more real to Rod than our own!

This meant that he could concentrate on Space Fleet’s history and characters leaving me to deal with the artwork and technical bits. His comprehensive knowledge was ideal for me to bounce ideas from, with comments like ‘Space Fleet wouldn’t use that sort of space drive until such and such a date’, etc! We also selected the ships and locations on the basis of how important (Rod in particular) thought they were important to the Dan Dare history. I’m sure a few favourites will have been missed out, but with around 45 cutaways and illustrations in the book (not to mention lots of Eagle frames and other new artwork), I hope most people will be pleased with the results.

DTT: Those Dan Dare craft, along with the majority of the fictional vehicles you have painted cutaways of, were never created to be analysed in the sort of detail your work requires. How much of any given cutaway is 'creative engineering' on your part and do you have any background in the technical drawing of engineering subjects to help you fill in the gaps that the original artist's imagination did not need to show?

Graham: There is a fair bit of ‘creative engineering’ in the Dan Dare book in particular, although as much applies to the Anderson subjects as well (and especially Wallace and Gromit!). For Dan Dare, the main problems are visual inconsistencies between instalments, and often from frame to frame. After all, apart from the Anastasia and a handful of other cutaways, no-one at the time gave too much thought about how the ships worked or whether the details altered from frame to frame. In the 1950s, some effort was made to keep things consistent with the use of studio models and endless photographs, but no-one had time to ensure that fine detail (the detail that I would need years later, anyway!) remained true through all the stories.

In terms of scientific accuracy, the technology seen in the strip has not been seriously updated, although a couple of aspects such as radiation proofing in spacecraft and spacesuits and polarised heat resistant windows on spacecraft (for example) do get a mention every now and then. I don’t have a scientific background, nor do I have a background in technical drawing either, so it does seem a little odd to many people that the one thing I’m well known for are cutaways of vehicles, locations and spacecraft, both real and imagined!

DTT: The diversity of your cutaway subjects is remarkable, from the Eurofighter Typhoon fighter/bomber for RAF Magazine to Holby City Hospital for the Radio Times, from Thunderbird 2 for Thunderbirds The Comic to the Precinct House space station for Space Precinct magazine, there must be few types of vehicles or constructions that you haven't covered. Which of these has provided you with the greatest challenge to depict and which, of all of them, is your own favourite of your work.

Graham: The cutaway that gave me most problems was one of Wallace’s ‘cracking contraptions’ from the one of the Wallace and Gromit Manuals. It was a device for changing channels on a TV set that involved cogs and catapults in true Wallace tradition (as opposed to a simple remote control). Unfortunately, there was no visual consistency from shot to shot when watching the contraption in action on TV, and the solution I came up with was the only one that Aardman didn’t like. A compromise of sorts was reached, although the result isn’t terribly satisfactory. I guess the makers of said sequence weren’t really expecting some poor sod to try and make sense of it a few years afterwards; the contraption and the short film in which it was featured was created for a laugh, after all.

My favourite cutaway? Probably the Thunderbird 2 I painted for the Thunderbirds FAB Cross Sections book published by Carlton in 2000.

DTT: Thanks for taking the time to talk to us Graham.


There are more details of Graham Bleathman's work on his website.

There are more details of the Dan Dare Spacefleet Operations Manual on the Haynes website.

There are more details of Spaceship Away on the magazine's website and Facebook page.

Spaceship Away 28 Available In Time For Christmas

Spaceship Away, the A4, full colour glossy magazine that covers original Dan Dare as well as a selection of other classic strips, has released issue 28 in time for Christmas.

Priced at £7.95, including UK postage, the 44 page issue features a new Marooned on Mercury cover from original 1950s Dan Dare artist Don Harley as well as a special one off Christmas Dan Dare story entitled The Tannenbaum Caper in which Eagle's Dan Dare and the Daily Express' Jeff Hawke meet for the first time. This fully licensed strip was written by Jeff Hawke creator Sydney Jordan and illustrated by Don Harley.

The other comic strips in the issue include the latest episode of the Dan Dare story Parsecular Tales written and drawn by Tim Booth, the continuing reprint of the Jet Morgan/Journey Into Space strip Shadow Over Britain! from Express Weekly illustrated by Ferdinando Tacconi, a Ron Turner strip The World That Dissolved published for the first time in colour, and the continuing reprint of the Garth story Finality Factor from the Daily Mirror also published in colour for the first time.

Spaceship Away continues its features on little known Dan Dare spin-offs with a piece on the pilot episode for a live action Dan Dare TV series featuring Robert Bathurst as Dan and Geoffrey Hughes as Digby. Other features include an appreciation of artist Ferdinando Tacconi, who passed away in 2006 along with a tribute to him from Jeff Hawke's Sydney Jordan, a career spanning interview with Sydney himself, and a piece on that other 1950s comic strip spaceman Swift Morgan whose adventures were illustrated by Denis McLoughlin.

The centrespread of the issue is a special preview of the new cutaway by Graham Bleathman of the J Series Space Station from the original Dan Dare strip in 1950s Eagle which will be featured in the Dan Dare Spacefleet Operations Manual due to be published by Haynes in 2013.

There are more details of Spaceship Away on the Spaceship Away website.

Haynes to publish Dan Dare Operations Manual

Dan Dare Spacefleet Operations Manual
Promotional Cover only, subject
to change

British publisher Haynes is following up its successful fictional guides to the workings of Thunderbirds and Wallace & Gromit with a Dan Dare Spacefleet Operations Manual, written by Rod Barzilay with illustrations by Graham Bleathman.

Set for release next June, this innovative Haynes Manual will take a detailed look inside the spaceships, space stations and various other craft that played such a huge part in bringing the excitement of space travel to the Dan Dare stories featured in Eagle.

Beautifully illustrated with cutaway artwork by Graham Bleathman and supported by fabulous contemporary comic-strip art, Haynes tells us this  will be "the ultimate technical guide to the spaceships of Dan Dare and a wonderful addition to every comic fan’s bookshelf".

The book includes:

• An  introduction by Dan Dare and brief history of world government
• New discoveries, including cutaways of impulse drive and gravity motors
• Spacefleet and civilian spacecraft, including cutaways of all major craft
• Bases, space stations and defence craft, including Spacefleet HQ
• Alien craft including the Mekon's craft and feature on Dan Dare's own ship, the Anastasia
• New drive systems and what the future holds

Rod Barzilay will of course be well known to many downthetubes readers as the fouding editor of the Dan Dare-inspired comic magazine Spaceship Away, while Graham Bleathman's art has graced a huge range of newspapers and magazines, from cutaways of Thunderbirds and other Gerry Anderson craft to the workings of Walford's famous  square from EastEnders.

Haynes launches Thunderbirds Manual

On sale this week in all good bookshops is The Haynes Thunderbirds Agents’ Technical Manual featuring some terrific art by Graham Bleathman and offering unprecedented insight into the (sadly, fictional) workings of the Thunderbirds craft and associated rescue vehicles.

With its fleet of incredible Thunderbirds craft piloted by the heroic Tracy brothers, International Rescue, the creation of Gerry and Sylvia Anderson for the 1960s Thunderbirds TV show, is the world’s foremost rescue organisation, equipped to answer any call for assistance.

Haynes - who are enjoying success with these fictional manuals, which rub shoulders with their better-known real world guides to the inner workings of cars and bikes - tell us the confidential Thunderbirds Agents’ Technical Manual has been created "specifically to support agents on their most dangerous of missions and includes a personal introduction by International Rescue’s Founder and Commander in Chief, Jeff Tracy, as well as background information on inventor Brains’ amazing technological and scientific achievements of the late 21st Century."

All of which evokes memories in fans of a certain age of the kind of "shared secrets" that were part and parcel of reading TV Century 21 comic in the 1960s.

Featuring detailed and fully annotated cutaway drawings by renowned artist Graham Bleathman, agents will also have access to International Rescue personnel profiles and never-been-seen-before top-secret mission files relating to all major International Rescue call-outs. It details how Jeff Tracy can launch and manage missions from his Pacific island base, the secret hangars and specialised equipment used in missions to date.

The Manual has been compiled by Sam Denham, a leading authority on the work of Gerry and Sylvia Anderson, creators of Thunderbirds, and has written a variety of books and publications based on their programmes, in addition to working on other classic TV related projects.

Graham Bleathman is renowned for his cutaway drawings and no one knows more about the inner workings of the Thunderbirds vehicles. DownTheTubes readers may have seen his cutaway work before, in the 1980s Thunderbirds comic and elsewhere, and he's the artist on both Haynes Wallace and Gromit User Manuals. 

Reflecting the cross generational appeal of Thunderbirds, the Haynes Thunderbirds Agents’ Technical Manual also includes contributions from original Thunderbirds production artist Mike Trim, designer of many of the programme's famous 'pod' vehicles, and computer generated art created by talented young artist and film-maker Chris Thompson.


- Thunderbirds Agents’ Technical Manual will be available from all good bookshops from 7th June 2012 and direct from Haynes at www.haynes.co.uk or call 01963 442030, priced £14.99.

 

 

Spaceship Away 22 soars to the shelves

Spaceship Away Part 22, the comics magazine inspired by Eagle and featuring all-new Dan Dare advntures is now available from publisher Rod Barzilay.

This issue features a simply glorious wrap-around cover from Ian Kennedy and the Dan Dare adventure, Green Nemesis, has more pages than usual. Plus there's the usual selection of great comic strips including the start of a new Journey into Space tale, more of Frank Bellamy's Garth, coloured by John Ridgway, and another fine cutaway from Graham Bleathman.

Features include an article and more artwork from Eagle and Dan Dare artist Don Harley; while artists Bruce Cornwell contributes his own full Venus Shuttle colour cutaway development page from 1950 and Tim Booth gives an insight into his world.

Continuing the exploration of the history of Britain's favourite space hero, Pat Mills gives readers a behind the scenes, low-down on the later Dan Dares; Gary Erskine talks about the Virgin Dan Dare; and Rian Hughes is answering questions about his Dare, written by Grant Morrison. It's another cracking issue, so order now!

• To get Spaceship Away delivered to your door, simply go to www.spaceshipaway.org.uk and follow the links. Spaceship Away is also available in some specialist magazine shops.

Spaceship Away Soars Again

The latest issue of Spaceship Away, the science fiction comics magazine inspired by and featuring the original Dan Dare has just gone to the printers and will be on sale in all its usual outlets, and online, soon.

This issue, with a superb cover from veteran Dan Dare artist Don Harley, continues two ongoing Dan Dare stories, "Green Nemesis" by Rod Barzilay and Tim Booth, and "The Gates of Eden" by Tim alone, a brand new Dare adventure strip, set a year and a half before “The Red Moon Mystery”.

"Garth: The Bubble Man" by Frank Bellamy, beautifully coloured by John Ridgway continues this issue, as does "Journey in Space: Planet of Fear" written by by Charles Chilton, and drawn by Ferdinando Tacconi. Also featured is the first part of "Homecoming", an Ex Astris story by John Freeman and Mike Nicoll.

Feature wise, there's a report on the recent Spaceship Away day event and full information on Alistair Crompton's new book on Dan Dare creator Frank Hampson, Tomorrow Revisited, out later this year. Graham Bleathman providea a cutaway of Dan Dare's spaceship, the Anastasia, and there are some images of the original models used in the creation of the Dan Dare strip back in his original Eagle days, and an update on Day2Day Trading's new Dan Dare action figure which we've reported on here.

• To order the issue online visit: spaceshipaway.org.uk


• While we're on the subject of Dan Dare, comic fans may like to know he's invaded France... sort of. A page of "Dan Dare: The Man From Nowhere", first published in Eagle Volume 6, Issue 21, cover dated 27 May 1955 is currently n display at the Comics Museum in Angoulême. downthetubes readers Chris Weston and Sean Phillips helped out with the identification of the piece for the Museum after an appeal for info from Paul Gravett.

Spaceship Away 18 Arrives!

After a few printing delays, we're pleased to report that Spaceship Away Part 18 - the British comics SF magazine inspired by space hero Dan Dare - is now available, and most prepaid subscriber issues have been posted.

Apart from its regular three Dan Dare strips - with Keith Page's Rocket Pilot prequel story reaching a conclusion this issue - artist Bruce Cornwell writes about his work on the Dan Dare comic for Eagle, artist Don Harley provides artwork of the 1960 Dare team and both Gerald Palmer and Harley have delivered an impressive 1960's Dan Dare centrespread while illustrator Gragam Bleathman provides a Zylbat spaceship cutaway and top Commando and Starblazer artist Ian Kennedy a painting of Dan Dare's ship, the Anastasia.

The issue also sees the final part, for now, of Ex Astris by John Freeman and Mike Nicoll, but the the strip will return to the Magazine next year - and this time, it will be for an ongoing run. (more on this on the Ex Astris blog)

It looks like it's going to be an interesting year ahead for the SF comic magazine: in addition to continuing Dan Dare stories and more, Issue 19 will see the arrival of the Daily Mirror's classic strip Garth, coloured by John Ridgway - a story that has never been reprinted in the UK.

• Spaceship Away Part 18 is being distributed to existing subscribers. For more about the issue, click here

• To order Spaceship Away, click here

Tube Surfing: 2 December 2008

It is not often we would advertise cars here on downthetubes but take a look at this cutaway of a Honda Accord. The artist is Graham Bleathman, more familiar perhaps for creating cutaways of Thunderbirds or other Gerry Anderson creations. Graham turned the inside of the vehicle into numerous rooms with workers in them performing the functions that the car requires. These designs were then passed over to model makers and CGI animators to turn the concept into a 30 second Honda advert entitled All In One Place. More of Graham's designs for the car, and the finished advert, can be found on the Motion Theory website. Other examples of Graham's work can be found on his own website.

The London Evening Standard began reprinting Modesty Blaise strips as of yesterday. The strip is The Gabriel Set-Up written, as all Modesty Blaise newspaper strips were, by Peter O'Donnell with art by Jim Holdaway. This was the third Modesty story originally published in the London Evening Standard beginning in January 1964 and reprinted in the first of Titan's current set of Modesty Blaise softcover reprint books, itself entitled The Gabriel Set-Up. It is good to see a major newspaper printing an adventure strip, even if it is one that is readily available elsewhere, so let's hope that they get good feedback from their readers.

Meanwhile in the new Radio Times, the one with the Doctor Who Christmas special on the cover, artist Graeme Neil Reid has turned mild mannered reporter Andrew Marr into SuperMarr in a four image colour comic strip as part of the magazine's Review Of The Year. Graeme talks about the creation of the strip on his blog I Got No Work Done Today Because... and teases about a new secret project that he is working on.

The Western Fiction Review blog has an interview with Doctor Who cover artist Tony Masero on the subject of his numerous covers for western novels including the Edge and Adam Steele series. Masero produced covers for Target Doctor Who paperbacks as diverse as the first Doctor story The Reign Of Terror, the third Doctor story The Ambassadors Of Death and the sixth Doctor story Terror Of The Vervoids which do receive a passing mention in the interview.

Finally a brief piece of Commando Webbing. Commando and Panini Spiderman writer Ferg Handley is interviewed on the Commando Mag website using questions supplied by Commando readers. In the interview, which is spread over two parts, Ferg talks about his inspiration of writing the war stories and the amount of research that they entail, as well as discussing his recurring Commando characters, Ramsey's Raiders. While Ferg does not have a website or a blog he will be appearing at the Hi-Ex comics convention in Inverness on 14/15 February 2009. Part One of the interview is here, followed by part two here.

(With thanks to Katie Bleathman, Richard Sheaf and Steve Holland)